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Indie Movie Review: ‘Headless’ (The Spin-Off of ‘Found’)

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2014 finally brought Scott Schirmer’s Found to a wider audience, along with the announcement that its film within a film, Headless, would go into production thanks to a successful Kickstarter campaign. I had the good fortune of attending Found’s premiere in Indiana back in 2012, and as soon it was over, people were already asking if Schirmer and crew would make a standalone feature of Headless. It left that big of an impression (it also led to Found being banned in Australia).

Schirmer actually worked on Headless in the capacities of co-producer and co-editor, and let Arthur Cullipher, who led the gore effects on Found, take over directorial duties. The result is a film that makes use of its micro-budget just as efficiently as Found, while taking on a wildly different feel. It does maintain the feel the original Headless segment set up wonderfully, and takes it to new extremes and into the territory from which the original was truly inspired. That would be the insane and sometimes hard-to-find bloodbath flicks of the seventies and early eighties.

When I interviewed screenwriter Nathan Erdel (Todd Rigney, who wrote Found sat this one out) about the direction he planned to take Headless in back in July, he mentioned films like The Last House on Dead End Street and The Headless Eyes – both somewhat obscure and nutty films from the aforementioned era. Having seen the final product, I can tell you the whole team did a fantastic job of capturing that feel. I’d add that I couldn’t help but think about the original Maniac and Texas Chainsaw Massacre at times as well. To be clear, Headless doesn’t borrow too heavily from any of these films directly. It just has that old, dirty feel.

Yes, like Found, it’s low budget, so if you’re looking for some polished Hollywood fare, you’re looking in the wrong place. Quite frankly, too big a budget would probably only hurt a movie like this anyway. If you’ve seen Found, then you’ve seen what Headless is about, and Headless the feature perfectly extends that universe right into an hour and a half of depravity that never has a dull moment. It even manages to work some genuine creepiness in beyond the obvious slasher and gorefest elements you already know you’ll be consuming. This is helped with the introduction of a new “character” known (though not referred to in the movie by name) as “Skullboy”.

skullboy from headless

Skullboy would be our killer’s subconscious/imaginary friend, who kind of serves as a guide on his path of mayhem. This could be silly if not handled right, but it’s handled so, so right. It gives us another character to watch, and helps illustrate the killer’s extremely fucked state of mind and backstory.

The gore effects are fantastically fun, and are even elevated from what we saw in Found, and that’s a very good thing as Headless is certainly a showcase of practical effects.

Where it differs significantly from its seventies inspirations is that it never drags or feels like it’s going on too long. For a movie with so much severed head intercourse, somehow it never feels overplayed. There are also some moments of humor, which probably help in that department as well.

The score and other music work wonderfully, and help create the perfect complement to the trippy visuals, while the acting is right where it needs to be for this kind of film.

Keep in mind, Headless is literally supposed to be a movie from 1978. That’s the tape Found’s characters watched in that film. The real Headless is meant to be that very movie (though it does play out a bit differently than the original tape did – in a totally good way).

Ultimately, Headless is an entertaining slasher film for those who appreciate horror that takes things further than the norm. I would highly recommend anyone who hasn’t seen Found watch that first, because it gives you the context for what Headless is actually trying to be. Still, I believe it stands just fine on its own.

I’ve been waiting for this movie for nearly three years, and I couldn’t be happier with the result. I don’t have a release date for you yet, but it’s getting its premiere on Saturday at Culture Shock in Indianapolis.

You can read our interviews with Cullipher and Shane Beasley, who plays the Headless killer (in both movies) here, and our interviews with Schirmer and co-producer Kara Erdel here and here respectively.

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Brad Dourif Says He’s Retiring Except For One Important Role

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Brad Dourif has been doing movies for nearly 50 years. Now it seems he is walking away from the industry at 74 to enjoy his golden years. Except, there is a caveat.

Recently, digital entertainment publication JoBlo’s Tyler Nichols talked to some of the Chucky television series cast members. During the interview, Dourif made an announcement.

“Dourif said that he’s retired from acting,” says Nichols. “The only reason he came back for the show was because of his daughter Fiona and he considers Chucky creator Don Mancini to be family. But for non-Chucky stuff, he considers himself retired.”

Dourif has voiced the possessed doll since 1988 (minus the 2019 reboot). The original movie “Child’s Play” has become such a cult classic it’s at the top of some people’s best chillers of all time. Chucky himself is ingrained in pop culture history much like Frankenstein or Jason Voorhees.

While Dourif may be known for his famous voiceover, he is also an Oscar-nominated actor for his part in One Flew Over the Cuckoo’s Nest. Another famous horror role is The Gemini Killer in William Peter Blatty’s Exorcist III. And who can forget Betazoid Lon Suder in Star Trek: Voyager?

The good news is that Don Mancini is already pitching a concept for season four of Chucky which might also include a feature-length movie with a series tie-in. So, Although Dourif says he is retiring from the industry, ironically he is Chucky’s friend till the end.

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Editorial

7 Great ‘Scream’ Fan Films & Shorts Worth a Watch

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The Scream franchise is such an iconic series, that many budding filmmakers take inspiration from it and make their own sequels or, at least, build upon the original universe created by screenwriter Kevin Williamson. YouTube is the perfect medium to showcase these talents (and budgets) with fan-made homages with their own personal twists.

The great thing about Ghostface is that he can appear anywhere, in any town, he just needs the signature mask, knife, and unhinged motive. Thanks to Fair Use laws it’s possible to expand upon Wes Craven’s creation by simply getting a group of young adults together and killing them off one by one. Oh, and don’t forget the twist. You’ll notice that Roger Jackson’s famous Ghostface voice is uncanny valley, but you get the gist.

We have gathered five fan films/shorts related to Scream that we thought were pretty good. Although they can’t possibly match the beats of a $33 million blockbuster, they get by on what they have. But who needs money? If you’re talented and motivated anything is possible as proven by these filmmakers who are well on their way to the big leagues.

Take a look at the below films and let us know what you think. And while you’re at it, leave these young filmmakers a thumbs up, or leave them a comment to encourage them to create more films. Besides, where else are you going to see Ghostface vs. a Katana all set to a hip-hop soundtrack?

Scream Live (2023)

Scream Live

Ghostface (2021)

Ghostface

Ghost Face (2023)

Ghost Face

Don’t Scream (2022)

Don’t Scream

Scream: A Fan Film (2023)

Scream: A Fan Film

The Scream (2023)

The Scream

A Scream Fan Film (2023)

A Scream Fan Film
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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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