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5 Great 2016 Horror Movies Streaming Right Now

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With the wide array of home video options available, it’s easy for good horror movies to get lost in the shuffle. The year is almost over, and many horror fans will be making up their “Best Of” lists before too long. If you’re one of these folks, you may want to take a look at these five 2016 horror movies that mostly (sadly) bypassed theaters on their way to home video. Some of these played film festivals, while others got blink-and-you-missed-it theatrical runs before popping up online. Don’t miss them before the year is out!
2016 Horror Movies

The Monster (A24)

The Monster

Bryan Bertino scored a genre hit with his feature directing debut The Strangers in 2008, but he’s been mostly quiet since then. His follow-up Mockingbird (2014) went more or less straight to video, but his latest film was picked up by indie distributor A24 for a brief theatrical release this year. A24 had a great year in 2016 (including releasing Green Room and The Witch), and The Monster was a great way to cap it off. Young mother Kathy (Zoe Kazan) is driving her daughter Lizzy (Ella Ballantine) to stay with her father, but on an isolated stretch of road she nearly runs over a dog and totals her car. While the rain pours down, something in the woods watches and waits. The Monster has a deceptively simple creature feature setup, but the excellent performances by Kazan and Ballantine and some perceptive writing by Bertino help make it a monster movie that will linger in the memory long after the credits roll. Of course, it doesn’t hurt that there’s also an awesome monster largely depicted with great practical effects. The Monster is available now on various VOD platforms.

2016 horror movies

Summer Camp (IMDB)

Summer Camp

Spanish-language film distributor Pantelion isn’t known for horror movies, but they did release Más negro que la noche (a fun 3D haunted house movie) in some U.S. theaters in 2014 and dipped their toes into English-language genre fare with The Vatican Tapes the following year. In 2016, they quietly released Summer Camp in a handful of theaters in the States before it hit home video. Most of the time when that happens, it’s a sure sign that the film in question is not that great. This time, it’s entirely possible the movie was mostly hamstrung by its painfully generic title, because it’s a surprisingly fun and inventive take on some very familiar territory. Four American college students arrive at a remote Summer camp in Spain and get more than they bargained for when something starts turning them into rampaging killers. Can they stop this mysterious outbreak before the campers show up tomorrow? On paper this sounds like the setup for another tired zombie/infection movie, but writer Danielle Schleif and director/co-writer Alberto Marini throw in some highly unexpected twists to the formula that elevate Summer Camp above the crowd. The movie also features a pair of fantastic lead performances by Jocelin Donahue (The House of the Devil, Insidious: Chapter 2) and Maiara Walsh, and it’s just fun as hell. Summer Camp is available on DVD as well as VOD platforms from Lionsgate.

2016 horror movies

Beyond the Gates (Official Facebook)

Beyond the Gates

Cursed and haunted objects are the center of many horror films, but Beyond the Gates may be the first horror movie whose plot is set in motion by an evil VCR board game. Estranged brothers John (Chase Williamson, John Dies at the End) and Gordon (Graham Skipper, The Mind’s Eye) are forced to spend time together when their alcoholic father disappears and leaves them his old video store. While packing up the shop, they discover a VCR game called Beyond the Gates. When they take it back to their father’s house and pop in the tape they’re greeted by the mysterious Evelyn (the legendary Barbara Crampton, who had a great 2016 including a fantastic turn in Zach Clark’s Little Sister), who seems to be watching them as they struggle to figure out how to play the game. After they play, bodies start piling up around town and the brothers discover they have to win the game before things get much, much worse for everyone. Bathed in neon colors that strongly call to mind Stuart Gordon‘s From Beyond (starring Crampton) and propelled by a driving synth score by Wojciech Golczewski (Late Phases, We Are Still Here), Beyond the Gates is a fast-paced, gory love letter to 80s horror. Beyond the Gates has played a few big-screen dates around the U.S. since its festival premiere earlier this year, and it’s currently available on VOD from IFC Midnight.

2016 Horror Movies

They Look Like People (Official site)

They Look Like People

Some of the scariest films ever made are those that closely examine the mental state of deeply troubled characters. Lodge H. Kerrigan’s classic arthouse horror film Clean, Shaven (1993) used disorienting cinematic techniques to mimic the way a schizophrenic character sees the world as he tries to find where his ex-wife has taken their daughter. It’s a profoundly unsettling film made with very limited resources, and Perry Blackshear’s feature directorial debut They Look Like People is a worthy modern successor to that film. Wyatt (McLeod Andrews) travels to New York to see his old friend Christian (Evan Dumouchel), but while Wyatt tries to keep things normal it’s not just a friendly visit. Wyatt receives phone calls from unknown parties who warn him demonic forces are about to take over the world, and they infiltrate the ranks of humanity by taking the guise of normal people. While Wyatt desperately tries to save Christian and prepare for the imminent war Christian struggles to succeed at his competitive job and figure out his relationship with co-worker Mara (Margaret Ying Drake). They Look Like People is a deft hybrid of low-key indie relationship drama and psychological horror, with a sense of humor that helps relieve what would otherwise be unbearable claustrophobic tension. Lead actors Andrews and Dumouchel are great and absolutely convincing as longtime friends, and that relationship drives a film that is funny, scary, and moving. They Look Like People is available on Netflix as well as VOD from Gravitas Ventures.

 

2016 Horror Movies

I am the Pretty Thing That Lives in the House (Toronto International Film Festival)

I Am the Pretty Thing That Lives in the House

In both of the years 2015 and 2016 Osgood Perkins, son of late horror icon Anthony Perkins, has directed one of the best horror films of the year. In 2015, his debut feature February played a number of festivals and was picked up for distribution by A24. Before that film even sees a release in the States (A24 is releasing in January 2017 under its new title The Blackcoat’s Daughter), his second film I am the Pretty Thing That Lives in the House was picked up by Netflix where it appropriately premiered the Friday before Halloween. This is a “haunted house” story pared down to the bone and then some, damned close to the marrow. Lily (Ruth Wilson) is an in-home caretaker hired to live with reclusive author Iris Blum (Paula Prentiss). The old 19th-century house is creepy enough, but Lily tries to read one of her charge’s best-known books–The Woman in the Walls, supposedly dictated to Iris by the ghost of a young woman murdered in the house–and her already fraying nerves begin tightening toward an imminent, inevitable breaking point. This is not a horror movie about thrills and scares, but one about creating an overwhelming atmosphere of oppressive dread. In that, it succeeds tremendously. I Am the Pretty Thing That Lives in the House is available for streaming on Netflix.

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‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

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Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

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Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

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Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

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‘The First Omen’ Almost Received an NC-17 Rating

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the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

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