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Horror in Black and White: ‘House on Haunted Hill’ (1959)

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House on Haunted HIll

Welcome back to Horror in Black and White! We had so much fun last week with William Castle’s Strait-Jacket, that I decided we just had to move onto the first of two collaborations between the famed director and Vincent Price: House on Haunted Hill!

Released in January, 1959, House on Haunted Hill starred Vincent Price as Frederick Loren, a man with a lot of money and fierce dislike of his (fourth) wife, Annabelle (Carol Ohmart).

The Lorens have rented out “the only really haunted house in the world” for a very special haunted house party with a carefully curated guest list who arrive in funeral cars following a hearse in procession to the House on Haunted Hill.

Haunted Hill
Vincent Price and Carol Ohmart were dynamite in the film!

As the night progresses, the tension mounts and murder enuses…or does it? With a $10,000 prize on the line for staying the night, however, who wouldn’t try?

For those of you wondering, $10,000 in 1959 would be equal to about $86,000 today.

Much better than it ever should have been, the film had a bit of a casting coup when Castle managed to snag Price for his picture.

A story is told, apocryphally, that Castle met up with Price after he had just been passed over for a role. Castle saw his opportunity, explained what he was working on, and Price agreed to do Haunted Hill and The Tingler, which released later that same year.

Ohmart, as it turned out, was the perfect sparring partner for Price on screen. The two had an incredible chemistry, and her whiskey-voiced threats perfectly matched Price’s suave delivery.

Price and Ohmart aren’t the only standouts in this cast, however.

Julie Mitchum, older sister of Robert Mitchum, is fantastic as Ruth Bridgers. Her wry wit shines in every line, and even in tense moments, there’s a twinkle in her eye as though she’s having the time of her life.

Sadly, it was her final appearance on screen. She left the business after the film, though the two events were apparently unrelated.

House on Haunted Hill Julie Mitchum
House on Haunted Hill was Julie Mitchum’s final film.

Elisha Cook, Jr. also shines as the neurotic drunk, Watson Pritchard who owns the house, and who had lost more than a few family members to its darkness.

House on Haunted Hill really was one of Castle’s better projects mostly because he takes the time to develop mood and atmosphere in ways that were rare to the king of gimmicks, though he had to throw one or two in for good measure.

Who could ever forget Leona Anderson as the weirdo maid, Mrs. Slydes (get it?!) seemingly floating in and out of scenes, her face frozen in a grotesque mask? Or how about that walking Skeleton, who incidentally was listed in the credits as playing Himself!

Skeleton House on Haunted Hill
This Skeleton got his own credit in House on Haunted Hill. I wonder if he got a SAG card for it?

Castle also set his audience up for terror with the opening scream and sound effects. It might not seem like much now, but in 1959, it terrified audiences and primed them for the film he had in store. It also started a craze for spooky sound effects records which people bought for their own haunted parties.

This is one of those films where the score is absolutely on point thanks to composer Von Dexter. From layered strings to wailing theremin, this score had it all, and it perfectly complements the action on screen.

House on Haunted Hill became one of Allied Artists hottest properties upon its release. The combined power of Price and Castle were box office gold, and it remains a cult classic to this day.

Oddly, however, the film fell into the public domain and there it has remained. which has worked for fans of the film. It is available on numerous streaming services for free!

If you’ve never seen this black and white classic, you’re definitely overdue, and if you have, it’s time you saw it again!

Check out the trailer below and join us again next week for another edition of Horror in Black and White!

Related: Horror in Black and White: Strait-Jacket (1964)

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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