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Horror in Black and White: ‘The Cat and the Canary’ (1927)

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Welcome back to another entry in “Horror in Black and White,” a weekly series celebrating the monochromatic horror that shaped the genre and still gives us chills to this day. Up this week: The Cat and the Canary (1927), our first featured silent film!

Directed by Paul Leni, based on the play by John Willard, The Cat and the Canary helped establish one of the earliest tropes in the genre as its main players gather at the home of their deceased relative to hear the reading of his will twenty years after his passing.

The opening sequence is absolutely gorgeous as a gloved hand wipes away cobwebs and dust to reveal the film’s title before the opening titles explain that the deceased, Cyrus West, spent the latter part of his life like a bird in a cage surrounded by hungry cats.

Leni’s film, which is actually more sepia-toned than black and white, uses all of the tricks in the expressionist handbook as the film gets underway superimposing images over one another to create a creeping feeling of dread in the viewer.

That dread is intensified as West’s former maid, who seems to have lived in her former employer’s house for two decades on her own after the man’s passing wanders the halls, waiting for his lawyer and family to arrive.

They do, in turn, and each seems more menacing than the last save for the comically clumsy Paul Jones (Creighton Hale) and the beautiful and innocent Annabelle West (Laura La Plante).

Annabelle (Laura La Plante) and Paul (Creighton Hale) seem to be the only nice people in the family in The Cat and the Canary

Annabelle, of course, is named the estate’s sole beneficiary, but there are requirements, not the least of which is remaining in the house and submitting to an exam by a physician to determine if she is sane.

Before long, a murder has been committed, priceless jewels have been stolen and everyone is a suspect!

Walking the tightrope of dark comedy and horror, Leni and his cast each give memorable performances as their archetypal characters.

As previously mentioned, La Plante is rather radiant as Annabelle, though she, as was and is so often the case, is given little to do other than react to the horrors going on around her, and Hale is hilarious and charming as Paul.

Meanwhile, Martha Mattox and Tully Marshall almost seem in competition for the creepiest people in the house as the maid, Mammy Pleasant, and West’s lawyer, Crosby.

Gertrude Astor, the first woman to sign a contract with Universal Studios, is glamour personified with her perfect curls and makeup as cousin Cecily opposite Flora Finch’s frumpy and matronly, though admittedly high-strung, Aunt Susan.

Just what is going on in The Cat and the Canary?

What’s so amazing about The Cat and the Canary, however, is just how influential it has been on the genre. Certainly James Whale (Frankenstein) and Tod Browning (Dracula) were inspired by the film’s imagery, but they were hardly the last.

In fact, one could almost argue that its DNA can be found in almost every film about haunted houses and treacherous family that followed including The Old Dark House and not-so-surprisingly, Scooby-Doo.

Don’t let the fact that the film is silent deter you either. The version currently available for streaming has a pitch perfect score and William Anthony’s titles do an excellent job of filling in the few points the actors are unable to convey.

When it opened in September of 1927, The Cat and the Canary was declared a box office success and lauded by critics.

In fact, the film, and the play upon which it is based, was so well-loved that it was adapted five more times in the decades that followed including the 1939 version, which brought the text’s comedy to foreground, starring Bob Hope.

The Cat and the Canary is available for rent on Amazon and FlixFling starting at $2.99, and it’s perfect for a cold winter evening with the lights down low.

Check out the a clip from the film below and for more Horror in Black and White, check out last week’s entry with The Bad Seed!

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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