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That Time Stanley Kubrick Made $1.5M Off The Shining Remake

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Love it or hate it, The Shining remake/miniseries set out to tell Stephen King’s legendary story the way King intended it. As I’m sure you’re aware, the author was never a fan of Kubrick’s classic film due to the many changes made to fit the director’s vision. Ultimately, Kubrick started with King’s story and made a Kubrick film out of it, and most agree that this is the superior screen version if not one of the greatest horror films (or even films) of all time.

The Garris project, which King wrote the teleplay for, first aired in 1997. Kubrick died just two years later in 1999, but he was alive when the miniseries was made, and according to Garris, he actually got a nice chunk of change out of it.

weber-shining

I’ve been listening to a ton of back episodes of Adam Green and Joe Lynch’s The Movie Crypt podcast lately. I love hearing the stories from filmmakers and other industry insiders and learning new things about the projects they’ve worked on. Seriously, it’s like crack for horror geeks. I recently listened to one from a couple years ago – episode 18 – which featured Mick Garris, and he noted something that I was completely unaware of despite having devoted a pretty good deal of my time on earth consuming content related to The Shining. I found where he mentioned it in an old Icons of Fright interview as well, but either way, it’s an interesting bit of trivia that a lot of people probably aren’t aware of.

“Kubrick got paid a million and a half dollars for us to be able to do a miniseries, and not many people know that,” Garris told Green. “And King had to sign an agreement saying he would not say anything bad about the Kubrick film. So these are little secrets you’re getting only on The Movie Crypt (laughs).”

According to the miniseries’ trivia section on IMDb, to re-obtain the rights from the Kubrick estate, King had to publicly recant his oft-voiced opinions of Kubrick’s film.

As Garris noted in the podcast, most people  – particularly fans of King’s novel – didn’t really like Kubrick’s film when it came out. It took time for it to truly become recognized as the cinematic masterpiece that it is. By the time the remake was released, it had already achieved that status. Garris himself admitted on The Movie Crypt that he didn’t care much for Kubrick’s film when it was released as he was already a huge fan of King’s novel, but that he had come around to it over the years, recognizing it as a great Kubrick film, even if not a great King adaptation.

King says in the Author’s Note of his sequel novel Doctor Sleep (hat tip to Tasha Robinson), “The Shining is one of those novels people always mention (along with ‘Salem’s Lot, Pet Sematary, and It) when they talk about which of my books really scared the bejeezus out of them. Plus, of course, there was Stanley Kubrick’s movie, which many seem to remember  – for reasons I have never quite understood – as one of the scariest films they have ever seen. If you have seen the movie but not read the novel, you should note that Doctor Sleep follows the latter, which is, in my opinion, the True History of the Torrance Family.)”

Here’s  a video of King talking about Kubrick and his film, as he discusses Doctor Sleep and jokes about how he’s canceling out the film (another hat tip to Robinson).


“It’s like Stanley Kubrick was like the coldest guy in the universe,” he told the audience. “I outlived him though, didn’t I? Oh man, I even got hit by a car, and I still outlived him.”

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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