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Fantasia 2020: Neil Marshall’s ‘The Reckoning’ is Frighteningly Familiar

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The Reckoning

Neil Marshall’s The Reckoning is accidentally one of the most timely films to come out of 2020. Though it was filmed well before COVID-19 shook the world, it’s set in 1665, right in the midst of the bubonic plague and Europe’s witch hunts. Based on (obviously) true events, the film uses chaotic hatred and fear to tell a vengeful tale that still hits close to home.  

In the film, Grace Haverstock (Charlotte Kirk) is mourning the all-too-recent death of her husband, Joseph (Joe Anderson). Stuck raising their infant daughter on her own (during a deadly pandemic) she is soon visited by her landlord, Squire Pendleton (Steve Waddington), who demands rent despite her delicate living situation. When she spurns his grossly inappropriate and wholly unwelcome advances for an alternative arrangement, he sparks the fires of suspicion amongst the townsfolk, now certain that she must be a witch. 

For those not familiar with the Malleus Maleficarum, one of the supposed signs of bewitchment was erotic temptation (and also impotence, but that’s a whole other story). That’s right, if you made a man horny, you were most likely a witch. Naturally, once Squire was denied that which he disgustingly believed he was owed, witchcraft was a natural accusation. Grace is taken and tortured for several days in an attempt to gain a confession for her supernatural sins. 

Anyone who has been paying attention during the last several months will notice parallels between the events of the film and what’s going on currently. Self-quarantining and rent freezing are uncomfortably relevant, and much of what makes the first half of the film so effective is this relatable recognition.

Again, The Reckoning was written and filmed long before COVID-19, but perhaps the film suffers from how timely it has unintentionally become. The plot shifts from the grim presence of the plague (complete with plague doctors decked out in fashionably terrifying skeletal masks) and over to the horrific torture of the witch hunts, and the transition is obvious (literally identified by a title card).

The plague is more of a plot device to get Grace into the hands of Britain’s most ruthless Witchfinder, which ends up dividing the film into two distinct acts. One half is a plague film, the other a witch hunt revenge tale. It seems like two films stitched together somewhere in the middle; the plague is acknowledged through the film — to varying degrees of relevance — but there’s no real payoff.

Were this to be released during any other pandemic-free time, this wouldn’t be noticeable, but because we’re suddenly so mindful of it, it becomes hard to let go. With today’s context, the minor details become major, the historical nuances hold more weight; when they’re set aside, it feels like an important element is dropped. 

For a film that is firmly focused on the atrocities committed by the Witchfinder, there’s surprisingly little torture. Obviously there’s a fine line between appropriately bloody and gratuitously gory, but The Reckoning seems to fall on the tamer side. Throughout all her trials and tribulations, Grace remains relatively glamorous. After dragging the leading ladies of The Descent through literal pools of blood and muck, it’s somewhat surprising to see such restraint from Marshall. 

That said, the technical elements are all there. Christopher Drake’s musical score has a powerful drive that pushes emotion and sets a stark, dark mood. Luke Bryant’s cinematography uses lighting and framing to build some beautiful shots. The practical effects are visceral. It’s undeniably a well made film. 

Medieval horror — as a whole — is a relatively stagnant subgenre and it’s admittedly hard to bring something new to the table. The Reckoning starts on a high (and, again, unintentionally on-the-nose) note, but there doesn’t seem to be enough escalation to make it stand out as spectacular. Marshall is a genre favourite for his work on modern horror classics The Descent and Dog Soldiers, so The Reckoning came with high expectations. But it feels a tad disjointed, with a passable yet overall underwhelming climax. 

It is a fairly effective film with solid performances and a thoughtfully constructed, historically relevant story that rings a bit too true at the present moment. But in the grander scheme of Marshall’s work, it may get left in isolation.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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Win a Stay at The Lizzie Borden House From Spirit Halloween

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lizzie borden house

Spirit Halloween has declared that this week marks the start of spooky season and to celebrate they are offering fans a chance to stay at the Lizzie Borden House with so many perks Lizzie herself would approve.

The Lizzie Borden House in Fall River, MA is claimed to be one of the most haunted houses in America. Of course one lucky winner and up to 12 of their friends will find out if the rumors are true if they win the grand prize: A private stay in the notorious house.

“We are delighted to work with Spirit Halloween to roll out the red carpet and offer the public a chance to win a one-of-a-kind experience at the infamous Lizzie Borden House, which also includes additional haunted experiences and merchandise,” said Lance Zaal, President & Founder of US Ghost Adventures.

Fans can enter to win by following Spirit Halloween‘s Instagram and leaving a comment on the contest post from now through April 28.

Inside the Lizzie Borden House

The prize also includes:

An exclusive guided house tour, including insider insight around the murder, the trial, and commonly reported hauntings

A late-night ghost tour, complete with professional ghost-hunting gear

A private breakfast in the Borden family dining room

A ghost hunting starter kit with two pieces of Ghost Daddy Ghost Hunting Gear and a lesson for two at US Ghost Adventures Ghost Hunting Course

The ultimate Lizzie Borden gift package, featuring an official hatchet, the Lizzie Borden board game, Lily the Haunted Doll, and America’s Most Haunted Volume II

Winner’s choice of a Ghost Tour experience in Salem or a True Crime experience in Boston for two

“Our Halfway to Halloween celebration provides fans an exhilarating taste of what’s to come this fall and empowers them to start planning for their favorite season as early as they please,” said Steven Silverstein, CEO of Spirit Halloween. “We have cultivated an incredible following of enthusiasts who embody the Halloween lifestyle, and we’re thrilled to bring the fun back to life.”

Spirit Halloween is also preparing for their retail haunted houses. On Thursday, August 1 their flagship store in Egg Harbor Township, NJ. will officially open to start off the season. That event usually draws in hordes of people eager to see what new merch, animatronics, and exclusive IP goods will be trending this year.

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’28 Years Later’ Trilogy Taking Shape With Serious Star Power

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28 years later

Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.

Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes

Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.

Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.

There is no word yet on when, or where, 28 Years Later will start production.

28 Days Later

The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.

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