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Creepshow – The Friendship of Romero and Stephen King

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Welcome back Nasties, to Manic’s Monstrosity of Macabre Memories where horror’s dastardly history is celebrated in all it’s ghastliness. Take a seat, cozy up with the ghoul of your dreams as we delve headfirst into the bone-chilling conclusion of George A Romero and Stephen King’s insatiable CREEPSHOW.

George Romero had just released his unique take on vampirism, Martin, and Warner Bros. took notice of the man’s brilliant vision. They suggested he meet up with an up-and-coming writer named Stephen King. After all, Romero had just released a vampire movie and King had just written a new vampire classic, Salem’s Lot. The logic being a vampire director should naturally meet a vampire writer.

That’s how Hollywood works sometimes, and in this case, it was in the best interest of the fans. The studio flew Romero out to meet King for the first time, and Romero admitted he knew of Carrie but – other than that – precious little else concerning Stephen King. The two met and after hanging out for three days they quickly became good friends. It was a friendship that would last until the end.

 

image courtesy of Warner Bros.

Honestly it was magic – dark, brooding, thunderous magic, but magic nonetheless – in the making. At the end of the trip, the two creative minds talked about bringing The Stand to the silver screen. It was King’s intention for Romero to direct his seminal epic of the apocalypse and the ultimate battle between Good and Evil.

Could you imagine what we almost had if this plan had gone through? It makes the hairs on the back of my neck stand up just thinking about it! The studio – on the other hand –  didn’t want to risk taking on such an enormous undergoing and decided to turn it into a made-for-TV special, which has earned itself its own cult following – but oh what we almost had!

However, in spite of this set back the two masters of horror kept in touch, and how lucky for us they did! For as the dark fates would have it Romero had been brewing up an idea for a fresh anthology film and met up with King to discuss the new project.

Stephen King leaped at the idea and without any doubt knew the anthology project had to be based entirely on the old scary comic books released by EC. Today – with all the excitement there is over comic-book cinema – it’s fun to know that Creepshow is in fact among the earliest of the genre. Seems as if our devilish duo were trend-setters.

image via Bloody Disgusting

Stephen King took hold of the script and wrote with such furious passion you would think a demon was driving him to completion. Memories of the good ol’ days flowed from his twisted mind and onto the pages, opening beautifully dark visions of a bygone (spooky) era. An era he fully intended to unleash upon horror fans around the world.

Being the genius that he was, Romero knew King was on to something big and left it in King’s hands. Within a few weeks, King handed a script to Romero and the two made history.

And guess what? It was an instant success!

What touches me most about the origins of Creepshow is the friendships behind the screams. According to interviews by both Stephen King and George Romero, there was never a hint of jealousy or rivalry. These were two masters of the genre who went about telling terror in their own different mediums, but both men respected one other and worked as a team rather than opponents.

It’s refreshing to see men from the same field but with two opposite means collaborating to give fans a hell of an experience. It’s a trait – the gift of friendship – I’d like to see take over more people across the field.

George Romero credited Stephen King for Creepshow. However, both men say (or playfully blame) Romero for casting Stephen King in the role of Jordy Verrill in the fan-praised second segment The Lonesome Death of Jordy Verrill.

image courtesy of Warner Bros.

This was a hilarious treat for fans to get to see Stephen King lumping around as the lovable doofus who has a bad run-in with some “meteor shit.” Trust me, if you haven’t already, you really must go watch this segment right away. You’ll be doing yourself a favor. Honestly, I couldn’t even write about it with a straight face. It’s just some good and goofy fun

Poor ol’ Jordy. Let this be a lesson to us all. If we see a glowing rock fall from the night sky let’s not go picking it up.

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’28 Years Later’ Trilogy Taking Shape With Serious Star Power

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28 years later

Danny Boyle is revisiting his 28 Days Later universe with three new films. He will direct the first, 28 Years Later, with two more to follow. Deadline is reporting that sources say Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have been cast for the first entry, a sequel to the original. Details are being kept under wraps so we don’t know how or if the first original sequel 28 Weeks Later fits into the project.

Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes

Boyle will direct the first movie but it’s unclear which role he will take on in the subsequent films. What is known is Candyman (2021) director Nia DaCosta is scheduled to direct the second film in this trilogy and that the third will be filmed immediately afterward. Whether DaCosta will direct both is still unclear.

Alex Garland is writing the scripts. Garland is having a successful time at the box office right now. He wrote and directed the current action/thriller Civil War which was just knocked out of the theatrical top spot by Radio Silence’s Abigail.

There is no word yet on when, or where, 28 Years Later will start production.

28 Days Later

The original film followed Jim (Cillian Murphy) who wakes from a coma to find that London is currently dealing with a zombie outbreak.

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Watch ‘The Burning’ At The Location Where It Was Filmed

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Fangoria is reporting that fans of the 1981 slasher The Burning will be able to have a screening of the film at the location where it was filmed. The movie is set at Camp Blackfoot which is actually the Stonehaven Nature Preserve in Ransomville, New York.

This ticketed event will take place on August 3. Guests will be able to take a tour of the grounds as well as enjoy some campfire snacks along with the screening of The Burning.

The Burning

The film came out in the early ’80s when teen slashers were being churned out in magnum force. Thanks to Sean S. Cunningham’s Friday the 13th, filmmakers wanted to get in on the low-budget, high-profit movie market and a casket load of these types of films were produced, some better than others.

The Burning is one of the good ones, mostly because of the special effects from Tom Savini who had just come off of his groundbreaking work on Dawn of the Dead and Friday the 13th. He declined to do the sequel because of its illogical premise and instead signed on to do this movie. Also, a young Jason Alexander who would later go on to play George in Seinfeld is a featured player.

Because of its practical gore, The Burning had to be heavily edited before it received an R-rating. The MPAA was under the thumb of protest groups and political bigwigs to censor violent films at the time because slashers were just so graphic and detailed in their gore.

Tickets are $50, and if you want a special t-shirt, that will cost you another $25, You can get all the information by visiting the On Set Cinema webpage.

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‘Longlegs’ Creepy “Part 2” Teaser Appears on Instagram

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Longlegs

Neon Films released an Insta-teaser for their horror film Longlegs today. Titled Dirty: Part 2, the clip only furthers the mystery of what we are in for when this movie is finally released on July 12.

The official logline is: FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes unexpected turns, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Directed by former actor Oz Perkins who also gave us The Blackcoat’s Daughter and Gretel & Hansel, Longlegs is already creating buzz with its moody images and cryptic hints. The film is rated R for bloody violence, and disturbing images.

Longlegs stars Nicolas Cage, Maika Monroe, and Alicia Witt.

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