Connect with us

News

Review: ‘Artik’ is a Gripping, Gritty, Gruesome Serial Killer

Published

on

Artik movie review

For his feature film debut, Tom Botchii comes out swinging with Artik. The writer/director pulls no punches, delivering some heavy blows that reverberate through the screen. 

The film follows the titular Artik (Jerry G. Angelo, Better Call Saul) — a serial killer with a passion for comic books — as he trains his son, Adam (Gavin White, 14 Cameras), to follow in his footsteps. Artik is obsessed with the idea of building a hero, torturing his victims mercilessly in the hopes that they will rise from the ashes of torment to take their rightful place as a worthy survivor. When his son Adam meets Holton (Chase Williamson, The Guest), a straight-edge welder who takes interest in the boy, it threatens to expose their horrifying family secret. Soon, Holton might fight to save not only the boy’s life, but also his own. 

Artik

Angelo’s performance is nuanced, portraying Artik with a restrained nature that’s disquieting. In every scene he’s in, Artik buzzes with a predatory energy. He believes he’s on the cusp of finding someone who can rise to the challenge, documenting his work in the comics he draws. It’s an interesting take on the anti-hero archetype; he firmly believes he’s doing the right thing and takes great pride in his work, encouraging his son to take up the mantle. But there’s no doubt that Artik is a villain, and a highly effective one at that. 

Artik’s partner, Flin (Lauren Ashley Carter, Darling), is just as unhinged, though she may be a tad more upfront about it. She maintains the sunflower farm run by the family, though realistically all the work is actually put in by a barn full of malnourished, overworked foster children. It’s a good way to paint her as an unlikable character while allowing her to have moments of sweet innocence. She seems wide-eyed and idealistic, but she’s got a vicious mean streak and zero empathy. 

There’s something wonderfully gritty about the aesthetic of the film. Artik’s scenes are washed with tones of sepia and red, feeding us the texture of an old, faded comic book. Holton’s scenes are touched with deep blues and greys, like gears mottled with oil and dirt. It creates a very rich sense of tone. 

The score by Corey Wallace goes hard, plucking and pulsating throughout. It creates a strong sense of unease and draws out feelings of dread. From start to finish, the music is perfect. 

For those looking for some raw action, Artik is blessed with some really gnarly violence. Visceral sound effects are paired with a wise cinematic eye, framing each moment of carnage in just the right way so as to make it completely effective without being too over-the-top. Artik maintains a level of tense energy through these dark scenes.

While some of the pacing early on can feel a bit rushed, we don’t lose anything to the story. It’s economical and keeps the film constantly moving forward. There are no wasted moments here. 

Artik

With Artik, Botchii has crafted a unique character that leaves you dying to know the origin story. Artik’s method is brutal, his mission is madness, and he’s a force to be reckoned with. Right from the beginning, you want to see more of his horrific handiwork.

The film looks at the toxic relationships between its characters, showing how strings are pulled to influence their actions and opinions, and how harmful that misplaced respect can be.

Flin and Artik feed on each other’s negative qualities, enabling their bad behavior; Artik’s relationship with his son is based around his encouragement of violence and feeding the dark energies bubbling inside him; and Flin believes she’s providing a good life for her small army of child laborers, trying to convince them to believe the same. These relationships develop and crash into one another, dragging victims down in their wake.

Artik is a pounding, thrilling horror film that grabs you by the throat. While the premise may be a touch familiar, writer/director Tom Botchii goes hard with the concept, building an entirely different — and terrifying — beast. It’s an impressive feature film debut from Botchii, and he’s certainly a name to watch out for moving forward. If Artik is any indication, he’s got a promising future ahead. 

 

Artik had its premiere at the Popcorn Frights film festival on August 11th and will arrive on VOD and Blu-ray as of September 10th.

'Civil War' Review: Is It Worth Watching?

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Movies

‘Evil Dead’ Film Franchise Getting TWO New Installments

Published

on

It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

Published

on

Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

'Civil War' Review: Is It Worth Watching?

Continue Reading

News

Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

Published

on

Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

'Civil War' Review: Is It Worth Watching?

Continue Reading