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iHorror Talks With Legendary Adrienne Barbeau At Wizard World, San Jose.

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Adrienne Barbeau is an actress best known in the horror community for her involvement in The Fog, Creepshow, Swamp Thing, and Escape From New York. Barbeau was also married to cult classic film director John Carpenter for a brief period. Adrienne’s first theatrical film appearance was in John Carpenter’s The Fog in 1980, and the film did quite well at the box office. Many of Barbeau’s early films turned into cult classics. Before the wonderful world of horror and Syfy was introduced into Barbeau’s life she was involved in musicals and plays, a notable role she played was the original Rizzo for the Broadway production of Grease.

Time has definitely not stopped this resourceful and beautiful actress in doing what she loves.

Adrienne was very busy at Wizard World greeting fans, taking photos and signing autographs. iHorror was able to speak to Adrienne very briefly about the future of her career within the horror genre.

Enjoy!

iHorror: Do you have anything in the horror genre coming up?

Adrienne Barbeau: Yes, I have several. The first one that will premiere will be Tales of Halloween. You have probably been hearing about that; it’s an anthology.

iH: Tales of Halloween looks awesome, and that is great that you will be a part of it!

AB: I am doing sort of a cameo in it. I did a film last year that is in post, I do not know when it will be out with Tobin Bell, John Savage, and Leslie Andown called In Extremes. I also did a SyFy film with Casper Van Dean and Sean, umm, yes Maher is his last name, he was on a series called Butterfly; anyway that will be out sooner than later. And my novel Love Bites was just purchased by Carolco, and they anticipate to start filming next January.

iH: Are you going to have any involvement?

AB: I co-wrote the screenplay, and I will be playing one of the secondary characters. To old to play the vampire (laughs out loud).

iH: How many novels have you written?

AB: I have written three. It started with Vampires of Hollywood, and I co-wrote that one. And Love Bites is the sequel to that, I wrote that by myself. I also wrote There Are Worst Things That I Can Do, well that is my memoir, the story of all the movies, you know and being married to John [Carpenter]. And Make Me Dead was just released as an e-book on Amazon, so you can get that one for cheap. And actually that takes place in a comic book convention.

iH: Oh wow, that is so appropriate.

Adrienne, thank you very much for speaking to us about your upcoming involvement in horror. We look forward to all your future endeavors!

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Whenever I attend a convention, I have a blast! I cannot describe the feeling I get when hundreds of fans that enjoy and have the same type of love and dedication of horror surround me, and Wizard World was no exception. My absolute favorite part are the panels. The panels I believe, really give the fans that unscripted insight to the actor, actress, or whoever is on stage speaking. Adrienne Darbeau was outright amazing; I was glued to her speaking points the entire 45 minutes, which, of course, was not enough. She truly has a love for her fans and enjoys when they approach her and talk about the movies she has involved herself in over the years. I wanted to share a few highlights from the panel at Wizard World.

Who did you have the most fun working with?

“The one that really, really made my life wonderful was Donald Pleasence. Donald Pleasence was one of the funniest men that I have ever worked with.  And he would start on a rift and we would get ready to roll and John [Carpenter] would say okay “Action” and I would say (laughs out loud) ‘Stop I can’t, I can’t give me a second.’ Donald would have said something underneath his breath that would have just set me off. He was hysterical! Just hysterical!”

You had done everything from Escape To New York, to The Fog, Creepshow, etc. If there is a way to touch on, what has been the most memorable experience when it came down to working with Wes Craven?

“Oh with working with Wes. You should know that I have a memoir an autobiography called There Are Worst Things That I Can Do. I pulled the name from the song that I sang in Grease, and there is an entire chapter in there about making Swamp Thing. But what I remember, unfortunately Swamp Thing of all the films that I have done that your audience would know is one of the most difficult because Wes wrote an incredible script, it was just a beautiful script. When we got to South Carolina they just started pulling money out from under him. One day when we came out, well this doesn’t have to do so much with Wes as it does with production. We showed up to work, and there was no makeup trailer because they hadn’t paid the rent, so he really had his hands full making that film as wonderful as it came out to be. So what I really remember about Wes sitting there getting rid of entire scenes. There was one day when I had to do a scene and had to bop someone over the head with a fire extinguisher, and no one had a fire extinguisher. They had to make one out of rubber; you know foam rubber and painted it and we had to pretend that it had some weight and things like that”

“He was wonderful to work with, a lovely, lovely man. You probably if you are fans of Wes know his background he had never even saw a film until he was in his early twenties, he was raised very strict, a Baptist I believe. I can remember some of the stories that he told back then.”

