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[Interview] iHorror Talks With Directors Jonathan Milott and Cary Murnion About ‘Becky’

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A brutal home invasion horror thriller with Kevin James as a Neo-Nazi cult leader fighting a 13 year old? Seems perfectly in line for Jonathan Milott and Cary Murnion, the directors behind such off the wall genre movies as Cooties and Bushwick. As you could tell from Timothy Rawles’s review of Becky we’re fans of this genre busting horror movie with a stellar cast. I was fortunate enough to talk with the directors and discuss the production.

Jacob Davison: So, starting things off, you both have worked together directing a number of movies. How did you meet, how did you get together?

Jonathan Milott + Cary Murnion: Yeah, we met back in school. We went to the Carson School Of Design together. We started off in design and animation and started a company together. In our free time we would do a lot of experiments and exploration of as many cool and fun things as we could while not getting paid. That led us to directing some short films and that got us into South By Southwest which then led to us directing feature films.

JD: How did you get involved with Becky?

JM + CM: Becky was actually brought to us by our managers and agents. They had a script and we really responded tot he script but we had a significant point of view on it. Which involved some changes. So, when we pitched it to the producers, we came at them with that idea that we loved the premise but we had some ideas that would really make it live up to that premise. We pitched that and they agreed with us and that allowed us the time for us to work with some other writers Ruckus [Skye] and Lane [Skye] to really get the script and the movie to where we thought was its full potential. From there we casted, and got it financed, and here we are.

Image via IMDB

JD: What would you say was the main thing that drew you to the project?

JM + CM: I think for us that really unique idea of a 13 year old girl in a revenge film. That was something we had never seen before. One of the ways we described the film was ultra violent Home Alone. I think that’s a fun way of giving a quick overview. But when you think about it, there aren’t too many films like it, there’s a lot of revenge films. There’s quite a few Home Alone like films or home invasion thrillers, but nothing quite like this. For us, it was to take all those disparate elements form all these other great movies we love and kind of combine them into this one really intense, violent, revenge thriller which as something that really appealed to us.

JD: On the violence. I wanted to talk about that, because I was really impressed! Like, the gore FX was really outstanding. I was impressed that a majority of it seemed to be practical. Can you talk about that?

JM + CM: That’s something that we’ve always loved with genre movies, what this kind of movie is. The real, visceral, tangible, bloody(laughter) gruesome FX. One of our favorite filmmakers [Quentin] Tarantino does so well. It just brings a level of realness to it that is just needed in this type of genre. You have to believe it. You can’t just have a bunch of fake CG blood squirting everywhere. You have to get that sense that the blood coming from the hand of the person is doing it, then spraying on their face. There’s just something with the level of CG at this point. I love watching some of the Star Wars films, the Marvel films, the quality of CG that they can do at that level is truly, truly impressive, awe inspiring and hopefully something they will get to play with. But, I think with a movie like this it just feels so much more intense when you have that on-set, sticky, gooey, (laughter) blood in your eye feeling.

JD: Speaking of, I cringed during ‘the eye’ scene. That was a good one!

JM + CM: Thank you!

JD: I wanted to talk a bit about the casting. The two leads, there’s Joel McHale and Kevin James who are primarily known for their comedy work. How did they get attached and what was it like working with them in such a different sort of role?

JM + CM: It was something we wanted to do from the start with casting both of those characters. We know we wanted to get a cult leader in the James character that was charismatic and intellectual and someone you would almost go have a beer with. Someone who seems friendly and you would just believe what he was saying. As the movie starts, he’s got to get into this house and he’s got to work his way in. We wanted that at the beginning. We wanted someone you could believe leads a lot of people and manipulate a lot of people. But, not he flipside we wanted to be shocking when he started his narcissistic, hateful ideological pitches that just blow you mind. I think coming out of a friendly face like Kevin James it’s all the more shocking and all the more strange. It really flips the viewer on their head, and the same with Joel’s character. He plays the father, and a lot of the time Joel McHale has played characters who are very ironic and almost always reaching for the joke, sarcastic in a way. So, you have him playing this individual who is sincere, who is kind of a flawed father just doing the best he can with his teenage girl. We just thought the were interesting subverting their typical roles and I’d say it paid off.

Image via IMDB

JD: I agree! It was quite a shocker. On the title role of Becky, how did Lulu Wilson become involved and what was it like working with her for this kind of role?

JM + CM: We had been following Lulu for awhile and the minute we got this script, we knew she had to be the one! She’s just one of the most talented young actors out there right now. From Ouija all the way to Sharp Objects. She’s just been blowing our minds because there’s a lot of good kid actors, but actors at her age who can really get that emotional range. Whether it be scared, terrified, angry, you know she could just do it all. And we saw that in some of her work before. She was pretty much the one we wanted right form the start and she was in. She loved the script form the start, so we were lucky that she was involved. Then in terms of when we got on set with her it was even better than we could imagine. Literally, the first day of shooting and probably the second shot we did with her, she had to do a reaction to a loved one getting attacked and let out a guttural, passionate scream! That’s where you could tell a great actor from a mediocre one. Someone who could really let out a scream and really shut down a set in terms of everybody looking at her with shock and surprise. With the amount of intensity that she brought to it especially at that age then turn around and be a happy go lucky kid the minute the camera stops rolling. But she just set the tone immediately that day and I think everyone knew that she was serious.

JD: Agreed! I just saw the movie on my laptop and that scream shook me. I’m sure if I hd seen it in theaters it would have blown me away. And on the title character, how would you describe Becky?

JM + CM: Well, I think Becky is a rebellious young teenager like most 13 year old girls, you know, there’s a bit of finding themselves. We look at this in a way of a coming of age film. And I think that’s an important part of it, that she’s going through some loss, she’s dealing with growing up, for us, that was an important part of the climax of the film was that what happened to the world today when their leaders, their parents and the world just is showing them  certain way of being moral and ethical and we expect our kids to grow up to be a certain way. But they’re growing up in a world that maybe isn’t as morally and ethically pure as when we grew up. I think that’s something we wanted to explore, that the world that she lives in dictates the world that she ends up in at the end and I think that hopefully it’s  bit surprising and that’ll make you think a little bit.

Becky is On Demand and Digital and at select drive-ins on June 5, 2020

 

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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