Connect with us

News

Your Chance To Be Part Of Anthology Horror History With ‘THE FIELD GUIDE TO EVIL’

Published

on

I love when I see groundbreaking moments in film. You know those moments that you know are history in the making? This would easily be placed in that column. Alamo Drafthouse CEO, Tim League and Producer, Ant Timpson, have brought us some bizarre and disturbingly awesome films in the form of The ABC’s Of Death, Turbo Kid and The Greasy Strangler. Each of those films unapologetically went for the true indie genre destination. Well, League and Timpson are coming back to the world of anthology horror with The Field Of Evil. And this time around they are offering you a chance to own part of the action.

We have all seen the crowdfunding platform that offers perk rewards on different price level tiers. Well, this one does that too, (and has some great perks you seriously have to check out) but on top of your perks you will also own equity in your investment! That makes you part owner of the film.

League and Timpson are madmen but the kinda of madmen that you want to oversee genre specific film.

The Field Guide To Evil breaks down like this:
From the dangerously demented minds that brought you The ABCs of Death, Turbo Kid, and The Greasy Strangler comes The Field Guide to Evil, an entirely new vision of anthology horror inspired by a global exploration of folklore and mythology. The film has launched a campaign on First Democracy VC, a funding portal brought through a partnership between Indiegogo and MicroVentures. This will allow anyone the chance to become a true investor in the production, becoming the very first film equity crowdfunding campaign that Indiegogo and MicroVentures have done through their partnership. 
 
From producers Ant Timpson and Alamo Drafthouse CEO/Founder Tim League, The Field Guide to Evil brings together eight of the most exciting voices in international filmmaking to shine a light on the stories from around the world that have kept people sleepless since before the birth of cinema.
 
The stories and filmmakers hail from Austria (Veronika Franz & Severin Fiala, Goodnight Mommy), Germany (Katrin Gebbe, Nothing Bad Can Happen), Greece (Yannis Veslemes, Norway), India (Ashim Ahluwalia, Miss Lovely), Poland (Agnieszka Smoczynska, The Lure), Turkey (Can Evrenol, Baskin), and the United States (Calvin Reeder, The Rambler).
 
“Tim League and I have been thinking about a global folklore anthology for a few years now – we’re both fascinated with the rich history in certain countries and how well-told oral folklore has evolved over centuries and across cultures. We loved the idea of approaching filmmakers whom we felt had the perfect sensibility to bring to life dark folklore from their country of origin. The tales won’t be familiar friendly fare that others have mined over the years. The filmmakers will be going down untraveled paths to explore tales that are atmospheric, disturbing, and provocative,” said producer Ant Timpson.
 
This innovative approach to horror storytelling is also offering an equally innovative approach to crowdfunding, becoming the first film to offer equity financing from Indiegogo and MicroVentures through their funding portal First Democracy VC. Along with a list of incredible perks, fans everywhere will now have the chance to become a true partner in the production of The Field Guide to Evil.

I love folklore. Especially horror-centric folklore. That already had me at hello, but toss in the impressive talent stepping in to tell these stories and I personally am beyond in. For a in-depth breakdown of how this opportunity works, head over HERE and check out the details.

Regulation Crowdfunding offerings are conducted by First Democracy VC, a registered funding portal and member of FINRA. By accessing this site and any pages thereof, you agree to be bound by our User Agreement and Privacy Policy. MicroVenture Marketplace, Inc. does not give investment advice or make investment recommendations. No communication, through this website or in any other medium, should be construed as a recommendation for any security offering on or off this investment platform. Regulation D 506 (b) and (c) private placement offerings on this Site are only available to “accredited investors” who are familiar with and willing to accept the high risk associated with these transactions. Similarly, Regulation Crowdfunding offerings on this Site are inherently risky; these transactions are open to all investors aged 18 or older and involve the risk of loss of the entire investment. Securities sold through private placements and crowdfunding are not publicly traded and are intended for investors who do not have a need for a liquid investment. There can be no assurance the valuation is accurate or in agreement with the market or industry valuations. Additionally, investors will receive restricted stock that will be subject to holding period requirements of at least a year, but in most cases much longer. Investing in private placements and crowdfunding requires high-risk tolerance, low liquidity concerns, and long-term commitments. Only invest an amount of money you can afford to lose and without changing your lifestyle.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Click to comment

You must be logged in to post a comment Login

Leave a Reply

News

‘Strange Darling’ Featuring Kyle Gallner and Willa Fitzgerald Lands Nationwide Release [Watch Clip]

Published

on

Strange Darling Kyle Gallner

‘Strange Darling,’ a standout film featuring Kyle Gallner, who is nominated for an iHorror award for his performance in ‘The Passenger,’ and Willa Fitzgerald, has been acquired for a wide theatrical release in the United States by Magenta Light Studios, a new enterprise from veteran producer Bob Yari. This announcement, brought to us by Variety, follows the film’s successful premiere at Fantastic Fest in 2023, where it was universally praised for its creative storytelling and compelling performances, achieving a perfect score of 100% Fresh on Rotten Tomatoes from 14 reviews.

Strange Darling – Movie Clip

Directed by JT Mollner, ‘Strange Darling‘ is a thrilling narrative of a spontaneous hookup that takes an unexpected and terrifying turn. The film is notable for its innovative narrative structure and the exceptional acting of its leads. Mollner, known for his 2016 Sundance entry “Outlaws and Angels,” has once again employed 35mm for this project, cementing his reputation as a filmmaker with a distinct visual and narrative style. He is currently involved in adapting Stephen King’s novel “The Long Walk” in collaboration with director Francis Lawrence.

