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TIFF Review: ‘Color Out of Space’ Paints a Messy Picture

Published

5 years ago

September 10, 2019

Director Richard Stanley returns to narrative filmmaking after over 20 years with Color Out of Space, a hypnotic H.P. Lovecraft adaptation. Published in 1927, the story is one of Lovecraft’s most popular works and is said to be his favorite of his short stories. Stanley brings his love for Lovecraft into the film and adds his own personal flair to the tale, creating a unique and inventive experience.

Starring Nicolas Cage (Mandy), Joely Richardson (Event Horizon), Madeleine Arthur (The Magicians), Brendan Meyer (The Guest), Julian Hilliard (The Haunting of Hill House), Elliot Knight (Once Upon a Time), and Tommy Chong (of Cheech and Chong fame), Color Out of Space follows the Gardner family as a meteorite crashes on their farm. This space rock emits an indescribable color that affects all life nearby in mysterious and terrifying ways. Soon, the family is left to fend for their very lives as the color spreads across their land, leaving chaos in its wake.

Cosmic Lovecraftian horror can be a challenge as the monster effects are key. If you ask any horror fan, they’ll gladly tell you that practical effects are always preferable. Thankfully, Stanley uses practical effects for the most horrific moments in the film, which is truly appreciated.

Reminiscent of Rob Bottin’s creature designs for The Thing, the monsters of Color Out of Space are quite effective. CGI effects are layered over top of the practical effects to enhance them with the titular color, however, in some instances the amount of CGI use overshadows the practical effect so it’s difficult to tell what was physically made.

via IMDb

For the most part, Color Out of Space hits some of the narrative beats from the original short story, though certain changes have been made with varying effect. Naturally some shifts have occurred that affect the development of the plot, though there are also some ancillary adjustments that change the film’s overall tone.

Rather than a collection of generic livestock, the family’s farm is populated by a herd of alpacas. More often than not, these alpacas serve as a punchline which can be distracting as they make every scene they’re in a bit silly (because alpacas are naturally kind of absurd).

Multiple characters are combined into one hydrologist who serves as a scientific catch-all whenever knowledge is needed. It’s a bit odd that a hydrologist would be consulted for the discovery of a meteorite, or would know what radiation burns look like, but it’s best not to dwell on it… the man knows his science.

via IMDb

There are a few other narrative seeds planted that don’t really grow into anything and could be cut out entirely without affecting the film at all. They add to character development, but are generally unnecessary as there are other ways to build the audience’s relationship with and understanding of these characters without needless filler.

What’s more jarring is the fact that each actor seems to be working in a different movie. Performances are all over the place in terms of tone with varying degrees of intensity. Nicolas Cage takes center stage in one of his most cagey performances to date, alternating between dowdy farmer (slash bourbon connoisseur) and full-blown bonkers on a hairpin trigger. When facing an unhinged Cage, the actors deliver their dialogue with such sincerity that it can be quite comical, though it’s unclear if this is always intentional. The cast can’t match his eccentricity and don’t try to, so as an end result, the energy is very uneven.

As a Lovecraft adaptation, Color Out of Space is fine. It’s not overwhelmingly good or bad, though it might not be what you expect when you hear the combination of Lovecraft, Nic Cage, and Richard Stanley. It’s hypnotically entertaining — particularly for its Cage-isms — but overall it could be more cohesive.

Color Out of Space strays outside the lines to draw its own unique picture, and the end result is a bit messy. The film has already been acquired by RJLE Films ahead of its Midnight Madness world premiere. But the real question is, will audiences buy it?

Color Out of Space

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‘The Strangers’ Invaded Coachella in Instagramable PR Stunt

Published

7 hours ago

April 17, 2024

Timothy Rawles

Renny Harlin’s reboot of The Strangers isn’t coming out until May 17, but those murderous home invaders are making a pit stop at Coachella first.

In the latest Instagramable PR stunt, the studio behind the film decided to have the trio of masked intruders crash Coachella, a music festival that takes place for two weekends in Southern California.

This type of publicity began when Paramount did the same thing with their horror movie Smile in 2022. Their version had seemingly ordinary people in populated places look directly into a camera with an evil grin.

Harlin’s reboot is actually a trilogy with a more expansive world than that of the original.

