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Worst 5 Horror Films of 2019 – Brianna Spieldenner’s Picks

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worst horror films of 2019

As I said in my list of best horror films of 2019, this has been a great year for horror. Unfortunately, not all the horror movies made this year are as great. This list includes my least favorite or least memorable horror movies I saw that came out in 2019, most of which I had high expectations for that left me disappointed. I didn’t include any movies that I didn’t watch, and so it is probably missing the horror movies that I knew were going to suck and didn’t bother to see (Jacob’s Ladder, Countdown). Here are the 5 horror films that disappointed me the most that I saw in 2019. 

Worst 5 Horror Films of 2019

Velvet buzzsaw worst horror movies 2019

5. Velvet Buzzsaw

This movie suffered from trying to reinvent the genre and be more interesting, which I have to admit, I applaud as a bold move. Unfortunately, making risky decisions will either work or won’t, and in my opinion it just didn’t work. This Dan Gilroy (Nightcrawler) film had some heavy acting muscle behind it, with Jake Gyllenhaal, Rene Russo, John Malkovich and Toni Collette, and the story in theory was definitely interesting, but the way that it was executed was just bizarre in a goofy way. The movie has the tone of a satirical Final Destination movie without the memorable deaths and “scariness.”

The movie was supposed to be critical of capitalism and the hollowness of the art scene, but to accomplish that AND to be scary, this film needed to do a lot more. It even lacks any fun that would have saved it from a future of obscurity, but at least we have another wacky Jake Gyllenhaal character. What’s most disappointing is to see this as the film made from the director of the much more dark and tense Nightcrawler

the prodigy

4. The Prodigy

There’s not much to say about this film, because it was so incredibly pointless. The marketing for this film made it seem like it was more than just a carbon copy of every “evil kid” movie, but it was not. Absolutely nothing in this movie was new or interesting and the performances were more than bland. The namesake of the film, the child being a prodigy, never turns out to have any real influence on the plot past the first third of this movie.

I thought it was a weird decision to make Taylor Schilling (Orange is the New Black) the mother in this and I still feel that way after viewing. Weird. The ending ALMOST makes the film more interesting than it is, but it’s too little and too late making this film mediocre. Your time would better be spent watching any of the other child killer movies that this movie copied. 

3 from hell worst horror movies of 2019

3. 3 from Hell

It hurts my heart to think of the newest film by director/musician Rob Zombie. I didn’t absolutely hate it, but comparing it to House of 1000 Corpses and The Devil’s Rejects, which 3 From Hell follows the plot of, it is clear that it isn’t nearly up to par. Reviving the Firefly clan from their epic death scene at the end of The Devil’s Rejects should have been for something meaningful and just as grand of a movie as the previous two, but this film plodded along in its disinterest in the plot and the future of the killers.

Sadly, Sid Haig’s (Captain Spaulding) failing health kept him from taking part in most of the movie, leading his “role” in the group to be switched out with a new character played by Richard Brake (Doom-Head in 31) which, don’t get me wrong, he wasn’t bad in playing, but it lacked any memorable oomph, especially compared to Captain Spaulding. Sheri Moon Zombie returns as Baby, playing pretty much the same character she has always done, but this time with some more truly bizarre scenes resulting from PTSD. Bill Moseley returns as Otis Driftwood, but even his performance feels comical in the lack of action throughout the film.

The only interesting new character I found in this film was Jeff Daniel Phillips (31) as the prison warden, who is only in it for a short section. If you are a fan of the previous two movies in this storyline, I would not recommend ruining the end of The Devil’s Rejects for this, making it one of my worst horror films of 2019.

it: chapter 2

2. It Chapter 2

I wasn’t a big fan of It (2017) but I will admit it was an okay movie that had a huge impact culturally. I could not say the same for the second chapter of the story. Whether you want to blame it on the book or the filmmaker (maybe a little of both) this movie suffered from a poorly thought out plot. The scenes moved forward more like a video game, with the main characters completing task after task to move forward in their mission to destroy the murderous clown, with Mike Hanlon (Isaiah Mustafa) in a bizarre role as some sort of task giver in this dull film. The performances were half-assed, although I think James McAvoy as Bill Denbrough screaming at a biking kid in the middle of the road was one of the funniest scenes I’ve seen this year, which I’m pretty sure was not the intention of the filmmaker at all. I hope that this film doesn’t sully the reputation of the first too much, and honestly hope that this franchise quits while it’s still ahead. 

wounds worst horror films 2019

1. Wounds

I actually was into the first half of this film by Babak Anvari (director of the groundbreaking film Under the Shadow). I was excited to see the new film from this director and I was also a huge fan of Armie Hammer and Dakota Johnson and wanted to see them together in a horror movie. The premise it started with was intriguing enough, and it had a spooky tone that was supported by some disturbing imagery. That is, sadly, all the good I have to say for this movie.

Around the halfway mark, I started realizing that none of the events happening in this film would ever relate to each other.  It seems like the director had a bunch of different shots and ideas in mind that he wanted to use, but didn’t know how to turn them into a coherent plot. By the end of the film, I was so confused with all the things that had been brought up and never mentioned again I was surprised that it ended the way it did with no resolution whatsoever. Overall, the visuals were not bad, but the story was so poorly thought out I couldn’t recommend this film to anyone. If, by chance, you want to watch a film like The Ring and don’t want to pay attention, maybe this is your film. 

So there are my choices for 5 worst movies of 2019. All of these movies disappointed me in their own ways, and mostly from filmmakers that I support. I can only hope that they bounce back from these sub par films.

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“Mickey Vs. Winnie”: A Horrific Clash of Icons from Director Glenn Douglas Packard and iHorror

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing the boundaries of the horror genre. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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