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Writer & Director Frank Merle Talks #FromJennifer & Upcoming Projects With iHorror+ Red Carpet Interviews.

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This past September #FromJennifer had its premiere at the Laemmle NoHo 7 in North Hollywood, California and is now available on digital platforms. You can read our review of the film by clicking here.

“Directed by Frank Merle entirely in a 1st Person Camera POV, #FromJennifer follows the titular Jennifer Peterson (Danielle Taddei) who is trying her damndest to make it as an actor in Hollywood with a positive attitude. But don’t call her Jenny, a Jenny is a female donkey. After being fired off a low-budget horror movie, her manager, Chad (Played by ‘Candyman’s Tony Todd) encourages her to try and establish a stronger social media presence in order to find more work, like her bright and shiny best friend Stephanie (Meghan Deanna Smith) who has a million subscribers and does daily sketch videos.”

Just in time for Halloween, iHorror was graciously granted an opportunity to speak with Writer & Director Frank Merle. Be sure to check on page two for red carpet video interviews with the cast along with a funny exclusive outtake with Tony Todd.

Interview With #FromJennifer Writer & Director – Frank Merle.

 

Image: IMDb.com

iHorror: Hi Frank, thanks for speaking with me today.

Frank Merle: No problem.

iH: How did #FromJennifer come about?

FM: It all started when my friend Hunter Johnson told me about his idea for what would be his first feature film as a writer/director which was a sequel to the James Cullen Bressack movie 2 Jennifer. So very early on in this process, he was telling me his idea that would essentially be a meta-sequel where his character would be obsessed was the original film and trying to do a remake. I loved that idea; I love movies that try and play a little bit with that meda-ness, as Scream does very well. I came on board that project as a producer and I was also the editor on Hunter’s movie. It turned out very well; we were all very happy with it. It was a really fun experience, and James had the idea to keep going and keep the franchise alive and sort of keep it in the family. Since I had worked on the second one I had pitched him an idea for a third film which would be a standalone movie that would be a sequel in name only, essentially we would have a main character Jennifer, and it would have the same scenes of obsession, it would also be shot found footage style. Those are the key elements that make the Jennifer franchise, right? There is someone going to be named Jennifer, it will be about obsession, and it will be found footage.

iH: And you have completed the fourth film? Or is the film currently in production?

FM: It is in pre-production. I can’t say too much about it, although we are also keeping it in the family. Jody Barton who was in the first and second film is writing and directing the fourth.

iH: How did casting come about for #FromJennifer?

FM: A lot of it was calling in favors to friends. Derek Mears, for example, is someone that I have known for a while and he and I have been trying to find the right project to work on. When I wrote the role of Butch, I wrote it with him in mind not knowing if he would say yes or not. He liked the idea, it was a very different character for him, and he wanted to be able to play with it. He also was really helpful with casting with some of the other roles in the movie because a lot of people got on board after he came on board because they wanted a chance to work with Derek. That was really rewarding for me because he does a lot of improv work, he does Comedy. There was a little bit of a comic edge to his character that we were able to play with which was a lot of fun. The main character Jennifer, Danielle Taddei, she and I go way back, we went to school together at the DePaul Theatre School in Chicago. I wrote the role of Jennifer with her in mind, I know that she has had her own struggles with internet presence, she was telling me about this, and that is sort of how the idea came to me in the first place. She had lost roles to people who maybe weren’t any better than her, but they may have had a lot more internet presence. She actually has a manager-agent encouraging her to get on Twitter more and sort of do that outreach thing, and the social media thing doesn’t come naturally to everyone, right?

iH: Yeah, exactly.

Image: Sector 5 Films

FM: And it is becoming much more of the toolbox for all of us that work in this industry, is the outreach through social media. The initial idea for the sell is, “what if that pressure just causes somebody to snap?”

Both: [Laugh]

iH: Wow, that is crazy for her, since this is happening in real life and that just makes it better on film. And Derek, his character, Butch was just great, as we went through the story, I kinda felt bad for the guy.

FM: Yes, and that is one of the fun things I did with the writing process I wanted to have the main character Jennifer, be someone who starts off as the protagonist and ends up as the antagonist, she loses people at different points of the movie. And it is the reverse with Butch, Derek’s character we start of thinking, “this is the guy that is going to start of causing all the problems,” and at some point along the way you find yourself rooting for him.

iH: The comedy aspect..I know it is a horror film, but I just found myself laughing throughout. It was a fun time; he was hilarious.

FM: Yeah, and the comedy comes out of the characters and the situation. There really are not any punch lines in the movie. There are a lot of good laughs, we’re treating this ridiculous situation very seriously, and I think that is where a lot of the humor comes from.

iH: Most definitely, like you said he didn’t do it deliberately, it was very well written, I think he really got what you had on paper. Thinking back to some of the parts throughout the movie, I am just laughing inside right now.

FM: And then having a lot of surprises on the way. I play with the expectation. You think you think you know where it is going, but I keep teasing what is referred to as the “third phase.” You keep expecting the movie to lead in a certain direction towards this big climax and then, I don’t think it is giving anything away to say, “Things don’t go according to plan.”

iH: Character Butch did a lot of things that were not pre-meditated by bad intentions, he just really wanted to help Jennifer out.

