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Author William J. Hall Takes Us Inside ‘The World’s Most Haunted House’

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For author William J. Hall, the road to writing The World’s Most Haunted House: The True Story of the Bridgeport Poltergeist on Lindley Street was almost as interesting as the case itself, and he filled us in on that journey along with information about the famed haunting in a recent interview.

Hall has been a magician since he was seven years old, though he’s quick to point out that he wasn’t a very good magician at that age. A lifelong fan of Houdini, it was perhaps his knowledge of the famed escape artist’s interest in the occult and the paranormal that ultimately fueled his own.

“Houdini devoted almost 30 years of his life to the study of what we could today call the paranormal,” Hall explains. “He was a victim of his time, however; spiritualism was what was going on then, and so much of that was faked.”

Spiritualism, a movement that was popular in the early 20th Century, celebrated the existence of spirits and ghost. It unfortunately also gave rise to a whole host of fake mediums and charlatans who preyed on believers often demanding great sums of money to contact the dead in their own intricately rigged parlors.

Still, it never stopped Houdini’s pursuit or his study.

“He really wanted to find proof; he wanted it to exist,” Hall continued. “He had the largest collection of books on spiritualism in the entire world at the time.”

And so, Hall followed in the legend’s footsteps, and has spent years often debunking paranormal phenomena while still holding out hope to find a case that could not be dis-proven.

Oddly enough, Hall grew up not too far away from what could be considered Ground Zero for one of the most active and without a doubt the most witnessed cases of poltergeist infestation the U.S. has ever seen.

The case involved the unassuming home of the Goodin family on Lindley Street in Bridgeport, Connecticut who were plagued by nearly constant activity for more than two years after adopting a young girl named Marcia after the death of their own child. Witnesses, and there were more than you can imagine, reported seeing furniture move, the sound of strange knockings, physical contact with an invisible force, and even audible voices that seemed to come from nowhere.

Hall had heard about the house when he was a child, but it had never really been on his investigative radar as an adult at least in part because of his natural skepticism.

The crowds that gathered outside the Goodin home.

“I would do magic shows later on and I’d have people come up to me and ask me what I thought about the house on Lindley Street I’d tell them anyone could throw dishes around and then call the newspapers,” he says, laughing. “They’d ask me why people would do that and I’d tell them that people do all kinds of crazy things. Rich people commit fraud all the time. Human behavior often doesn’t make sense.”

Finally, after years of this, someone posted in a Facebook group that had been set up for people who grew up in Bridgeport asking if anyone remembered the haunting at the house on Lindley Street. For whatever reason, that post clicked for Hall and for the first time ever he began actually researching the case.

He really had no idea what he would discover, nor the hours, days, weeks, and months the case would consume.

The first thing that struck the author was the scope of coverage of the events. Newspapers as far away as Australia and China had written about the occurrences in 1974 at the height of the phenomena, and Hall began making a list of everyone whose name was mentioned in the articles.

The first person he reached out to, former police officer Joe Tomek, was admittedly hesitant at first. He eventually opened up to Hall, however, telling him that he was about ninety-seven percent certain that what he saw was real.

He also told Hall that the department forced him to be interviewed about what he saw. With that information in hand, he went on to track down Boyce Beatty, the man who, it turned out had conducted those interviews.

“I contacted Boyce as he was listed as one of the investigators who spent time in the house, and mentioned the interviews. He told me he had conducted the interviews himself,” the author explains. “So, I asked if he had access to them and he said, ‘Well, I think so. They’re in my basement.'”

It was Hall’s first really big breakthrough in his research and he quickly made plans to meet Beatty at his home. Beatty told him that the interviews were taken with promises made to the family that they’d be kept private, but that he was willing to share them as the Mr. and Mrs. Goodin were deceased and Marcia had disappeared completely upon reaching adulthood.

Hall left Beatty’s home with 22 cassette tapes plus eight additional hours worth of reel-to-reel tape of police interviews which he had to have converted in order to listen to their contents. By the time he was 22 or 23 hours into the 30 plus hours of recordings, he could no longer deny the validity of what he had heard.

