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All Things That Go Bump In The Night: Top 10 Movie Monsters

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Be sure to check in your closets and under your bed, you never know just what is lurking deep in the shadows and today we will be looking at the top ten most memorable movie monsters. With no shortage of macabre creatures to choose from let’s dive in head first, and just hope that we still make it out in one piece on the other side.

10. Feast: Feast Beast

The Feast trilogy is a personal favorite of mine and if you haven’t heard of the movies, then do yourself a favor and track them down. All three entries to the series boast fantastic monster design and practical effects as well. The acting may be a bit spotty here and there, but the real draw of the trilogy is the monster effects, and that front never disappoints.

Judah Friedlander and Mike J. Regan in Feast (2005)

Feast (2005) via IMDb

While just what the Feast Beasts are never explained or explored, and characters are killed off left and right, Feast and it’s two sequels are bloody great times, even more so when viewed with a group of friends.

9. Godzilla Series: Godzilla

It should go without saying that of course Godzilla the King of Monsters is going to make an appearance on this list. Godzilla has always been a personal favorite of mine since childhood, because even children can watch with delight as giant kaiju lay waste to countless cities and do battle with other giant monsters.

Image result for Godzilla (1956)

Godzilla (1956) (via TIME)

Godzilla has changed sides throughout the many years that he has appeared on the big screen, sometimes fighting to save the people of Japan, other times looking only to destroy anything that crosses his path. Throughout every entry including the western entries one thing has stayed the same, Godzilla is the king of all Kaiju.

8. Pumpkinhead Series: Pumpkinhead

The Pumpkinhead movies are not for everyone, each entry in the series revolving around the central theme of seeking revenge and having to pay the price. Whether or not you consider yourself a fan of the Pumpkinhead series everyone can agree on one thing. Pumpkinhead’s design is easily one of the most memorable movie monster makeup effects to ever grace the big screen.

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Pumpkinhead (1988) (via IMDb)

Pumpkinhead’s design does in many ways mirror the design of the Xenomorph’s from the Alien franchise, and that is because Stan Winston worked on both Aliens and Pumpkinhead. Winston brought his uniquely macabre charm to both the designs of the Alien Queen and the Demon of Vengeance, bringing to life two incredibly bizarre and unsettling movie monsters.

7. Killer Klowns From Outer Space: Killer Klowns

Everyone under the sun has at the very least head the name Killer Klowns From Outer Space once in their life. That alone should be an indicator as to the weight that the Killer Klown’s legacy carries, and not to mention the uniquely strange makeup that is immediately recognizable even at just a glance.

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Killer Klowns From Outer Space (1988) (via Amino)

While the actual Klowns themselves may seem to be playful in nature, their intentions are nothing other than sinister. Looking to spread havoc and mayhem as they collect humans for later consumption, the killer Klowns find ways to off their prey in various and amusing scenes. Killer Klowns From Outer Space are easily some of the most recognizable and memorable movie monsters to ever have existed.

6. Aliens: Xenomorph Queen

That is one ugly mother… erm let’s get back on track here. The alien queen is, for me at least, the most movie monster to ever be spawned from the Alien franchise. The Queen is the one calling the shots, leading the xenomorph horde and birthing an army to consume everything in its path.

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Aliens (1986)

If it weren’t for Stan Winston’s amazing contribution who knows what we may have gotten in the Queen’s place? Thankfully the Queen design that was put into the final product is memorable, and for many fans of Aliens, the best part of the entire movie. To this day nothing has quite topped the reveal of the Queen in Aliens for me.

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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