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Movie Review: ‘Kill Command’

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The first thing you notice about “Kill Command” is that it’s got a high-gloss above average budget. Which is surprising because I hadn’t heard of this film until it appeared on my Netflix list as “recently added.”

Usually a sci-ci or horror film that appears in that section can be hit-or-miss, and thankfully Steven Gomez’s robots run amok film is a true hit.

Kill Command is a tense and entertaining sci-fi film.

At first it looks like a futuristic dystopian society genre entry but quickly evolves into a man versus machine standoff with large mechanical robots which move like metallic centaurs. But these beasts have built-in weapons.

Kathrine Mills (Vanessa Kirby) is a cyborg who works for the Harbinger Corporation and she does her job well. She’s connected to everything in the mainframe and notices that some of the robots contained therein are malfunctioning.

She tasked with joining a training force headed to Harbinger 1, a tactical facility, to partake in war games, but also to see what is making the army of mechanical soldiers fail to work properly.

However, upon arrival they notice that communications have been severed from headquarters and they are greeted with hovering drones which seem to be gathering recognizance and sending that data to another source.

That source is a S.A.R. (Study Analyze Reprogram) unit which stands more than twelve feet tall, complete with a glowing blue optical faceplate and armed with a blow torch and vice-grip appendage.

The S.A.R also has quite a number of minions which are basically walking 50-caliber machine guns with crab-like legs.

Trapped and confused about the sudden rogue nature of the bots, the team decides to take matters into their own hands and eliminate the metallic menaces all under the watchful eye of Mills who has been locked-out of command functions due to an “error.”

“Kill Command” is a very entertaining sci-ci action picture. The plot has all the similar workings of other hub survival movies, but the style and detail director Gomez puts into this film could rival even the most mainstream blockbuster.

There are a few silent hiccups in the CGI work, but nothing blaring and the mother S.A.R is a movie villain reminiscent of the queen in Aliens.

Special effects team Luke Corbyn and Steve Paton went more practical than pixel and the result is astounding.

The last quarter of the film is tense and throttled with a few surprises. It sets up nicely for a sequel and honestly if it is anything like it’s predecessor, I’d gladly forgo the “recently added” section of my Netflix queue and join the one at my Cineplex instead.

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Another Creepy Spider Movie Hits Shudder This Month

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Good spider films are a theme this year. First, we had Sting and then there was Infested. The former is still in theaters and the latter is coming to Shudder starting April 26.

Infested has been getting some good reviews. People are saying that it’s not only a great creature feature but also a social commentary on racism in France.

According to IMDb: Writer/director Sébastien Vanicek was looking for ideas around the discrimination faced by black and Arab-looking people in France, and that led him to spiders, which are rarely welcome in homes; whenever they’re spotted, they’re swatted. As everyone in the story (people and spiders) is treated like vermin by society, the title came to him naturally.

Shudder has become the gold standard for streaming horror content. Since 2016, the service has been offering fans an expansive library of genre movies. in 2017, they began to stream exclusive content.

Since then Shudder has become a powerhouse in the film festival circuit, buying distribution rights to movies, or just producing some of their own. Just like Netflix, they give a film a short theatrical run before adding it to their library exclusively for subscribers.

Late Night With the Devil is a great example. It was released theatrically on March 22 and will begin streaming on the platform starting April 19.

While not getting the same buzz as Late Night, Infested is a festival favorite and many have said if you suffer from arachnophobia, you might want to take heed before watching it.

Infested

According to the synopsis, our main character, Kalib is turning 30 and dealing with some family issues. “He’s fighting with his sister over an inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap. The only option for Kaleb and his friends is to find a way out and survive.”

The film will be available to watch on Shudder starting April 26.

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Part Concert, Part Horror Movie M. Night Shyamalan’s ‘Trap’ Trailer Released

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In true Shyamalan form, he sets his film Trap inside a social situation where we aren’t sure what is going on. Hopefully, there is a twist at the end. Furthermore, we hope it’s better than the one in his divisive 2021 movie Old.

The trailer seemingly gives away a lot, but, as in the past, you can’t rely on his trailers because they are often red herrings and you are being gaslit to think a certain way. For instance, his movie Knock at the Cabin was completely different than what the trailer implied and if you hadn’t read the book on which the film is based it was still like going in blind.

The plot for Trap is being dubbed an “experience” and we aren’t quite sure what that means. If we were to guess based on the trailer, it’s a concert movie wrapped around a horror mystery. There are original songs performed by Saleka, who plays Lady Raven, a kind of Taylor Swift/Lady Gaga hybrid. They have even set up a Lady Raven website to further the illusion.

Here is the fresh trailer:

According to the synopsis, a father takes his daughter to one of Lady Raven’s jam-packed concerts, “where they realize they’re at the center of a dark and sinister event.”

Written and directed by M. Night Shyamalan, Trap stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill. The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

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Woman Brings Corpse Into Bank To Sign Loan Papers

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Warning: This is a disturbing story.

You have to be pretty desperate for money to do what this Brazilian woman did at the bank to get a loan. She wheeled in a fresh corpse to endorse the contract and she seemingly thought the bank employees wouldn’t notice. They did.

This weird and disturbing story comes via ScreenGeek an entertainment digital publication. They write that a woman identified as Erika de Souza Vieira Nunes pushed a man she identified as her uncle into the bank pleading with him to sign loan papers for $3,400. 

If you’re squeamish or easily triggered, be aware that the video captured of the situation is disturbing. 

Latin America’s largest commercial network, TV Globo, reported on the crime, and according to ScreenGeek this is what Nunes says in Portuguese during the attempted transaction. 

“Uncle, are you paying attention? You must sign [the loan contract]. If you don’t sign, there’s no way, as I cannot sign on your behalf!”

She then adds: “Sign so you can spare me further headaches; I can’t bear it any longer.” 

At first we thought this might be a hoax, but according to Brazilian police, the uncle, 68-year-old Paulo Roberto Braga had passed away earlier that day.

 “She attempted to feign his signature for the loan. He entered the bank already deceased,” Police Chief Fábio Luiz said in an interview with TV Globo. “Our priority is to continue investigating to identify other family members and gather more information regarding this loan.”

If convicted Nunes could be facing jail time on charges of fraud, embezzlement, and desecration of a corpse.

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