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‘Children of the Corn’ Finished, Shoots Safely Through COVID-19

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Children Of The Corn

The Children of the Corn reboot is now headed to post-production. The film’s shooting schedule was disrupted back in early March after the coronavirus pandemic forced people into isolation.

Undaunted, director Kurt Wimmer, created call times that were adherent to safety measures and continued shooting through the pandemic.

Deadline reports that Wimmer worked with “Safe Work NSW and film safety expert Jon Heaney,” to accomplish the new production schedule. Since the entire cast and crew were on location in Australia the change was an easy one to make. There is no further clarity on exact on-set health protocols.

Mark Rogers.

Crew adhere to social distancing protocol during Covid shutdown to continue working

Although the film is an adaptation of Stephen King’s Children of the Corn, there is no official title yet. The filmmakers have said the story is based on King’s written short, but has “’almost nothing to do with’ the 1984 movie.”

Producer Lucas Foster (Ford v Ferrari) had this to say about the wrap:

“We’re thrilled to be able to announce the completion of principal photography with Elena, Kate, Callan and Bruce who lead our cast on this reimagining of Stephen King’s timeless short story,” said Foster. “We’d like to thank our cast and crew for their unrivalled professionalism, banding together to work to bring this movie to life. It was incredibly important to us to us to keep our production alive and to keep people employed and productive for as long as we could do so safely, during this crisis. We accomplished that – no one got sick and we all figured out how to work together as a team to do our jobs while keeping our cast, crew and workplace, safe and secure. We’d also like to thank Screen NSW, Safe Work NSW and all those vendors and suppliers who worked with us as valuable partners during the shoot to ensure the health and safety of our cast and crew was protected.”

The film follows the events that lead up to mass parricide in a small Nebraska town.

The movie stars Elena Kampouris (Sacred Lies), Kate Moyer (The Handmaid’s Tale), Australian talent Callan Mulvey (Avengers: Endgame) and Bruce Spence (The Lord Of The Rings: Return Of The King).

Expect it to hit theaters in 2021.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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