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Best 6 Horror Films of 2018 – Dylan Church’s Picks

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This year has been a messy one, and it appears to only be getting worse as we near the conclusion of it; with civility, and the environment burning at an unprecedented rate.

On the plus side, this was a truly mesmerizing year for horror and not just in film; books, comics, and especially television have been churning out some of the best quality terror in recent memory. And streaming services such as Shudder, Netflix, Hulu, and Amazon have been responsible for distributing many of the brilliant pieces of work we’ve been blessed with in 2018.

The majority of the films I have chosen can be found on one or more of the aforementioned streaming services as I will point out below. Hopefully I can do them some justice and inspire you to seek them out. So without further ado, here is my list for best horror of 2018 in no particular order.

Disclaimer: I haven’t seen Halloween, Overlord, or Suspiria yet (don’t hate me).

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Via Rio Theatre

6.) Revenge (Shudder)

I haven’t seen too many rape-revenge films–in fact, I intentionally avoid them. But the visuals and conceptual design of Coralie Fargeat’s directorial debut were to captivating to ignore.

The film takes the harshness of sexual assault, extreme violence, and the desert; three things so far removed from what many might call–beautiful, and makes them so. It is an undoubtedly gorgeous film; soaked in vibrant colors and bloodshed. And although the film may follow the typical format of the rape/revenge sub-genre, but with Fargeat’s direction and visual style she was able to create an electrifying experience that transcends its predecessors and will keep viewers on their toes until the final frame.

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Via imdb

5.) Await Further Instructions (Amazon)

Ignore the negative reviews; if you enjoy shows like the Twilight Zone or Black Mirror then Await Further Instructions should be right up your alley. The end of the film in particular feels like an episode ripped right out of the Twilight Zone!

I believe a lot of the flack stems from how unlikable the characters are, which is a fair criticism. Many of the characters are terrible people, but they’re supposed to be. This film represents the turbulent divide between the right and the left and the strong (and sometimes dangerous) influence the news media and public figures can have on a population. Director Johnny Kevorkian puts this concept on display, while adding claustrophobia, bloody violence, and sci-fi chills within the confines of a dysfunctional English family.

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Via deadendfollies

4.) Hold the Dark (Netflix)

Director Jeremy Saulnier continues his signature style of crime-horror noir, and doesn’t disappoint. Much like his previous films: Green Room, and Blue Ruin–Hold the Dark is a bleak, bloody, and vicious experience. And often focuses on how monstrous people can become when they are driven to the edge; by retribution or by the desire to survive.

Hold the Dark can be a little confusing at times, and I think much of it stems from a lack of knowledge of native-Alaskan culture, which is unfortunate because its a major theme within the story and a key trigger for the animosity between characters. But isn’t a major distraction, and viewers can still enjoy the experience despite its shortcomings in the script.

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Via imdb

3.) The Ritual (Netflix)

David Bruckner delivers the Scandinavian chills with his latest film. Not only does it feature one of the most original monsters in recent memory, but Bruckner was able to take the classic cliche of hikers lost in the woods and make it scary (and unique).

The dialogue feels completely genuine between the four main characters, and I wouldn’t be surprised if a lot of it was adlibbed by the actors. The decision by Bruckner to keep the monster hidden in the background until the third act, was a brilliant maneuver that created a unsettling atmosphere chalked full of memorable moments of fear.

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Via pinterest

2.) Annihilation (Amazon)

Alex Garland’s followup to Ex Machina leans more towards the science-fiction genre but it has plenty of horrific moments. One scene in particular was shocking and deeply disturbing. The film carries a somber tone throughout its entirety, and when its violent–it can be bloody, and even hard to watch. The film is gorgeous, well shot, and features some great performances–especially from Natalie Portman.

I don’t understand the mixed reviews, people seem disappointed that there either wasn’t enough horror or enough sci-fi. I think the balance was handled pretty well. Personally I would have enjoyed a little more horror but It just depends on your preference. The movie is great regardless, and definitely worth the watch!

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Via Shudder

1.) Terrified (Shudder)

This Argentinian film is a trip, one that I’m still trying to wrap my head around! At 88 minutes it is a very short movie, and with its insane visuals and cosmic-horror influences, it flies by! I think the movie could have been a lot better if it was a bit longer. The third act seems rushed and the very end is particularly confusing.

This haunted-house flick does some things that I haven’t seen before (like the haunting taking place over an entire neighborhood instead of one house) and gets really inventive with its scares. The “haunting” itself is something different, and perhaps more effective and chilling of an idea than your traditional demonic possession. The paranormal investigators are a lot of fun to follow, and despite the chilling atmosphere they offer up some much needed (but brief) comedic relief to cut through the blistering suspense.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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