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[SXSW Review] ‘Upgrade’ Is a Searingly-Cool, Brutal Sci-Fi Gorefest

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Upgrade

I habitually follow whatever director/writer Leigh Whannell is up to. He has a trusted lineup of films out there, ranging from Saw to Insidious that I’ve always enjoyed. The really cool thing about this guy is that he innately feels like one of us. Just a regular ole horror fan. So, it’s par for the course that I was all aboard his latest sci-fi, horror, action film, Upgrade.

Upgrade is the first culmination of Blumhouse and Neon under the name of “Blumhouse Tilt.” I wasn’t sure where we were gonna go from there. Neon has done a lot of cool stuff in their own right, while Blumhouse has a primarily paranormal background. The peanut butter and sandwich that these two houses managed to make is a beast entirely up my alley. I say peanut butter, but Upgrade is more like peanut butter and jelly with a little bit of ecstasy sprinkled on top.

The film follows, Grey Trace after he and his girlfriend are savagely attacked leaving Grey, paralyzed from the neck down. When he is offered a chance at a normal life again by means of a microchip implant called Stem, he takes the opportunity. Once Stem is implanted, Grey begins hearing Stem talk to him, asking for control over his Grey’s body to assist in finding the dudes responsible for the attack.

Upgrade has a really cool ability to swerve in and out lanes that are made of the hilarious and over the top fun and can easily swerve back to the heavy hitting emotional stuff. This is the most Whannell film I have seen from him. This one feels like his voice more than previous work and I’m here for it.

Logan Marshall-Green plays Grey Trace and the guy seriously brings all aspects of the gambit. He can go from the emotional bits to the bloody bits in .5 seconds before coming back and hitting us with those heavy moving gut punches. Without giving too much away, I gotta say… Green is a badass on the levels of a melding of The Terminator and John Wick.

Upgrade is an indie film that manages to feel larger. It’s bridging the gap between an indie horror film and a kick-ass big action film. That bridge is where the undeniable charm of the film lay. It’s accomplishing big strides within its indie heart. I also really like that the film is obviously making an allgeroy about where we currently are with technology and the dangers of where that could lead. What Upgrade does really well with that, is how it doesn’t ever get pretentious or preachy with that message. Its got the message in there but it can also just be a fun action flick to have beer and pizza with.

I was taken completely by surprise by this one. It played as a midnight film at SXSW on the night of the daylight savings switch. As its establishing its characters and narrative I ordered a coffee to stay awake. Little did I know that I wasn’t gonna need that coffee because the action scenes that this movie shoves into your synapses is a speed-ball of action. After the first (and unexpected) fight scene broke out, I was up in my chair, laughing and cheering at the badassery of every aspect of how cool Whannell made these fight scenes look and feel.

One fight that highlights a kitchen knife being used on a badguy essentially turning him into a mangled PAC-Man, set the tone for the film and had the entire crowd cheering and cracking up.

Upgrade is a cool movie. It’s Ghost in the Shell by way of Cronenberg serving that is somehow wrapped in a Terminator exterior. It’s filled with intense, brutal action heightened by a substantial amount of awesome gore. This movie is seriously my jam and a great first outing by the folks at Blumhouse Tilt.

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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