What were you inspirations for your character Stevie Wayne in The Fog, did Carpenter give you any insight?

“He didn’t give me any insight. But he did write the role in hopes that I would play it. But in terms of the DJ voice, there was a disc jockey in Manhattan, in the late 60’s when I was living there named Alyson Steele. She had a radio show, a talk show, not a talk show, music, she was a disc jockey on the radio. And I believe she called herself “The Nightbird”, Alyson Steele “The Nightbird.” My recollection of her was that she had that sort of this Stevie Wayne (says it in the sexy Wayne voice) and so I sort of pulled on that for that part of it. In terms of the character itself John [Carpenter] wrote it for me, he knew me, he knew my sensibilities and the characters that I played. And the only disagreement that we ever had on the set was we were getting ready to film a scene where I’ve got the piece of driftwood, and I am in the lighthouse and the driftwood catches fire or something like that. And John said, ‘Okay sit down let’s go and let’s get started filming!’ I said, ‘sit down?’ And he said, ‘Yeah.’ I said uh I don’t think she would sit down John, she is too upset and nervous’ He said, ‘Oh, okay stand up and let’s go!’ And that was the only difference of opinion that we ever had.”

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Adrienne Barbeau reminisces about her wonderful experiences with Wes Craven and Swamp Thing (1982). Wizard World Comic Con San Jose, California

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Adrienne Barbeau explains that “Donald Pleasence was one of the funniest actors that she has ever worked with.” Wizard World Comic Con San Jose, California

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Actress Adrienne Barbeau & iHorror’s Ryan Cusick Wizard World Comic Con. San Jose, California

Make Me Dead

Love Bites

San Jose Wiazard World Logo 2015

 

Want more info on Adrienne & Wizard World?

Check Out The Links Below:

Facebook – Adrienne Barbeau

Twitter – Adrienne Barbeau

Adrienne Barbeau Official Website

Facebook – Wizard World

Twitter – Wizard World

Wizard World Official Website

The Fog

Stevie Wayne (Adrienne Darbeau).John Carpenter’s The Fog (1980)

 

-ABOUT THE AUTHOR-

Ryan Cusick is a writer for ihorror.com and very much enjoys conversation and writing about anything within the horror genre. Horror first sparked his interest after watching the original, The Amityville Horror when he was the tender age of three. Ryan lives in California with his wife and ten-year old daughter, who is also expressing interest in the horror genre. Ryan recently received his Master’s Degree in Psychology and hopes to some day write a novel. Ryan can be followed on twitter @Nytmare112

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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A24 Joins Blockbuster Movie Club With Their Biggest Opening Ever

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Everyone welcome A24 to the big leagues! Their latest film Civil War has broken a few records over the weekend. First, it’s the highest-grossing R-rated film of the year. Second, it’s the highest-grossing opening weekend A24 film ever. 

Although reviews of the action film are polarizing, it certainly captured the curiosity of moviegoers. Even if the ambiguous screenplay didn’t blow them away, they seemed to find it entertaining. Furthermore, a lot of ticket buyers lauded the film’s sound design and IMAX presentation. 

While not a straight-out horror movie, it does weave a thread on the hem of the genre thanks to its disturbing subject matter and graphic violence. 

It’s about time A24 came out of the independent movie trenches and into the blockbuster category. While their features are embraced by a niche group, it was time they swung for the fences to generate a bigger payday to compete with behemoth studios such as Warner Bros. and Universal who have been making money hand over fist over the past few years. 

While Civil War’s $25 million opening isn’t exactly a windfall in blockbuster terms it’s still solid enough in the mainstream movie-going climate to predict further success, if not by word of mouth, then by curiosity. 

A24’s biggest money maker to date is Everything Everywhere All at Once with an over $77 million domestic haul. Then it’s Talk to Me with over $48 million domestically. 

It’s not all good news. The film was made in-house for $50 million so if it tanks by week two, it could turn into a box office failure. That could be a possibility as the guys behind the Scream reboot, Radio Silence, will be on the marquee themselves for their vampire flick Abigail on April 19. That film has already generated some good buzz.

Even worse for Civil War, Ryan Gosling and Emma Stone’s own actioneer The Fall Guy is ready to usurp Civil War’s IMAX real estate on May 3. 

Whatever happens, A24 has proven over the weekend that with the right subject matter, an increased budget, and a streamlined ad campaign, they have now entered the blockbuster chat.

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