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Bonds and Brotherhood: Why I Can’t Wait for Saw Legacy

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We all have them. That one horror flick that resonates because of an intensely personal memory attached to it.

For me, it’s not one movie, but a franchise.

From the moment Tobin Bell rose from the floor until the final “game over” from Cary Elwes, Saw has signified far more than a lucrative horror series. My love for fall turned from crisp temperatures, the baseball playoffs and Halloween season to something deeper in October 2004.

The first few chords of Charlie Clouser’s “Hello Zepp” conjure images that are the mirror opposite of puppets and tricycles and intricate traps, because for me it’s about friendship.

It’s not rare these days to hear guys calling each other “bro,” but when I first started saying it, I meant it. My boy Dan is like a brother to me. We’ve known one another for nearly twenty years; we’ve worked together, lived together and been through a lot of shit together.

It was a bond that began with a mutual love of movies, and that has never changed. We can have entire conversations that are nothing more than lines from our favorite flicks.

That shared passion eventually brought us to a beautiful creation borne from the minds of Leigh Whannell and James Wan.

Every October for seven years we made our way to the theatre to absorb John Kramer’s complicated lessons about appreciation of life, and in an odd way, that’s exactly what happened.

Other friends who weren’t quite as keen on horror would wonder why we continued to venture off for the latest Saw installment because it was the same thing over and over and the main character died three movies back.

Our response became standard, “We’ve come this far.”

I don’t need to explain to anyone that life has a way of changing things. The responsibility of careers and families are the catalysts for time apart extending from days to weeks and finally to months.

For Dan and I, it wasn’t only about careers but geography, and the fact that nowadays he goes from his regular job to the gaming shop he purchased about three years ago. While I’m glad Dan’s  “living the dream” as he’s apt to put it and I still pop in from time-to-time, it only makes me miss the old days when we had more time to spend together to binge watch Pulp Fiction, The Dark Knight and of course, Saw.

We enjoyed the series for very different reasons. While each of us loved the deeply woven, interconnected stories, he dug the traps while I declared that Bell’s intensity was always worth the price of admission.

For as much as I adore horror, I’m not big on gore. Unfortunately I’m a bit too adept with regard to putting myself in the shoes of the characters, so each time that the series upped the ante with the traps, I squirmed in my seat more and more. In turn, Dan laughed at me more and more.

Hell, the year IV came out, we went right after work and decided to grab some sandwiches to sneak into the theatre so we could have dinner. I was uncertain about it because like I said, not a fan of gore, especially when I’m eating. Dan looked over and casually noted, “You’ll probably have most of it eaten before the trailers are over and even if you don’t, it’s not like we’re gonna see flesh getting peeled off somebody right away.”

When the autopsy began and the doctor started to pull Kramer’s face off of his skull, I shot a death stare and “Motherfucker” in Dan’s direction, who was doubled over in laughter as I dropped the last few bites of my sandwich on the floor. The film was in its second night, so of course I accused him of having seen it already, because how in the fuck did he know that was going to happen?  He denied it with a chuckle then and denies it to this day, but I’m still not sold.

By the time what was supposed to have been The Final Chapter rolled around, it became an event. We got together for a marathon viewing of the first six movies so that we could pontificate and determine how Saw VII would draw to a close. I would like to say that we were proud to have called Dr. Gordon’s return, but I’m sure we weren’t alone with that conclusion. The key placed behind a dude’s eye and what was supposed to have been Jigsaw performing the surgery on tape limping from the camera to the operating table was probably pretty obvious, but it was still a fantastic way to spend the day.

The baseball playoffs were actually in full swing at the time. In fact, the eventual World Series champion Giants were hosting the Braves in San Francisco and the woman I was seeing at the time texted me to join her and some friends at a bar for the game. I rarely miss a postseason contest, but had to decline. She wondered why I would rather sit and watch a bunch of old movies instead of watch baseball and drink with my girlfriend.

But she just didn’t get it, we’d come this far.

On the night, Dan and I headed for Buffalo Wild Wings and the Saw grand finale, but while we were pleased that we had, in fact, called it, neither of us were necessarily happy with the send-off. We felt that such an epic saga couldn’t have ended there.

A journey that began with kidneys on eBay concluded with the final curtain dropping on Picket Fences, an unsatisfying finish to a race that had sprawled out over seven Octobers.

Shortly thereafter, I took on a more demanding job. Dan bought the shop. I moved.

There were the occasional get-togethers and we still travel to Comic Con in Minneapolis each May, but as it so often does, life got in the way.

Another seven years have passed since our last Saw excursion, but there will not be an eighth. Legacy will hit theatres this October.

When I got the news that Saw would officially have a Part VIII, I immediately texted my brother to say “I want to play a game. Again.”

Dan’s response was simple, “We’ve come this far.”

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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