Connect with us

News

‘Split’ Finds Shyamalan Whole Again – Film Review

Published

on

Split

If The Visit was M. Night Shyamalan’s return voyage in the open waters of the low-budget horror-thriller, Split is where he’s found his sea legs.

Shyamalan has again teamed up with Blumhouse Productions (Paranormal Activity, Insidious, The Conjuring) to create a film that allows him to explore his creative storytelling without the pressures of a big-budget fantasy feature.

via IMDb

In Split, Kevin, a man with 23 unique personalities, abducts three teenage girls to prepare for the arrival of his 24th and final personality, “The Beast”. The unfortunate trio are abducted in broad daylight and brought to an underground bunker where they must try to escape their ominous and unknown fate.

Anya Taylor-Joy – who has secured her place as the new genre darling after her roles in The Witch and Morgan – plays Casey, a troubled teen who becomes the de facto leader of the group after demonstrating her quick wit and observational skills.

Taylor-Joy adds a doe-eyed, terrified, still-waters-run-deep balance in her scenes with James McAvoy. She successfully holds her own, which is no easy feat here.

via IMDb

McAvoy delivers an impressive full-throttle performance with all the delicate twists and turns of an extreme roller coaster. His physicality morphs and adapts to each personality as it takes control.

You can see each individual personality through his eyes, body language, and facial ticks so clearly that it’s possible to catch one masquerading as another. McAvoy wholly conquers this fragmented character.

The relationship between Kevin’s personalities and his psychologist, Dr. Fletcher, is like a well-rehearsed waltz on a field full of land mines. One misstep, one stumble, could be devastating. However, there’s an implicit trust that carries the weight of years of work and understanding. Her devotion to her patients is respectful and, overall, quite beautiful.

via IMDb

Cinematographer Mike Gioulakis, whose stunning work you might have seen in It Follows, brings his talents to the structure of each scene. Close-up shots are frequently implemented to bring a tight focus on the skill of the actors. The viewer is tuned in to every minute change in expression and click of a sudden realization.

The sets and lighting echo the dichotomy between Kevin’s dark, dizzying, claustrophobic underground maze and Dr. Fletcher’s airy, bright and welcoming office. Every scene in Kevin’s lair left me with conflicting feelings; the action was so fantastic I didn’t want it to end, but by god did I want to be anywhere other than that dark hold.

via IMDb

Split focuses on Dissociative Identity Disorder (DID), but doesn’t feel exploitative or flippant in its portrayal. Shyamalan has previously referenced his interest in the concept of multiple personalities. As he discussed in an interview with iHorror’s David Grove, he’s “always been fascinated with the elements of psychology”.

As one of the most controversial disorders with no clear method of diagnosis, it’s quite refreshing to see DID discussed openly and with an appropriate attention. In Split, the psychological process is the whole focus of the film. DID is not a throwaway plot twist, it’s a defense mechanism to severe abuse and trauma.

At the risk of saying too much, that’s what Split is all about; the adjustments we make to respond to and cope with a bad situation.

via Universal Pictures

Overall, Split is a challenging thriller with as many leaps and bends as Kevin’s internal struggle. It dives into an exploration of our personal belief system and what physical affects those commitments can have.

With moments of dark comedy mixed in with high tension, it’s a genuinely engaging film. Above all else, Split is the perfect evidence that we have entered the renaissance of M. Night Shyamalan. I, for one, can’t wait to see what’s next.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Click to comment

You must be logged in to post a comment Login

Leave a Reply

News

‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

Published

on

Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

Published

on

Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

‘The First Omen’ Almost Received an NC-17 Rating

Published

on

the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Embed Gif with Clickable Title