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Fantastic Fest 2014 Review: The Babadook

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The Babadook Pride

Practically every region has its own boogieman in some form or another. For Australia, that boogeyman is Mister Babadook.

And in a land where every one of the members of their indigenous wildlife can eat you, bite you and otherwise kill you, you know that their boogeyman is going to be on point with something real horror show to exceed the fear of a kangaroo beating you to death or getting poisoned by a koala.

The latest film from Australian director Jennifer Kent focuses on Mister Babadook. From the name Babadook alone I would have thought comedy. Maybe a comedy starring Yahoo Serious, but “The Babadook” is far from shenanigans and more about unadulterated fear rattles.

Babadook Pop-Up

“The Babadook” centers on a young Samuel and his mother who are trying to live normal lives following a car accident that took the life of their husband and father.

After she reads him a children’s story (that mysteriously showed up in the room of the young boy) young Samuel becomes obsessed with an invisible entity that will not stop haunting him.

In a “Monster Squad” meets “Lost Boys” like the approach the boy begins building crossbows and slings along with other weapons to protect him his mother from the monster he believes is lurking in their home.

“If it’s in a look it’s in a book you can’t get rid of the Babadook,” one of the quotes from the children’s book reads. And once Amelia sees the Babadook he relentlessly begins to haunt her and her son Samuel forcing them into a battle for their own sanity and the stability of their already shattered family.

“The Babadook” is a different kind of horror movie. It doesn’t rely on as many tacky jump scares as it does create its own atmosphere and a loveable mother and son dynamic to go with it.

There is a lot of psychological tug of war that the film evokes in its audience as well. As an audience member, you aren’t sure if this is psychological, physical or metaphorical. The great approach the film takes is that any of those three outcomes are equally horrifying.

Focusing on a mother and son dynamic and putting that relationship through the grinder is hard to watch on its own without the introduction of Mister Babadook. But, once he is thrown into the mix things become even bleaker.

‘The Babadook’ via IMDB

Speaking of bleak, the production design work is fantastic. The world that they create is devoid of color by using only grays and washed-out blues. Key points are occasionally highlighted in red to coincide with something going on in the story.

Essie Davis who plays Amelia and Noah Wiseman who plays Samuel are both excellent in their roles. It’s been a long time since I have seen a young actor as believable and someone I felt could sympathize with as much as I did with his character.

“The Babadook” does stay with you after it’s over. I caught myself jumping when there was a knock at the door after this one. It doesn’t go for the scares that we are used to, and for me, that is a big plus. The addition of all the more dramatic elements do a lot to strengthen the bigger scares in the film as well.

Don’t watch this one alone and if any children’s books mysteriously appear on your bookshelf just run.

“The Babadook” opens in the US on November 28.

https://www.youtube.com/watch?v=szaLnKNWC-U

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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