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Is Shudder Worth My Money? (Plus a List of Available Titles)

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Shudder, the new horror movie streaming service from AMC has been sending out invitations to its beta, and I’ve been lucky enough to get one fairly early. A lot of horror fans are no doubt wondering if the service will be worth their money once they have the option to subscribe. The short answer is probably.

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Now let’s get to the long answer.

At the very least, it’s worth a free trial, which they’re offering up front. In fact, they’re giving those with access a 60-day free trial, which is twice as long as you’d get with most services, including Netflix. That’s a pretty good amount of time to get familiar with what Shudder has to offer.

Beyond the free trial, you can pay $4.99 a month or save $10 by paying $49.99 for a whole year. It’s only available in the U.S. to start, but will expand worldwide “soon”.

The biggest selling points for this service are going to be the titles offered, how they differ from those of competitors like Netflix and Hulu, how frequently new ones are added, and how easy it will be to watch these titles on the device of your choosing.

Considering that the service only just launched in beta, it’s doing pretty well in the titles department. See the end of the article for the full list of what’s available. There’s a pretty good selection across a broad range of sub-genres. There are classics, modern classics, not-so-classics and a lot of stuff in between. In the end, you’re likely to find some titles you’re interested in regardless of what kind of horror fan you are.

Still, it’s unclear how often it will be updated with new titles, and once the trial period wears off, that’s going to be a major point of consideration for those deciding whether or not to pay for this each month. Unless horror is the ONLY kind of movie you like, you’re not going to want to cancel your Netflix subscription and just use this, so if you are already use Netflix, you’re looking at an extra monthly bill, and there is a great deal of overlap between what’s available on both services. If Shudder can get more new releases on a fairly regular basis as well as some more obscure oldies, they’ll have a good shot at earning your hard earned money.

Another thing that could help, and which has certainly helped Netflix, would be adding high quality original content, not to mention TV shows in general. Despite this being an AMC product, for example, there’s no The Walking Dead (which is a huge hit on Netflix).

Shudder does offer users the ability to request titles. There’s a nice little form that lets you include a title and its director. They say they’ll use requests to shape their strategy for getting content. Obviously a request is no guarantee that they’ll get what you want, but it’s nice that they’re giving users the ability to weigh in.

There is an interesting Livestream feature that serves as a 24/7 running channel of horror content. I’ve glanced at it a couple of times to find things I didn’t recognize playing. Unfortunately, there was no information readily available telling me what I was seeing. I’m not sure how often people would use this feature, but I guess it could be fun for Twitter-based viewing parties.

 

The actual site’s usability could be a little better. There’s no search function, and it could really use the ability to save movies to a queue like Netflix. We must remember it’s still in beta, however, and everything about it is likely to improve. In fact, they already say the search feature is in development. For now, you can sort alphabetically, by release date or by those that have been watched/reviewed the most.

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To find titles so far, I’ve just been clicking through the entire list and making my own list in a Google Doc of what I want to watch, just to keep track. They also have lists of specific types of movies so you can browse that way. These include things like “A-Horror,” “Psychos and Madmen,” “Identity Crisis,” Comedy of Terrors,” etc.

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One thing that’s a little misleading and off-putting is that they’ll use images from movies that aren’t actually available to stream to represent categories. They use an image from Contracted to represent the body horror collection “Gross anatomy” for example, but don’t include that actual film. They use an image of Danny from The Shining for a documentary collection. I assumed that meant I’d find Room 237 in there, but this is not the case. This isn’t a huge deal. Just a minor annoyance. To add insult to injury, both Contracted and Room 237 are available on Netflix.

Overall, however, I’m quite pleased with Shudder. So far, I’ve watched two films  (Asylum Blackout and Red, White & Blue – both of which I’d recommend, by the way), and I’ve been very happy with the service so far. Picture and audio quality have been non-issues, and I’ve experienced no playback issues whatsoever.

In terms of device compatibility, Shudder only works from the web browser for now, but that will change soon. They’ve already said they’ll have iOS, Android, and Roku compatibility in the future, though no timeline has been given to my knowledge. These (and other) platforms will be key for a lot of people.

Your best bet for watching Shudder content on your TV right now is to have a Chromecast. If you use one of these $35 devices, you can use Google’s Chrome web browser to watch Shudder on your television pretty easily. That doesn’t really help you if you want to watch stuff on your phone or tablet though.