FM: Exactly, one of the inspirations for the character was Lennie from Mice of Men. That was the direction of inspiration of where we wanted to go with Butch.

Image: Sector 5 Films

iH: Is there anything else that you are currently working on?

FM: I have several projects that are really close to happening, and I have been waiting by the phone for a green light. It is really exciting for me, with the success that I have had so far with #FromJennifer it has been so well received and it has really been opening up some doors for me which has been really great because I have had some scripts that I’m really passionate about that I have wanted to make with a little bit bigger budget and that requires someone else to say yes. Doing a low budget movie like this and proving what I can do and getting my voice out there has already opened up some doors and it has been very nice for me. I had mentioned I have been wanting to do another project with Derek, he is attached to another project of mine that will be a very different role for him, and this one would be a much scarier film. He is a great actor and a great guy, someone I would want to work with again. I can’t say too much about it right now because we are such in the early stages with it right now. But I do have other producers that are very interested in this project. My plan is to definitely have another movie come out next year.

iH: Very good. How did this all start for you? What made you want to make movies?

FM: I actually started out doing theatre I was a theatrical producer in Chicago I had produced a couple of dozen theatrical productions. I was pretty good at it, I ran a theatre company in Chicago. I knew how to fill seats and put on plays well, and that was going along pretty well for me. I started getting the sense that I wasn’t doing what I really wanted to do, I really didn’t want was film until I started doing it. I would produce a play, and we would put so much work into it, and a lot of money and energy, even a successful play would run for a few months and then when the play closes it is gone forever. And you can’t really film a play, it just doesn’t translate right. A handful of people that ended up seeing that play that’s all that is ever going to experience that. This started having a profound effect on me, I started getting depressed when one of my shows would close because so much energy would go into that show.

When I started making short films is was so rewarding to me to put in, let’s stay the same amount of energy, time, and money.I could put one of my short films on youtube with the idea that it will be there forever and people can continue to discover it, and that is extremely rewarding to me. The process as well, putting on a theatrical show is a very different process than making film, both are a means of storytelling, and in both cases, you’re working with actors and behind the scenes people, wardrobe, sets, and lighting. The process of film is very different, you are going to a rehearsal, and you will rehearse the entire play. Your flexing these muscles trying to get your team to put on this entire thing night after night. When you’re making a film you’re looking at one tiny bit at a time, it may be just a line or two, and the whole team is focused on these on one shot, and when you got that shot you move onto the next shot. That is just the right format for me; I enjoy the post-production process where you start to move things around, you get to tell the story again a little bit different. And then when it is all done the idea that people can discover the film and I move on with my career and make another movie and hopefully people will enjoy it and discover my earlier work. When I picked up a camera and started doing it, I really enjoyed it, that depression that I had was cured. I then started writing screenplays, and that was a process that I enjoyed, and I won a few screenplay competitions, and this was when I was living in Chicago. Someone told me that If I wanted to do this for real that I should hop on a bus and go to Hollywood and I did that. Within six months of staying in LA my first feature film was being produced, The Employer. I had Malcolm McDowell and Billy Zane in the cast, so that process happened almost too easily and I quickly realized that it is normally not that easy.

Both: [Laugh]

FM: It has been like four years since that movie came out and since then I have been trying to get a bigger project going. I have had investors very close to saying yes, and then they would fall off for one reason or another, nothing to do with me. So when this opportunity presided itself for #FromJennifer because it was really so low budget James and Hunter said, “Yes, let’s do it.” Danielle said yes, Derek said yes, there was no one to stop us. So that’s how it came about.

iH: Sounds like everything just fell into place like it was meant to be. I am glad that you brought that up about making a play because once it is over it is over and like you said with a short film you have it in a capsule forever and I had never really thought of it that way.

Image: Sector 5 Films

FM: Yeah it is a great thing. One of the things I love about Los Angeles it is such a great film town. There is the Egyptian, The Beverly, they will place classic films, there are so many movies on my bucket list, and I can check them out there.

iH: More and more of these theatres are playing stuff, I am starting to see it constantly, and some films aren’t even that old. Do you have any advice to give anybody that would like to get into film young or old?

FM: Yeah for sure. The financial aspect should not be what stops you. If you are just waiting for a yes from Hollywood, you’re never going to get it; the studios have enough filmmakers. If you have a passion you just need to start doing it and believe in yourself because confidence is going to take you pretty far and nobody is going to give that to you, you will need to find that within yourself. And it is contagious because if you do believe in yourself and your project you can get other people to believe in it as well and to help you, it really is a team effort.

iH: Thank you again, Frank, for speaking with me today, I can definitely tell you’re passionate about what you do, and you offered some great advice for future filmmakers. Happy Halloween.

FM: Happy Halloween and thank you.

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New Poster Reveal For Nicolas Cage’s Survival Creature Feature ‘Arcadian’ [Trailer]

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Nicolas Cage Arcadian

In the latest cinematic venture featuring Nicolas Cage, