Connect with us

News

Best 15 Horror Films of 2017- Kelly McNeely’s Picks

Published

on

horror

Let’s face it, 2017 has not been an easy year. But despite the troubling times – or perhaps because of them – horror movies have had a great year at the box office. With the insane profits that some of the top films have created, it’s great news for the future of our favorite genre.

While blockbuster giants have dominated, there’s also been a solid group of indie films coming to genre-focused festivals and streaming services like Netflix and Shudder. So, as is our annual tradition here at iHorror, I’ve compiled a list of some of my personal favorite horror films from 2017.

Be sure to check back in with us through the week for more lists from some of iHorror’s top writers!

horror

via Chris Fischer


#15  Gerald’s Game

Synopsis: While trying to spice up their marriage in their remote lake house, Jessie must fight to survive when her husband dies unexpectedly, leaving her handcuffed to their bed frame.

Why I love it: 2017 is the year of Stephen King, and Netflix’s presentation of Gerald’s Game is definitely one of the better adaptations of his work. It’s gripping, calculated, and wonderfully directed by Mike Flanagan (Hush).

Deep down, I long to have the same confident self-facing pep-talk that Flanagan’s super strong female characters have had in his films.

#14   Happy Death Day

Synopsis: A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity.

Why I love it: While Happy Death Day is pretty predictable, it’s also outstandingly fun. The film has an upbeat Groundhog Day-meets-Mean Girls vibe, and I’m very much down with it.

It seems like we don’t often get a mainstream, broad appeal, wide theatrical release horror film that isn’t just part of a franchise, so it’s great to see new and accessible films hit the big screen.

In a time bogged down by sequels and remakes, the wickedly cheeky Happy Death Day is a breath of fresh air.

#13   Prevenge

Synopsis: Widow Ruth is seven months pregnant when, believing herself to be guided by her unborn baby, she embarks on a homicidal rampage, dispatching anyone who stands in her way.

Why I love it: Alice Lowe is an absolutely fantastic talent. Prevenge is a pitch-black dark comedy (much like Sightseers, which she co-wrote and starred in previously) that will make you seriously question the decision to grow another human inside of you.

I should also note that Lowe wrote, directed, and starred in the film while she was 8 months pregnant. Damn, girl.

#12   Split

Synopsis: Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.

Why I love it: I think that a lot of people gave up on M. Night Shyamalan after an unfortunate pattern of poorly-received films. With the support of Blumhouse, Split proved to be the director’s great revival… his Shyamalanaissance, if you will.

Driven by phenomenal performances from James McAvoy and Anya Taylor-Joy, the film captivated audiences and kicked off the year with a box office bang. (Click here to read my full review).

#11   Victor Crowley

Synopsis: Ten years after the events of the original movie, Victor Crowley is mistakenly resurrected and proceeds to kill once more.

Why I love it: Director Adam Green didn’t bother to build anticipation for the next entry in his Hatchet franchise, he just surprised the hell out of everyone with a fully finished film. He Lemonaded us.

Victor Crowley takes a trip back to the swamp, tongue firmly in-cheek, and has an absolute blast doing so. I saw this one at Toronto After Dark with a full audience and it was one of the most wildly entertaining theatrical experiences of my life. (Click here to read my full review).

#10   Raw

https://www.youtube.com/watch?v=fHLJ7TH4ybw

Synopsis: When a young vegetarian undergoes a carnivorous hazing ritual at vet school, an unbidden taste for meat begins to grow in her.

Why I love it: Writer/director Julia Ducournau presents an unflinching coming-of-age tale with a deadly and dread-fueled twist.

Garance Marillier and Ella Rumpf‘s nuanced performances as Justine and Alexia are like a raw, meaty steak, and they drive the film forward, hypnotically drawing you in. The ending is perfection, and it’s one that will definitely stay with you.

#9   It Comes At Night

Synopsis: Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son. Then a desperate young family arrives seeking refuge.

Why I love it: It Comes At Night burns with a stressful, steady paranoia. I actually really love the idea that we’re not granted the full history of the film; we’re observers mid-way through the events. While some may find this frustrating, I think that it’s a great way to leave your story in the hands of the viewer.

