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Review: Gears Of War 4

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It’s been a long time since Gears of War’s Emergence Day. It was the day that introduced gamers to a new Xbox franchise and a machine gun with a chainsaw attached to it. In other words the stuff gamers go crazy for. Gears of War 4 brings back the pop-and-shoot action that made the first three blockbusters hits and also manages to fit in some much needed improvements.

The last time we stepped into the world of Gears Of War (not counting Gears of War: Judgement) COG badass, Marcus Fenix saved the world by helping to emit a pulse that wiped out the Locust horde. The pulse had a adverse effect on the imulsion that the Locusts used as a life source.

Gears of War 4 begins 25 years after those events. The game brilliantly handles exposition by allowing you to play through some major events that occurred between 3 and 4. For example, the first bit features you as a random COG solider during the Pendulum Wars. These expositional bits act as an organic tutorial system to boot. I noticed that each of these stages go from graphics that look like Xbox 360 graphics to full next gen Xbox One graphics as you advance through them. It is a nice way of playing nostalgia while showing how much graphic prowess this one has.

Once you get through that you step into the boots of Marcus Fenix’s son, JD. JD and his friends have grown up outside of COG walls. They spend their days scouting and commandeering parts from COG facilities. The COG facilities are fully automatized and are full of robots constantly repairing and building.

First Prime Minister Jinn leads the newly reformed COGs. She attempts to keep everyone in COG facilities and takes issue with those that live on the outside. I love the duality of Jinn, while she at times seems tyrannical, she is obviously also so demanding because she wants to keep humanity safe and the only way she knows to do that is to keep them inside of COG walls.

Gears

For good reason too, it turns out that tons of humans are mysteriously disappearing without a trace. JD, Del and Kaite are taken by surprise when one night their base is attacked by an unknown monstrous force. During the attack Kaite’s mother is taken. With little idea what to do, they seek out some help from yesteryear and begin their journey of finding out what was behind the attack and to rescue Kaite’s mother.

Gears of War 4 features the same gameplay mechanics of previous Gears games. Run for cover, flank, lay down fire, repeat. There is absolutely nothing wrong with that either. The formula of past Gears games have all worked due to that system of combat. I was cheering to discover little was changed in that department. That being said, there are some big surprises and mechanics in the finale that are some of the most visceral and all around badass gameplay moments I have had this year.

Your old trusty weapons are back too. Lancers, boomshots, longshots, etc… are all welcomed sights. We are also given some new weapons that will help to blow your enemy to bits.  The buzzkill fires saw blades at high velocity in order to slice and dice your foes. All the new weapons are great. I am still emotionally attached to my lancer but enjoyed the ability to mix up play styles based on different weapon abilities.

“This is the best

Gears of War yet.”

Much like ‘Star wars: The Force Awakens,’ Gears of War 4 introduces new elements, while also paying fan-service to loyal Gear fanatics. The most welcome of the new stuff, is the story and dialogue. We actually have some now! I think we can all agree that, while the original Gears games were great, they were always lacking in the story department. This time around you are introduced to JD, Del and Kaite, whom each have their very human back stories and motives. The world that used to be completely lacking color outside of grays and blues, now features fall colors and does a lot to immerse you into a more believable world.

The character interactions and their dialogue is the glue holding this game together. Sure, there is the bigger story that has you going after a new enemy and blowing shit up, but it is nice to have the human element thrown in this time. Not only do we get story and dialogue either folks! Gears of War 4 has a sense of humor. JD, Del and Kaite are playful and feature moments that mirror sensibilities of characters from series like Uncharted. There are some genuinely funny moments in there that are a nice break from the colorless, totally serious tone of the entries before.

Do not worry though, Gears of War 4 is also very much a Gears game. The big action set pieces and long firefight-filled journey are all in place. All the wonderful blood and gore are still glorious. Cutting through an enemy with your chainsaw is still a bloody good time. Absolutely nothing was taken from Gears, things were only added to make it even better.

Like Gears games before you can go at the campaign alone or in co-op. You are gonna need a friend around if you decide to have a go at the hardest setting. Sure, hardcore difficulty might sting but the hardest difficulty is nearly impossible alone.

“Absolutely nothing was taken from Gears,

things were only added to make it even better.” 

If you are an achievement seeker, like myself, Gears will give you replay value. If you aren’t going back to try out another difficulty level, you can go back and search for collectibles and achieve near impossible feats to help gain more glorious achievement points.

The enemy’s AI is some of the best I have experienced. These dudes are playing to win too. They will lay down cover fire, rush in, flank and are relentlessly precise at it. I highly recommend playing on one of the harder difficulty modes to get the best out of your enemies AI and the game as a whole.

This is the best Gears of War yet. There are enough cool new elements mixed in with the old formula to keep Gears fans very happy. For the first time in Gears history there is an emotional sledgehammer that resonates, to go along with sawing your enemy in half. Gears of War 4 does excels at everything that it aims for and has a finale that is gripping and promises a great story going forward.

https://www.youtube.com/watch?v=ji2aU4EdQww

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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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Part Concert, Part Horror Movie M. Night Shyamalan’s ‘Trap’ Trailer Released

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In true Shyamalan form, he sets his film Trap inside a social situation where we aren’t sure what is going on. Hopefully, there is a twist at the end. Furthermore, we hope it’s better than the one in his divisive 2021 movie Old.

The trailer seemingly gives away a lot, but, as in the past, you can’t rely on his trailers because they are often red herrings and you are being gaslit to think a certain way. For instance, his movie Knock at the Cabin was completely different than what the trailer implied and if you hadn’t read the book on which the film is based it was still like going in blind.

The plot for Trap is being dubbed an “experience” and we aren’t quite sure what that means. If we were to guess based on the trailer, it’s a concert movie wrapped around a horror mystery. There are original songs performed by Saleka, who plays Lady Raven, a kind of Taylor Swift/Lady Gaga hybrid. They have even set up a Lady Raven website to further the illusion.

Here is the fresh trailer:

According to the synopsis, a father takes his daughter to one of Lady Raven’s jam-packed concerts, “where they realize they’re at the center of a dark and sinister event.”

Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

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Woman Brings Corpse Into Bank To Sign Loan Papers

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Warning: This is a disturbing story.

You have to be pretty desperate for money to do what this Brazilian woman did at the bank to get a loan. She wheeled in a fresh corpse to endorse the contract and she seemingly thought the bank employees wouldn’t notice. They did.

This weird and disturbing story comes via ScreenGeek an entertainment digital publication. They write that a woman identified as Erika de Souza Vieira Nunes pushed a man she identified as her uncle into the bank pleading with him to sign loan papers for $3,400. 

If you’re squeamish or easily triggered, be aware that the video captured of the situation is disturbing. 

Latin America’s largest commercial network, TV Globo, reported on the crime, and according to ScreenGeek this is what Nunes says in Portuguese during the attempted transaction. 

“Uncle, are you paying attention? You must sign [the loan contract]. If you don’t sign, there’s no way, as I cannot sign on your behalf!”

She then adds: “Sign so you can spare me further headaches; I can’t bear it any longer.” 

At first we thought this might be a hoax, but according to Brazilian police, the uncle, 68-year-old Paulo Roberto Braga had passed away earlier that day.

 “She attempted to feign his signature for the loan. He entered the bank already deceased,” Police Chief Fábio Luiz said in an interview with TV Globo. “Our priority is to continue investigating to identify other family members and gather more information regarding this loan.”

If convicted Nunes could be facing jail time on charges of fraud, embezzlement, and desecration of a corpse.

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