Here’s a complete list of titles on Shudder as of the time of this writing:

A Tale of Two Sisters

The ABCs of Death

Absentia

Acolytes

An American Werewolf in London

Anamorph

And Now the Screaming Starts

Antichrist

Apartment 143

Area 407

Asylum

Asylum Blackout

Bad Biology

Baron Blood

A Bay of Blood

Before the Fall

Beyond the Black Rainbow

Birdemic

Black Death

Black Sabbath

Black Sunday

Blood Car

Bloody Birthday

Burke and Hare

Cadaver

Canniba! The Musical

Carnival of Souls

Castle Freak

Chaw

Choose

Citadel

City of the Living Dead

Class of Nuke ‘Em High

Cockneys vs Zombies

Cold Sweat

Combat Shock

Cropsey

Crowsnest

Dark Mirror

Dark Star

Day of the Dead

Dead & Buried

Deadgirl

Dead Hooker in a Trunk

Dead Snow

Deadly Blessing

Death Bell

Deathdream

Deep Red

The Disappeared

Discopath

Doghouse

Don’t Look Back

Don’t Torture a Duckling

Donkey Punch

Dr. Jekyll and Mr. Hyde

Dream Home

Eaten Alive (Hooper)

Exam

Exorcismus

Faces of Death

Fascination

Fathers Day

Fears of the Dark

Fermat’s Room

Five Dolls for an August Moon

Frankenhooker

Frankenstein’s Army

Frightmare

Ganja & Hess

The Ghost Galleon

The Grapes of Death

Grotesque

Habit

Heartless

Hellgate

Henry: Portrait of a Serial Killer

High Lane

Hobo with a Shotgun

Home Movie

Horror Express

How to Make a Monster
Hush

I Am a Ghost

I Saw the Devil

I Sell the Dead

Ichi the Killer

In Their Skin

In Their Sleep

Intruder

John Dies at the End

Jug Face

Julia’s Eyes

Ka-Boom

Kidnapped

Kill Baby Kill

Kill List

Leftbank

Let Sleeping Corpses Lie

Let the Right One In

Lisa and the Devil

Lost Soul

Lucky Bastard

The Machine Girl

Magic

Maniac

Maniac Cop

Marebito

Memento Mori

Monsters

Mother’s Day

Murder Party

Mutants

Night of the Living Dead

Nightbreed: The Director’s Cut

Nightmares in Red, White And Blue

Nosferatu

Nosferatu, The Vampyre

Occupant

Opera

Paintball

Penumbra

Piranha 3D

Playback

Pontypool

Prey

Puffball

Pulse

Puppet Master

PVC-1

Red, White & Blue

Requiem

Requiem For a Vampire

Return to Sleepaway Camp

Riki-Oh: The Story of Ricky

Rites of Spring

Room of Death

S&Man

Saint

Santa Sangre

Sauna

Schizo

Septien

Severance

Shadow

Shakma

Sheitan

Shock Waves

Shrooms

Shutter

Shuttle

Sick Nurses

Simon Killer

Sleep Tight

Sleepaway Camp

Southern Gothic

Spider Baby

Spiderhole

Splinter

Stitches

Storage 24

Summer of Blood

Tetsuo the Iron Man

The Appeared

The Battery

The Beast Must Die

The Cabinet of Dr. Caligari

The Church

The Corridor

The Countess

The Crazies (Romero)

The Devil’s Rain

The Devil’s Rock

The Eclipse

The Evil Eye

The Golem

The Haunted Castle

The Horror Party Beach

The Host

The House of the Devil

The Housemaid

The Human Centipede

The Human Centipede 2

The Innkeepers

The Last Winter

The Living and the Dead

The Monkey’s Paw

The Moth Diaries

The Objective

The Pact

The Possession of David O’Reilly

The Shiver of the Vampires

The Shrine

The Silent House

The Skeptic

The Snowtown Murders

The Toolbox Murders

The Toxic Avenger

The Whip and the Body

Them

Timecrimes

Toad Road

Tokyo Gore Police

Tombs of the Blind Dead

Tormented

Tourist Trap

Trail of the Screaming Forehead

Troll Hunter

Tucker & Dale vs. Evil

Two Evil Eyes

Undocumented

V/H/S

Vampires

Vampyres

Victim

We Are the Night

We Are What We Are

Werewolves on Wheels

Whispering Corridors

White Zombie

The Wild Man of the Navidad

Wishing Stairs

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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