We’re informed only by what we see, and it lets your imagination run wild with possibilities. It draws you in and keeps you rapt with attention throughout, searching for any hidden hints.

I do love a good isolation horror, and It Comes At Night is driven by the idea of what happens when a secure safe hold is threatened. The choices made by the characters are complex and loaded with potential danger. It’s an example of how – even when you do everything right – things can still go so wrong.

#8   Hounds of Love

Synopsis: Vicki Maloney is randomly abducted from a suburban street by a disturbed couple. As she observes the dynamic between her captors she quickly realizes she must drive a wedge between them if she is to survive.

Why I love it: Australians are incredibly good at small-town horror (see The Snowtown Murders and The Loved Ones for further examples). Hounds of Love not only embraces this setting, but demonstrates how a subservient and manipulative relationship can spiral out of control in an incredibly dangerous way.

The whole film is superbly tense, emotional, and straight-up terrifying. It’s very easy to imagine yourself in the position of our young protagonist. You’ll find yourself on the edge of your seat with anxious anticipation.

#7   A Dark Song

Synopsis: A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.

Why I love it: Two actors, one sparsely furnished house. That’s all it takes to build one of the strongest genre films of 2017. The action is entirely driven by the increasingly strained dynamic of the compact cast as their characters work tirelessly to perform a questionable ritual.

The ritual takes several months to complete and requires full dedication to achieve the desired effects. It’s highly complex, exhausting, and neither party can leave the house for the duration of the ritual. At all.

Much like the ritual itself, viewing A Dark Song requires patience for the dazzling finish. It’s a dark, compelling film that focuses on themes that are deeply human, and it’s got one hell of a slow burn.

#6   The Endless

Synopsis: Two brothers return to the cult they fled from years ago to discover that the group’s beliefs may be more sane than they once thought

Why I love it: Justin Benson and Aaron Moorhead (Spring, Resolution) are extraordinarily talented and creative filmmakers. For The Endless, they adopted a bit of a DIY approach; they wrote, directed, starred in, produced, edited, and did the cinematography themselves.

It’s almost unfair how good they are at what they do; not only are they gifted filmmakers, they’re delightfully charismatic on screen as well. Because they had their hands in just about every aspect of the film, it’s completely their own (which is a wonderfully good thing).

The film is a complex, engaging puzzle that is driven by that peculiar feeling you have when something just doesn’t seem right. If you’re a fan of Benson and Moorhead’s 2012 freshman film, Resolution, you’ll definitely want to check this one out.

#5   The Void

Synopsis: Shortly after delivering a patient to an understaffed hospital, a police officer experiences strange and violent occurrences seemingly linked to a group of mysterious hooded figures.

Why I love it: Ah yes, the sweet, sweet joy of practical effects. If you want some good ol’ fashioned body horror with heavy doses of Lovecraft, look no further than The Void. Every creature and creepy crawly encounter is viscerally traumatizing.

The film proves that practical effects are still king in the genre, and truly, you haven’t seen effects like this in quite some time. It’s a great throwback to 80s horror in its heyday.

That being said, there’s more to it than just squishy shock value. There’s a connection between the characters that shows how trauma can bind us together. They’re flawed, but they’re likable and deeply human, and it’s hard not to feel twinges of worry for their fate.

#4   IT

Synopsis: A group of bullied kids band together when a shapeshifting monster, taking the appearance of a clown, begins hunting children.

Why I love it: Andy Muschietti’s It is the film I deeply wanted to see. With all the fun of a childhood coming-of-age-in-the-80s story and some straight-up spooky scares, It delivered.

The performances across the board were all fantastic (Jeremy Ray Taylor as Ben Hanscom actually broke my heart. I’m dead now). The pure charismatic chemistry between the child actors was perfection, and I was deeply impressed by Skarsgård‘s Pennywise.

 

#3   The Killing of a Sacred Deer

Synopsis: Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister.

