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5 Reasons Why Anjelica Huston is the Most Horrifying Movie Witch… Ever

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Written by Patti Pauley

There’s just something about Anjelica Huston peeling off her humanoid face in The Witches that makes you want to squirm and throw holy water all over the damn place.

If you were a horror kid in the ’90s, chances are you’ve seen Anjelica Huston in all her genre glory as she so brilliantly took on the coveted role of a lifetime, Morticia Addams in the Addams Family movies; and nailed the shit out of it staking her claim as the modern babe in black we both wanted as a wife and mother. She was a goth goddess and we loved her for it.

However, before she was clipping off heads of rosebuds in her gothic garden, she solidified her spot in history in 1990 with her terrifying portrayal of Roald Dahl’s Grand High Witch.

 

Adapted from the 1983 Dahl book and sadly, the last movie the great Jim Henson produced, The Witches brought just the right amount of intensity to the screen for young viewers without going over the PG rating. That’s quite an impressive feat considering the main antagonist of the film was in so many words, the Charles Manson of the witch world ordering her disciples to get rid of every last child on Earth through what else? Chocolate, of course. Chocolate that turns the repulsive, dogs dropping smelling, little brats into mice. While the premise alone is something that could give any small kid a few nightmares at bedtime, it was Huston’s performance in The Witches that scared the literal crap out of kids back in the beginning of the ’90s decade.

So on this day, which also happens to be Miss Huston’s birthday, we celebrate why the almighty Grand High Witch was and still is, the most horrifying witch on screen. *Spoilers ahead if you have yet to see this nostalgic theatrical gem.

The Grand High Witch Revealed 

As stated at the top of this jam, not sure there’s anything more horrifying to a child than watching someone as beautiful as Huston peel the skin of her mug like a Mary Kay face mask to reveal her true hideous self.

It always bugged me how she was able to mask that enormously elongated nose underneath her disguise, but I suppose The Grand High Witch has her ways and I probably shouldn’t question it otherwise I may end up a pile of ashes. Which leads us into the next example.

The Grand High Witch doesn’t like smack talk

See here’s the thing: if you’re a low-ranking witch in the same room as your superior, you should probably keep your opinions to yourself. And for fuck’s sake don’t mutter crap under your breath within ears reach of the most powerful woman in the world. Even though the comment was a mere observation and harmless, the Grand High Witch made it painfully clear even the slightest apprehension from her subordinates will cost them dearly.

Bye, Bye Bruno!

Holy hell, does the Witch Queen hate children or what?! During the little witch convention, your scabby Highness shows off her latest, and very gweatest invention- Formula 86. The very potion to be diluted into candy bars that are to be dispersed to children worldwide. So she brings in a visual demonstration of what to expect to see once the formula goes into action. Looks like Conal Cochran has some serious competition here.

She outright tries to kill this baby

The Grand High Witch shows no mercy even towards infants. That’s some pure evil shit right there ladies and gentlemen. Luckily our flick’s protagonist little Luke intervenes and saves the day because I’m not so sure I could deal with that kind of baby killing fuckery in a supposed family friendly film.

She’s even terrifying as a damn mouse 

The Skeksis have nothing on the Grand High Witch in pure rodent form.  When plans backfire, the Witch of all witches finds herself in quite the predicament. If you didn’t have a phobia of mice and rats before, you might have one now because the Grand Highness’ rodent transformation is the ultimate in sewer rodent nightmares. And then what happens? She gets squashed by Mr. Bean.

Mr. Fucking. Bean.

This guy right here killed the Grand High Witch. I guess not even the head of the witches can compete with this kind of mojo.

So all together now, let’s wish her Majesty of sorcery and perfect jet-black hair a happy birthday! Thanks for all the paranoia when stepping into a candy shop as a kid.

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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