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Boomshtick: Review of Ash vs Evil Dead 203 — “Last Call”

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Holy hell, where to begin? “Last Call” started out with a montage of the Delta and finished with the Delta, and left me saying…you know what? Just take it Bubbles.

giphyMake that “Oh my (pink) fuck.”

For my money, this was not only the most jam-packed episode of “Ash vs Evil Dead” to date, but also its best. So much happened in thirty minutes that it was almost impossible to keep up with. With that said, never have I been more serious when I offer that if you have not yet seen “Last Call,” tuck tail and come back after you have, because the very definition of spoilers await. And believe me, this is one episode you’ll want to experience with fresh eyes.

On to “Last Call.”

Though two story lines ran throughout, we’re going to break the episode into three parts.

THE DELTA

Ash’s (Bruce Campbell) car has been with him through thick and thin (mostly thin), but let’s face face it, The King was more concerned with tracking down his beloved ride than recovering the Necronomicon. That said, ‘Last Call” had a lot in store for the kids who decided to snag the franchise’s unconnected symbol.

It goes without saying that the action in the backseat wasn’t breaking the seal on anything in that particular vehicle, but when the lass discovered the creepy-looking book on the floorboard, things went in a direction never before seen in the Evil Dead universe. The Deadites were summoned, the result of which was not the kind of cock-gobbler the fuck-boy thief was hoping for.

We were served a heaping helping of Delta as Christine.

To call it amazing would be a disservice, because it was far more than that. Ash’s baby put the doors and windows on lock down and went hunting, up to an including that heinous death scene we heard so much about while Starz Channel was hyping Season 2. Just know that it was every bit as epic as advertised and then some, thanks in no small part to a little wink from the radio. If you’ve seen the episode, you know what I’m talking about, and laughed out loud with the rest of us Dead Heads.

The beast on four wheels wasn’t finished wreaking havoc though, but more on that later.

04d52aae9aeda5d09311c763ffe82937c79f39e6KELLY

We all know that Ms. Maxwell (Dana DeLorenzo) is anything but a damsel in distress. Kelly is strong-willed, tough as nails and so eager to inflict her pain onto Deadites that to call her impatient wouldn’t be a stretch. However, her pining finally brimmed over after a conversation with Pablo (Ray Santiago) at the bar where Ash’s plan was to get all the partiers to show and in the process, bring the Delta and Necronomicon right to their collective doorstep.

While Pablito was complimenting Kelly that she didn’t need things like a boyfriend, job or home to define her worth, it planted the seed that Kelly needed to stop waiting and start doing. Ruby (Lucy Lawless) finds her sitting and drinking on a curb and engages in some real talk. As per usual, Ruby lets loose the mind fuck and shares that all this time she’d been coming to Ash, it was Kelly she should have been looking for. Taken aback at first (but clearly flattered), Kelly simply retorts “Okay, let’s go kill your kids.”

Back to that vicious on-screen kill that was promised and delivered, because DeLorenzo has noted on more than one occasion that she and Lawless were going to team up for some girl time, Deadite destruction this season, so that little piece of fried gold can’t be much further down the road.

THE SIX MILLION DOLLAR MAN

Brock (Lee Majors) and a couple of his geriatric buddies made their way to the same bar where Ash and his minions were holing up, which set off a series of events. Some fortunate, others not so much.

First, the old man makes another Samsquanch reference (little nod back to Bubbs up top) and gets what I can only describe as harpooned for going Trump on Ruby. After words with his son, the two decide to handle things like men. Pablo suggested that they talk, you know, like adults, but the Williams boys decided to settle things like guys do — on a mechanical bull. Such moments are just magic because watching Majors’ arrogantly sarcastic facial expressions and approaches to women are like jumping into a DeLorean and seeing Ash weave his webs twenty years down the road.

Brock takes the crown and damns his boy for taking his daughter Cheryl from him, then takes the cock-gobbler (who made her way from the backseat of the Delta to the bar) by the hand and into the restroom, which set up the greatest stall sex scene this side of Scarface.

Last week I touched on how Pablo and Kelly continue to grow and develop as characters, and “Last Call” only built on that. Ash’s right-hand man slapped a drink out of Jefe’s hand and in no uncertain terms said it was time to stop feeling sorry for himself and show his father the man he had truly become, all with the empowering goodbye-to-Brujo tune from Season 1 playing underneath. The two picked up that the cock-gobbler (sorry, it’s just too much fun to go to another description) was a Deadite, which meant that it was time to nut up or shut up.

Ash saved the day and Brock finally realized that after more than three decades of heartbreak and disappointment, it was time to own up to the fact that his son had grown into a respectable man. This franchise doesn’t exactly lend itself to touching moments, but Campbell and Majors achieve what could only be described as emotional intensity not once but twice within a half-hour.

Brock even had a secret that would shake Ash to his very foundation, but you’ll remember that the Delta’s rampage wasn’t over, right?

DID WE MENTION…?

We were finally introduced to Ash’s childhood chum Chet (Ted Raimi) and it was worth the wait. Raimi rocks frosted tips and is just a burnout barkeep offering advice and pep talks (for want of a better term) whilst downing shots and pink fuck all night long. Whatever role Raimi will fulfill over the final seven episodes, I can’t wait because the man is hilarious, has otherworldly chemistry with Campbell and few dudes in the genre scream like the man who was Henrietta.

QUESTIONS

  • For all the fireworks “Last Call” had to offer, the curtain has yet to go up on the big reveal. Where is Baal?
  • How in the world are the Ghostbeaters going to stop Christine the Delta?
  • Are we about to experience a rift between Ash and Kelly?
  • And will that have any effect on Pablo, who is loyal to both but still haunted by Kelly when he does sleep?
  • What form will Majors take now because you know Starz didn’t fly the Six Million Dollar Man all the way to New Zealand for two episodes?
  • They’ve touched on the memory of Cheryl numerous times, so around what corner lurks Ellen Sandweiss?

While I was excited about Season 2, in the back of my mind I couldn’t help but wonder whether Starz could actually improve upon the initial ten episodes. After “Last Call,” however, any and all doubt has been vanquished. “Ash vs Evil Dead” is stronger than ever and I’m already counting the seconds to next Sunday.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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