Why I love it: If you’re of the opinion that The Killing of a Sacred Deer is not a horror movie, then I’m assuming you haven’t seen it. Life isn’t fast and flashy and openly terrifying, life creeps up on you, twisting into something purely unrecognizable. Fear is patient. Also, just, calm down about genre definitions.

The Killing of a Sacred Deer is ill-at-ease; every performance is slightly off from what we would consider normal, casual, human interaction. Everyone is a bit too stiff, a bit too formal.

The film’s descent moves like an elevator – you feel the sinking in your stomach. Then the doors open and you’re so far away from where you ever thought you would be. It’s haunting and I can’t stop thinking about it.

#2   The Devil’s Candy

Synopsis: A struggling painter is possessed by satanic forces after he and his young family move into their dream home in rural Texas, in this creepy haunted-house tale.

Why I love it: Anyone who knows me knows that I have not shut up about this movie since I first saw it at TIFF in 2015. But! Since it didn’t get wider theatrical distribution until 2017, I can confidently include it on this year’s list.

Australian director Sean Byrne (The Loved Ones) brought this heavy metal masterpiece to Texas where it could bask in the sun-scorched rural setting (because, again, Australians do rural horror so damn well) with a more American theme of demonic influence.

It’s a deeply satisfying film with well-rounded (and intensely likable) characters, full of high-stakes, nail-biting tension with an explosive and truly gratifying finale.

#1   Get Out

Synopsis: It’s time for a young African American to meet with his white girlfriend’s parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.

Why I love it: I’m so in love with Jordan Peele as a writer/director because – as a comedian and die-hard horror fan – he knows how to flawlessly blend the two.

Get Out is not a horror comedy (no matter what the Golden Globes thinks), but Peele understands that levity enhances horror by allowing the audience to let their guard down, if even just for a moment. It makes characters more likable, and it makes bizarre situations more relatable.

Get Out is biting social commentary with such brilliantly camouflaged foreshadowing and layering that it demands multiple viewings (which will absolutely be as entertaining as the first time it’s watched). I firmly believe it’s the best film of 2017. (Click here to read my full review)

Any films I missed out on this year? Let us know in the comments!

'Ghostbusters: Frozen Empire' Popcorn Bucket

News

New Poster Reveal For Nicolas Cage’s Survival Creature Feature ‘Arcadian’ [Trailer]

Published

on

Nicolas Cage Arcadian

In the latest cinematic venture featuring Nicolas Cage, Arcadian emerges as a compelling creature feature, teeming with suspense, horror, and emotional depth. RLJE Films has recently released a series of new images and a captivating poster, offering audiences a glimpse into the eerie and thrilling world of “Arcadian”. Scheduled to hit theaters on April 12, 2024, the film will later be available on Shudder and AMC+, ensuring a wide audience can experience its gripping narrative.

Arcadian Movie Trailer

The Motion Picture Association (MPA) has given this film an “R” rating for its “bloody images,” hinting at the visceral and intense experience awaiting viewers. The film draws inspiration from acclaimed horror benchmarks like “A Quiet Place,” weaving a post-apocalyptic tale of a father and his two sons navigating a desolate world. Following a catastrophic event that depopulates the planet, the family faces the dual challenge of surviving their dystopian environment and eluding mysterious nocturnal creatures.

Joining Nicolas Cage in this harrowing journey are Jaeden Martell, known for his role in “IT” (2017), Maxwell Jenkins from “Lost in Space,” and Sadie Soverall, featured in “Fate: The Winx Saga.” Directed by Ben Brewer (“The Trust”) and penned by Mike Nilon (“Braven”), “Arcadian” promises a unique blend of poignant storytelling and electrifying survival horror.

Maxwell Jenkins, Nicolas Cage, and Jaeden Martell 

Critics have already begun to praise “Arcadian” for its imaginative monster designs and exhilarating action sequences, with one review from Bloody Disgusting highlighting the film’s balance between emotional coming-of-age elements and heart-pounding horror. Despite sharing thematic elements with similar genre films, “Arcadian” sets itself apart through its creative approach and action-driven plot, promising a cinematic experience filled with mystery, suspense, and relentless thrills.