Bob Yari expressed his enthusiasm for the film’s upcoming release, scheduled for August 23rd, highlighting the unique qualities that make ‘Strange Darling’ a significant addition to the horror genre. “We are thrilled to be bringing nationwide theatrical audiences this unique and exceptional film with terrific performances by Willa Fitzgerald and Kyle Gallner. This second feature from talented writer-director JT Mollner is destined to become a cult classic that defies conventional storytelling,” Yari told Variety.

Variety’s review of the film from Fantastic Fest lauds Mollner’s approach, saying, “Mollner shows himself to be more forward-thinking than most of his genre peers. He’s clearly a student of the game, one who studied his forebears’ lessons with adroitness to better prepare himself to put his own mark on them.” This praise underlines Mollner’s deliberate and thoughtful engagement with the genre, promising audiences a film that is both reflective and innovative.

Strange Darling

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

Sydney Sweeney’s ‘Barbarella’ Revival Forges Ahead

Published

on

Sydney Sweeney Barbarella

Sydney Sweeney has confirmed the ongoing progress of the much-anticipated reboot of Barbarella. The project, which sees Sweeney not only starring but also executive producing, aims to breathe new life into the iconic character that first captured audiences’ imaginations in the 1960s. However, amid speculation, Sweeney remains tight-lipped about the possible involvement of celebrated director Edgar Wright in the project.

During her appearance on the Happy Sad Confused podcast, Sweeney shared her enthusiasm for the project and the character of Barbarella, stating, “It is. I mean, Barbarella is just such a fun character to explore. She really just embraces her femininity and her sexuality, and I love that. She uses sex as a weapon and I think it’s such an interesting way into a sci-fi world. I’ve always wanted to do sci-fi. So we’ll see what happens.“

Sydney Sweeney confirms her Barbarella reboot is still in the works

Barbarella, originally a creation of Jean-Claude Forest for V Magazine in 1962, was transformed into a cinematic icon by Jane Fonda under the direction of Roger Vardim in 1968. Despite a sequel, Barbarella Goes Down, never seeing the light of day, the character has remained a symbol of sci-fi allure and adventurous spirit.

Over the decades, several high-profile names including Rose McGowan, Halle Berry, and Kate Beckinsale were floated as potential leads for a reboot, with directors Robert Rodriguez and Robert Luketic, and writers Neal Purvis and Robert Wade previously attached to revive the franchise. Unfortunately, none of these iterations made it past the conceptual stage.

Barbarella

The film’s progress took a promising turn approximately eighteen months ago when Sony Pictures announced its decision to cast Sydney Sweeney in the titular role, a move that Sweeney herself has suggested was facilitated by her involvement in Madame Web, also under Sony’s banner. This strategic decision was aimed at fostering a beneficial relationship with the studio, specifically with the Barbarella reboot in mind.

When probed about Edgar Wright’s potential directorial role, Sweeney adeptly sidestepped, merely noting that Wright has become an acquaintance. This has left fans and industry watchers speculating about the extent of his involvement, if any, in the project.

Barbarella is known for its adventurous tales of a young woman traversing the galaxy, engaging in escapades that often incorporate elements of sexuality—a theme Sweeney seems eager to explore. Her commitment to reimagining Barbarella for a new generation, while staying true to the character’s original essence, sounds like the making of a great reboot.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

News

‘The First Omen’ Almost Received an NC-17 Rating

Published

on

the first omen trailer

Set for an April 5 theater release, ‘The First Omen’ carries an R-rating, a classification that was almost not achieved. Arkasha Stevenson, in her inaugural feature film directorial role, faced a formidable challenge in securing this rating for the prequel to the esteemed franchise. It seems the filmmakers had to contend with the ratings board to prevent the film from being saddled with an NC-17 rating. In a revealing conversation with Fangoria, Stevenson described the ordeal as ‘a long battle’, one not waged over traditional concerns such as gore. Instead, the crux of the controversy centered around the depiction of the female anatomy.

Stevenson’s vision for “The First Omen” delves deep into the theme of dehumanization, particularly through the lens of forced birthing. “The horror in that situation is how dehumanized that woman is”, Stevenson explains, emphasizing the significance of presenting the female body in a non-sexualized light to address themes of forced reproduction authentically. This commitment to realism nearly landed the film an NC-17 rating, sparking a prolonged negotiation with the MPA. “This has been my life for a year and a half, fighting for the shot. It’s the theme of our film. It’s the female body being violated from the inside outwards”, she states, highlighting the importance of the scene to the film’s core message.

The First Omen Movie Poster – by Creepy Duck Design

Producers David Goyer and Keith Levine supported Stevenson’s battle, encountering what they perceived as a double standard in the ratings process. Levine reveals, “We had to go back and forth with the ratings board five times. Weirdly, avoiding the NC-17 made it more intense”, pointing out how the struggle with the ratings board inadvertently intensified the final product. Goyer adds, “There is more permissiveness when dealing with male protagonists, particularly in body horror”, suggesting a gender bias in how body horror is evaluated.

The film’s bold approach to challenging viewers’ perceptions extends beyond the ratings controversy. Co-writer Tim Smith notes the intention to subvert expectations traditionally associated with The Omen franchise, aiming to surprise audiences with a fresh narrative focus. “One of the big things we were excited to do was to kind of pull the rug out from under people’s expectations”, Smith says, underscoring the creative team’s desire to explore new thematic ground.

Nell Tiger Free, known for her role in “Servant”, leads the cast of “The First Omen”, set for release by 20th Century Studios on April 5. The movie follows a young American woman dispatched to Rome for church service, where she stumbles upon a sinister force that shakes her faith to its core and reveals a chilling plot aimed at summoning evil incarnate.

'Ghostbusters: Frozen Empire' Popcorn Bucket

Continue Reading

Embed Gif with Clickable Title