The numerous tapes and reel-to-reel recordings of interviews taken 1974-75.

“I told a fellow magician friend of mine, ‘I can’t tell you what happened for certain but I can tell you something happened here,'” Hall says. “It was the first time where you not only had a lot of witnesses but you actually had multiple witnesses describing the exact same incidents in the house from their own perspective.”

Adding to the validity of the witness statements for Hall was the timeline in which their testimonies were taken. Most of them happened within weeks of their witnessing the strange phenomena inside the house, not years or even decades later as is so often the case.

With all this evidence, Hall decided that the story needed to be told in the most definitive way possible, and he set out to write it all down. It was an act that, he would discover later, would provide closure for an entire community of people who had been touched by the goings on in the house.

“It was a weird sort of Six Degrees of Kevin Bacon kind of thing,” he points out. “This was Six Degrees of Lindley Street, and even after the book was published, I would have people come up to me at signing and readings to thank me for reporting all of this. Their fathers or siblings or whoever had been witnesses or had been among the crowds who stood outside the house and saw two large stone swans planters move on their own, and this validated what they’d always believed.”

This idea of closure is very important to the author and also to many who were involved in some way at the time. This was, after all, a very human story, happening to an otherwise very normal family who were confronted with not only dealing with the extreme activity going on inside their home, but also the growing crowds who gathered outside hoping to witness something and failing that, to make fun of those who said they had.

“Jerry [the father] was trying to go to work and people wouldn’t stop harassing him and making fun of him,” Hall says. “Their tires were slashed and people would pull their clothes off the line outside. Jerry was a maintenance man and Laura was a housewife and this didn’t just become public. It became extremely public, especially when Ed and Lorraine Warren became involved.”

Ed and Lorraine Warren

Ed and Lorraine Warren are almost synonymous with Paranormal Investigation, their many investigations being heavily documented and scrutinized for decades, but they were known to come on a bit strong. Ed especially, perhaps because he wanted so badly to be believed and to show others proof of what he and Lorraine discovered, was notorious for calling the press when they came across an especially convincing case.

“The family became quite angry when Ed called the AP Wire to report the story,” Hall points out. “They were trying to keep everything quiet, and when the Warrens brought in video and other equipment, the Goodins put their foot down.”

When the local police department decided to claim that the entire series of events was a hoax after it was discovered that Marcia had been responsible for certain “events”, they even went so far as to accuse Ed Warren of giving everyone in the house candies laced with LSD.

Through all of this, Hall repeats that it was really the overwhelming amount of witnesses and statements that make this case so compelling. It was a small house and the fact that phenomena would be happening in every single room simultaneously cements the validity of poltergeist activity in the home.

“You simply could not fake all of that without someone seeing it,” he says.

After the police department declared the entire affair a hoax, the crowds began to die down but the abuse and taunts thrown at the family? Not so much.

They moved away, and after she graduated Marcia disappeared completely, though Hall did eventually find that she’d moved to Canada and died at the age of 52 from complications from MS and epilepsy.

“We know that there seems to be a link between epilepsy and poltergeist activity,” he says. “I say seems to be because there just hasn’t been enough research into the subject, but it does make sense to find that out about her.”

When no one came forward to claim Marcia’s ashes, Hall signed for them and kept them himself until a member of her biological family came forward. It was an enlightening experience to learn more about that family and the reasons why she was given up for adoption, which he included in a later edition of the book.

The book itself is one of the most interesting of its kind that I have ever read including transcriptions of numerous interviews, police statements, etc., and presenting its readers with a staggering amount of information, and I kept wondering with the amount of movies we’ve seen in the genre that deal with real life paranormal stories, why it was that no one has stepped in to adapt it for the screen.

Perhaps it’s only a matter of time until they do.

In the meantime, be sure to check out The World’s Most Haunted House: The True Story of the Bridgeport Poltergeist on Lindley Street. It’s available on multiple formats, including and Audible edition.

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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