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TIFF Review: ‘The Platform’ Takes it to a Whole Other Level

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The Platform review TIFF

For Spanish director Galder Gaztelu-Urrutia’s first feature film, he did not hold back. The Platform (El Hoyo) is a daring debut, melding political allegory and sci-fi drama with some serious bite. Beautifully paced, the film is told in three acts, each more revealing than the last.

In The Platform, a man wakes up in a dystopian vertical prison with a stranger as a cellmate. Each day, a platform of food descends from above, containing only whatever was not eaten by the upper levels. Every few weeks, the prisoners are switched to another level. As the level number increases, the chance of getting any form of sustenance is grimly diminished. No one knows how many levels there are, but there’s definitely not enough food for all of them.

The script was adapted from a stage play, and it certainly reads as such. The Platform follows two characters at a time as they unravel exposition, weaving it to create the world of the film. It’s a good, tight knit they’re using; the audience learns the rules of the platform at the same time as the lead character.

The first two acts are very self-contained, allowing us to develop an understanding of the prison. It’s not until the third act of the film that the writers carry the story beyond what had been written in the stage play, allowing full creative freedom to stretch their limbs and run. 

The Platform

via TIFF

The Platform is very well structured, setting up conflict that will circle back around, and explaining the intricacies of the system in a clear and concise way. Like a stage play, characters slip in and out, serving a very specific and precise purpose. By shifting the characters to different levels, we can explore the heavy consequences of the lower cells. This, in turn, gives our main character a reason to shift his expectations and ideals as he experiences the darker side of the prison. 

Similar to Cube, Vincenzo Natali’s 1997 science fiction cult classic, The Platform really exists within one set. It’s very economical, both in design and function. Its brutalist, barren interior allows us to really focus on the performances and the plot. Each character is allowed to bring one item into the platform prison with them; these props are a perfect representation of their owner, communicating their empathy, ambition, and sinister intent. 

Iván Massagué delivers a stunning and soulful performance that is utterly captivating. As the film progresses, his tortured stare pierces through you, communicating volumes of trauma. He has the broken and slowly mending soul of a man who was once full of vigor and hope, and it’s beautifully compelling to watch him traverse through the rocky terrain of these different emotions. He is utterly devastating, and it’s very effective. 

via TIFF

The social commentary is not subtle at all — the upper levels eat a luxurious and meticulously prepared meal with no concern for the people underneath them. The lower levels starve, suffer, and fight for every opportunity they get. Those in the middle are able to scrape by, knowing that they could drop down to a lower spot at any moment while striving to reach a higher level.

Any attempt to create a system that ensures a reasonable portion for all is sabotaged by the selfish ill will of the other prisoners. The Platform shines a light on the inherent inequality of the system that we live in and does so in a way that makes it abundantly clear to the audience.  

The Platform is set on this heat, bringing it to a slow boil. Throughout the film we’re given a taste of how vicious this prison can be. It all builds up to the explosive third act which jettisons the audience through a battle field of emotion and violence. It’s truly something to behold.

Any genre fan that appreciates a tight story with a sinister twist — think Saw, Cube, and The Raid — should absolutely check this one out. It’s a must see dive into the darkness of humanity that will leave you speechless. The film is enriched with shockingly brutal violence and a strong social message. When it comes to self-contained horror, The Platform takes things to a whole other level. 

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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Win a Stay at The Lizzie Borden House From Spirit Halloween

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lizzie borden house

Spirit Halloween has declared that this week marks the start of spooky season and to celebrate they are offering fans a chance to stay at the Lizzie Borden House with so many perks Lizzie herself would approve.

The Lizzie Borden House in Fall River, MA is claimed to be one of the most haunted houses in America. Of course one lucky winner and up to 12 of their friends will find out if the rumors are true if they win the grand prize: A private stay in the notorious house.

“We are delighted to work with Spirit Halloween to roll out the red carpet and offer the public a chance to win a one-of-a-kind experience at the infamous Lizzie Borden House, which also includes additional haunted experiences and merchandise,” said Lance Zaal, President & Founder of US Ghost Adventures.

Fans can enter to win by following Spirit Halloween‘s Instagram and leaving a comment on the contest post from now through April 28.

Inside the Lizzie Borden House

The prize also includes:

An exclusive guided house tour, including insider insight around the murder, the trial, and commonly reported hauntings

A late-night ghost tour, complete with professional ghost-hunting gear

A private breakfast in the Borden family dining room

A ghost hunting starter kit with two pieces of Ghost Daddy Ghost Hunting Gear and a lesson for two at US Ghost Adventures Ghost Hunting Course

The ultimate Lizzie Borden gift package, featuring an official hatchet, the Lizzie Borden board game, Lily the Haunted Doll, and America’s Most Haunted Volume II

Winner’s choice of a Ghost Tour experience in Salem or a True Crime experience in Boston for two

“Our Halfway to Halloween celebration provides fans an exhilarating taste of what’s to come this fall and empowers them to start planning for their favorite season as early as they please,” said Steven Silverstein, CEO of Spirit Halloween. “We have cultivated an incredible following of enthusiasts who embody the Halloween lifestyle, and we’re thrilled to bring the fun back to life.”

Spirit Halloween is also preparing for their retail haunted houses. On Thursday, August 1 their flagship store in Egg Harbor Township, NJ. will officially open to start off the season. That event usually draws in hordes of people eager to see what new merch, animatronics, and exclusive IP goods will be trending this year.

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’28 Years Later’ Trilogy Taking Shape With Serious Star Power

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28 years later

Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.

Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes

Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.

Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.

There is no word yet on when, or where, 28 Years Later will start production.

28 Days Later

The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.

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