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21 BEST HORROR FILMS OF 2016 – Glenn Packards Picks

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21 BEST HORROR FILMS OF 2016
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While America was experiencing real frights in 2016, the horror genre was flourishing. I’m usually not into mainstream horror but this year films like THE CONJURING 2, DON’T BREATHE, OUIJA: ORGIN OF EVIL, 10 CLOVERFIELD LANE, and my favorite out of the bunch, LIGHTS OUT, nailed it for me. THE WITCH was this year’s sleeper hit, much like last year’s THE BABADOOK and IT FOLLOWS. THE WITCH, made it onto my list and so many other critic’s lists because well…it was scary as hell.

I think there are a couple of other films on my list that are going to piss people off, like CABIN FEVER & BLAIR WITCH. I felt both did a great job and I was really into each of these films. It was the year of horror thrillers like GREEN ROOM, DARLING,THE INVITATION, and my favorite, CARNAGE PARK, which was twisted and majorly intense.

Because BASKIN is all about hell and the devil, it has to go on my list, because, yay, it scared me that much. HUSH was a Netflix smash like we have seen in the past with LAST SHIFT and THE TAKING OF DEBORAH LOGAN. And a lot of you know I’m all about those sleeper horror films. HUSH, not many people knew about.

This year my picks are: INTRUDERS, THE WAILING, SCARE CAMPAIGN, SOUTHBOUND & my number two choice that was almost number one; THE MONSTER. The mother/daughter acting was brilliant and you actually really cared if they made it out of this nightmare on the road.

My number one 2016 pick, is a foreign film; TRAIN TO BUSAN. The film just had everything: gore, story, adventure, characters, terror, & hello it made me cry. If a horror movie can do that then it belongs at number one, make sure to check it out and all the others on my list, and let me know which ones you liked and didn’t like.

HAPPY HORROR!

Glenn Packard

BOOitsGLENN


21. Darling

Darling Poster

A lonely young woman (Lauren Ashley Carter) descends into madness when she becomes the caretaker of a mysterious New York mansion that has a troubled past.


20. The Conjuring 2

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In 1977, paranormal investigators Ed (Patrick Wilson) and Lorraine Warren come out of a self-imposed sabbatical to travel to Enfield, a borough in north London. There, they meet Peggy Hodgson, an overwhelmed single mother of four who tells the couple that something evil is in her home. Ed and Lorraine believe her story when the youngest daughter starts to show signs of demonic possession. As the Warrens try to help the besieged girl, they become the next targets of the malicious spirit.

 


19. The Wailing

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Suspicion leads to hysteria when rural villagers link a series of brutal murders to the arrival of a mysterious stranger (Kunimura Jun).


18.Ouija: Orgin of Evil

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In 1967 Los Angeles, widowed mother Alice Zander (Elizabeth Reaser) unwittingly invites authentic evil into her home by adding a new stunt to bolster her séance scam business. When the merciless spirit overtakes her youngest daughter Doris (Lulu Wilson), the small family must confront unthinkable fears to save her and send her possessor back to the other side.


17.Under The Shadows

 

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After Shideh’s building is hit by a missile during the Iran-Iraq War, a superstitious neighbor suggests that the missile was cursed and might be carrying malevolent Middle-Eastern spirits. She becomes convinced a supernatural force within the building is attempting to possess her daughter Dorsa, and she has no choice but to confront these forces if she is to save her daughter and herself.


16. Intruders

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Anna suffers from a severe case of agoraphobia and cannot escape from her house when three people break in. The intruders think they will get away easily, until Anna’s other psychosis’ break free.


15. Cabin Fever

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Cabin Fever is a 2016 American horror film directed by Travis Z and written by Eli Roth. A remake of Roth’s 2002 film of the same name, the film stars Samuel Davis, Gage Golightly, Matthew Daddario, Nadine Crocker, and Dustin Ingram


14. The Witch

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The Witch is a 2015 historical period supernatural horror film written and directed by Robert Eggers in his directorial debut and stars Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson.


13. Green Room

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Members (Anton Yelchin, Alia Shawkat) of a punk-rock band and a tough young woman (Imogen Poots) battle murderous white supremacists at a remote Oregon roadhouse.


12. The Invitation

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While attending a dinner party at his former house, a man (Logan Marshall-Green) starts to believe that his ex-wife (Tammy Blanchard) and her new husband (Michiel Huisman) have sinister plans for the guests.


11. Scare Campaign

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A prank show has to up the ante when a new web series starts competing for its audience. When the show targets the wrong person, the consequences are bloody.

https://www.youtube.com/watch?v=O2uTQUlAV5A&t=7s


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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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