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[Interview]’Tomb Raider’ Director Roar Uthaug

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Tomb Raider is a reboot of the Tomb Raider film series, based on the 2013 video game of the same name. Played by Academy Award-winner Alicia Vikander, replacing Angelina Jolie, the new version of Lara Croft is a heroine who is much more hard candy than eye candy.

Like the 2013 game, this Tomb Raider film promises to be edgier and grittier than the previous incarnations. Tomb Raider represents a makeover for the Tomb Raider film series, and this is embodied in Vikander’s portrayal of Lara Croft, which is defined by functionality and precision.

The opportunity to re-imagine the Tomb Raider film series is what attracted Norwegian filmmaker Roar Uthaug to the project. Making his Hollywood feature directing debut with Tomb Raider, Uthaug, who is best known for his 2015 film The Wave, was most excited about the challenge of translating the Lara Croft Uthaug loved so much in the video game universe to the big screen.

DG: How would you describe your history with the Tomb Raider video game series, and why did you want to direct this reboot film?

RU: I’ve always loved the Tomb Raider games. The video game series has been around for over twenty years, and I’ve been playing the games since the first game was released. Growing up in Norway, my friends and I used to play Tomb Raider all the time. Lara Croft has always been an iconic character who has a lot of interesting dimensions to her. She revolutionized the role of the video game hero, and she’s the ultimate video game heroine. When I saw the reboot that had been done with the last game, the 2013 game, I was very excited about the direction the series was going on. When I got the call regarding the possibility of directing a new film, I was very interested.

DG: Did you have any creative input in terms of how Lara Croft would be portrayed in the film, or were you bound by what had been created for the video game?

RU: We were all in agreement in that we wanted to make a Tomb Raider film that was gritty and more grounded in reality than all of the previous versions. What I loved about the video game reboot is that it showed Lara Croft as being very human. She bleeds. She feels pain. She’s human. When she kills people in the game, it registers with her on an emotional level. These were the elements that I wanted to bring into the film.

DG: As this is an origin film, what do we learn about Lara Croft’s history, her life, in this film?

RU: When we’re introduced to her in the film, she’s living an ordinary life in East London, where she works as a bike courier. The conflict in the film comes from the mystery surrounding her father, who disappeared seven years earlier. Nobody knows what happened to him, and this is what leads her onto her adventure.

DG: What did Alicia Vikander bring to the role of Lara Croft that’s unique from other actresses who might have been chosen for this role?

RU: We’re both Scandinavian, so there was an instant bond between us, and I’ve followed her entire career, from before she found success in Hollywood. When we started thinking of actresses who could play Lara Croft, she was one of the first names that we thought of. Alicia has all of the elements needed to play Lara Croft. She has that ability to make an emotional connection with the audience and the character, and she was able to handle all of the physical scenes as well. She got into amazing shape for this film.

DG: How did you and Alicia create a 2018 version of Lara Croft?

RU: Alicia trained extremely hard for a month, and she developed, physically, into someone who looked like a female action hero. Her trainer pushed her extremely hard, and Alicia pushed herself very hard. It was mostly jumping and running. I knew Alicia could capture Lara Croft emotionally, and to witness her physical transformation was amazing.

DG: What do you think sets this film apart from the previous Tomb Raider films?

RU: Everything that happens in this film is grounded in character. This makes the film more exciting for the audience because they feel like they’re with Lara Croft, emotionally, as she goes through all of the action scenes in the film. This film is all about letting the audience connect with Lara. Then we bring in the big action scenes, which are more effective because we’ve gotten to know Lara Croft so well.

Tomb Raider arrives in theaters on March 16.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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