Arcadian Official Movie Poster

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

‘Winnie the Pooh: Blood and Honey 3’ Is a Go with Enhanced Budget and New Characters

Published

on

Winnie the Pooh 3

Wow, they’re churning things out fast! The upcoming sequel “Winnie the Pooh: Blood and Honey 3” is officially moving forward, promising an expanded narrative with a larger budget and the introduction of beloved characters from A.A. Milne’s original tales. As confirmed by Variety, the third installment in the horror franchise will welcome Rabbit, the heffalumps, and the woozles into its dark and twisted narrative.

This sequel is a part of an ambitious cinematic universe that reimagines children’s stories as horror tales. Alongside “Winnie the Pooh: Blood and Honey” and its first sequel, the universe includes films such as “Peter Pan’s Neverland Nightmare”, “Bambi: The Reckoning,” and “Pinocchio Unstrung”. These movies are set to converge in the crossover event “Poohniverse: Monsters Assemble,” slated for a 2025 release.

Winnie the Pooh Poohniverse

The creation of these films was made possible when A.A. Milne’s 1926 children’s book “Winnie-the-Pooh” entered the public domain last year, allowing filmmakers to explore these cherished characters in unprecedented ways. Director Rhys Frake-Waterfield and producer Scott Jeffrey Chambers, of Jagged Edge Productions, have led the charge in this innovative endeavor.

The inclusion of Rabbit, heffalumps, and woozles in the upcoming sequel introduces a new layer to the franchise. In Milne’s original stories, heffalumps are imagined creatures resembling elephants, while woozles are known for their weasel-like characteristics and a penchant for stealing honey. Their roles in the narrative remain to be seen, but their addition promises to enrich the horror universe with deeper connections to the source material.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

How to Watch ‘Late Night with the Devil’ from Home: Dates and Platforms

Published

on

Late Night With The Devil

For fans eager to dive into one of this year’s most talked-about horror films from the comfort of their own home, “Late Night with the Devil” will be available for streaming exclusively on Shudder starting April 19, 2024. This announcement has been highly anticipated following the film’s successful theatrical release by IFC Films, which saw it earning rave reviews and a record-breaking opening weekend for the distributor.

“Late Night with the Devil” emerges as a standout horror film, captivating audiences and critics alike, with Stephen King himself offering high praise for the 1977-set film. Starring David Dastmalchian, the movie unfolds on Halloween night during a live late-night talk show broadcast that disastrously unleashes evil across the nation. This found footage-style film not only delivers scares but also authentically captures the aesthetic of the 1970s, drawing viewers into its nightmarish scenario.

David Dastmalchian in Late Night with the Devil

The film’s initial box office success, opening to $2.8 million in 1,034 theaters, underscores its wide appeal and marks the highest opening weekend for an IFC Films release. Critically acclaimed, “Late Night with the Devil” boasts a 96% positive rating on Rotten Tomatoes from 135 reviews, with the consensus praising it for rejuvenating the possession horror genre and showcasing David Dastmalchian’s exceptional performance.

Rotten Tomatoes score as of 3/28/2024

Simon Rother of iHorror.com encapsulates the film’s allure, emphasizing its immersive quality that transports viewers back to the 1970s, making them feel as if they are part of the eerie “Night Owls” Halloween broadcast. Rother lauds the film for its meticulously crafted script and the emotional and shocking journey it takes viewers on, stating, “This whole experience will have viewers of the Cairnes brothers’ film glued to their screen… The script, from beginning to end, is neatly sewn together with an ending that’ll have jaws on the floor.” You can read the full review here.

Rother further encourages audiences to watch the film, highlighting its multifaceted appeal: “Whenever it is made available to you, you must attempt to view the Cairnes Brothers’ latest project as it will make you laugh, it will creep you out, it will amaze you, and it might even strike an emotional cord.”

Set to stream on Shudder on April 19, 2024, “Late Night with the Devil” offers a compelling blend of horror, history, and heart. This film is not just a must-watch for horror aficionados but for anyone looking to be thoroughly entertained and moved by a cinematic experience that redefines the boundaries of its genre.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Embed Gif with Clickable Title