“When setting out to remake The Strangers, we felt there was a bigger story to be told, which could be as powerful, chilling, and terrifying as the original and could really expand that world,” said producer Courtney Solomon. “Shooting this story as a trilogy allows us to create a hyperreal and terrifying character study. We’re fortunate to be joining forces with Madelaine Petsch, an amazing talent whose character is the driving force of this story.”

The movie follows a young couple (Madelaine Petsch and Froy Gutierrez) who “after their car breaks down in an eerie small town, are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive in The Strangers: Chapter 1 the chilling first entry of this upcoming horror feature film series.”

The Strangers: Chapter 1 opens in theaters on May 17.

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‘Alien’ Returning to Theaters For a Limited Time

Published

8 hours ago

April 17, 2024

Timothy Rawles

It’s been 45 years since Ridley Scott’s Alien hit theaters and in celebration of that milestone, it is headed back to the big screen for a limited time. And what better day to do that than Alien Day on April 26?

It also works as a primer for the upcoming Fede Alvarez sequel Alien: Romulus opening on August 16. A special feature in which both Alvarez and Scott discuss the original sci-fi classic will be shown as a part of your theater admission. Take a look at the preview of that conversation below.

^{Fede Alvarez and Ridley Scott}

Back in 1979, the original trailer for Alien was kind of terrifying. Imagine sitting in front of a CRT TV (Cathode Ray Tube) at night and suddenly Jerry Goldsmith’s haunting score begins to play as a giant chicken egg starts to crack with beams of light bursting through the shell and the word “Alien” slowly forms in slanted all caps across the screen. To a twelve-year-old, it was a scary pre-bedtime experience, especially Goldsmith’s screaming electronic musical flourishes playing over scenes of the actual movie. Let the “Is it horror or sci-fi?” debate begin.

Alien became a pop culture phenomenon, complete with kid’s toys, a graphic novel, and an Academy Award for Best Visual Effects. It also inspired dioramas in wax museums and even a frightening setpiece at Walt Disney World in the now-defunct Great Movie Ride attraction.

_{Great Movie Ride}

The film stars Sigourney Weaver, Tom Skerritt, and John Hurt. It tells the tale of a futuristic crew of blue-collar workers suddenly awakened out of stasis to investigate an undecipherable distress signal coming from a nearby moon. They investigate the source of the signal and discover it’s a warning and not a cry for help. Unbeknownst to the crew, they have brought a giant space creature back on board which they find out in one of the most iconic scenes in cinema history.

It is said that Alvarez’s sequel will pay homage to the original film’s storytelling and set design.

_{Alien Romulus}

^{Alien (1979)}

The Alien theatrical re-release will take place on April 26. Pre-order your tickets and find out where Alien will screen at a theater near you.

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Home Depot’s 12-Foot Skeleton Returns with a New Friend, Plus New Life-Size Prop from Spirit Halloween

Published

10 hours ago

April 17, 2024

Cameron McFarland

Halloween is the greatest holiday of them all. However, every great holiday needs amazing props to go with it. Luckily for you, there are two new amazing props that have been released, which are sure to impress your neighbors and frighten any neighborhood children who are unfortunate enough to wander past your yard.

The first entry is the return of the Home Depot 12-foot skeleton prop. Home Depot has outdone themselves in the past. But this year the company is bringing bigger and better things to their Halloween prop lineup.

This year, the company unveiled its new and improved Skelly. But what is a giant skeleton without a loyal friend? Home Depot has also announced that they will release a five-foot tall skeleton dog prop to eternally keep Skelly company as he haunts your yard this spooky season.

This bony pooch will be five feet tall and seven feet long. The prop will also feature a posable mouth and LCD eyes with eight variable settings. Lance Allen, Home Depot’s merchant of decorative Holliday gear, had the following to say about this year’s lineup.

“This year we increased our realism within the animatronics category, created some impressive, licensed characters and even brought back some fan favorites. Overall, we are most proud of the quality and value we are able to bring to our customers with these pieces so they can continue to grow their collections.”

But what if giant skeletons just aren’t your thing? Well, Spirit Halloween has you covered with their giant life size Terror Dog replica. This massive prop has been ripped out of your nightmares to appear frighteningly on your lawn.

This prop weighs in at almost fifty pounds and features glowing red eyes that are sure to keep your yard safe from any toilet paper throwing hooligans. This iconic Ghostbusters nightmare is a must have for any fan of 80s horror. Or, anyone who loves all things spooky.