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5 Horror Movies From Wes Craven That Etched His Forever Iconic Legacy

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Written by Patti Pauley

Hard to fathom that it’s been two years since the news that Wes Craven had passed away, shook us to the very core. The father of Freddy and his constant reinventing of the genre to keep it fresh and exciting was a massive loss to the fans and people of the horror industry. Even sitting here writing this now, I still can’t process that the man who introduced me to one of my favorite slashers is truly gone from this Earth and that we will never see another film from the brilliant mind of a true visionary in the genre.

 

Laukku200-Deviant Art

 

Today would have been Wes Craven’s 78th birthday and on this day that damn well should be declared a national holiday, it sort of already is unofficially for us horror fans, as most of us that have the privilege of a day off today, will be spending the next 24 hours revisiting some of Wes’ best films. And oh man, that truly is an all day ordeal; hell, you’d have to have a few days clear to revisit some of Craven’s finest. However, if you’re looking for the cream of the crop these five Wes Craven movies are the ones to pull from your massive horror collection today in honor of the man who re-invented the horror game time, and time again.

 

5. The People Under the Stairs

 

Wes’ 1991 The People Under the Stairs is best described as the perfect American as apple pie nightmare with a side of Twin Peaks. The latter mostly due to the psycho Mommy and Daddy pair (Wendy Robie, Everett McGill) in People also played as husband and wife in the Lynch Primetime dark drama series. The duo’s chemistry is ominously brilliant and Craven made the perfect choice in casting this on-screen couple together again as a batshit crazy brother-and-sister act that has an army of mutilated and abused children living in the basement.

Writer and director Craven formed the idea of The People Under the Stairs from both a dream the icon had and also by a news article he read about a seemingly respectable family who had kept their children locked up their entire lives. The story in itself is both horrific and dramatic with a real tale of terror inside the chaotic paradox of fake smiles from the Robesons’. An extraordinary telling of the real issue of child abuse in America, with a not so hidden moral of the classic saying, “Things aren’t always what they seem.”

Believe it or not, I know quite a few people, and you might as well, who haven’t seen this gem and that should be remedied immediately. No better time than today people!

 

4. The Serpent and the Rainbow

Of all of the wonderful index of film from Wes Craven, it seems odd to me that The Serpent and the Rainbow often gets the shaft. Not today friends, not today. Released in 1988, the black voodoo magic movie starring President Alien ass-kicker Bill Pullman, was inspired by the novel from Harvard scientist Wade Davis who dug deep into the culture of Haiti’s rich history of voodoo. The movie slowly burns with magnificent detail about the voodoo culture, so much so there really hasn’t been anything since quite like it that, in my humble opinion, tops this psychological thriller as far as voodoo movies go.

The imagery is entertainingly gruesome and my skin crawls every time I revisit this Craven beast. If you’ve yet to see this gem, be warned claustrophobes. There’s a coffin scene you won’t soon forget for years to come.

 

 

3. The Hills Have Eyes (1977)

 

The original Hills Have Eyes film from ’77 is the perfect example of a hicksploitation horror movie done well; excuse me, PERFECT. A family on their way to California lives every road tripper’s worst nightmare and still to this day, I can’t take a road trip through the Nevada desert without thinking cannibals are just waiting for the opportune moment to murder me and my entire family. Seriously, it does wonders for my anxiety. And for the record, I live in Satan’s armpit (Nevada). Thanks Craven for the nightmares…

The Hills Have Eyes is unrelentless, brutal, and isn’t afraid to kill off characters you would expect to actually survive to the end. Such violent brutailty in a movie can be sworn off by some as “torture porn”, but Hills is anything but and cleverly executes instilling the fear into viewers while remaining entertaining as it really feels like we’re watching a true traveler’s nightmare unravel before our very eyes.

 

 

2. Scream

It has been stated numerous time Wes reinvented the horror game with the release of Scream in 1996, and never has a truer statement been uttered. Just over twenty years after the movie’s initial theater run, I can still remember my teenage-self sitting amongst a packed theater of enthusiastic horror fans patiently waiting on what my young mind conceived at the time, just another fun horror movie. However, I had no idea what I was witnessing at the time was the rebirth of the slasher genre in the most innovative way possible. A twisted spin on the classic “who done it” mystery thriller turned straight horror was and is ’till this day, a brilliant move on the master of horror’s part to bring horror back to the mainstream audiences that inspired a slew of horror films immediately after such as I Know What You Did Last Summer and Urban Legend. Scream also inspired to breathe life into other slasher franchises like Halloween with the release of Halloween: H2O in ’98. So whether you’re a fan of Ghostface or not, you have to respect what it did for the genre.

 

 

1. A Nightmare on Elm Street

Of course, we can’t talk Wes Craven without mentioning the movie that literally saved New Line Cinema from the clutches of bankruptcy, and birthed one of the biggest iconic genre slashers of the 20th century, A Nightmare on Elm Street. The Freddy legacy is more than just a film and a franchise. It’s a loyal cult, and even looking at other franchises like Friday the 13th and Halloween, they pale in comparison to the sort of fan following Freddy has built throughout the years. Heather Lankenkamp said it best in Wes Craven’s New Nightmare, another notable mention that should damn well be watched today:

1984’s Nightmare film also helped launch the career of A list actor Johnny Depp as he made his screen debut as Nancy’s (Heather Langenkamp) sensitive jock boyfriend who lived across the street; and who also gave us one of the memorable Nightmare scenes not only in the series’ run, but in pretty much all of horror history with that gory as hell bloody bed shot. Also, as many know by now, the idea for the film and Freddy was inspired by true events.

Craven, after reading an L.A. Times article about a family that had survived the Killing Fields in Cambodia, was the initial birth of Freddy. The family made it to the United States, but the young boy in the family still found himself haunted by terrible nightmares while he slept. Craven in an older interview with Vulture, explained in greater detail the origins of Krueger:

“He told his parents he was afraid that if he slept, the thing chasing him would get him, so he tried to stay awake for days at a time. When he finally fell asleep, his parents thought this crisis was over. Then they heard screams in the middle of the night. By the time they got to him, he was dead. He died in the middle of a nightmare. Here was a youngster having a vision of a horror that everyone older was denying. That became the central line of Nightmare on Elm Street.”

 

Today, on what would have been Wes Craven’s 78th birthday, let’s all tip our filthy fedoras to a man who’s legacy will live on throughout the horror community for eons to come thanks to his many contributions, and his imprint on the genre. How will you be honoring Craven’s legacy today? Let us know in the comments!

 

 

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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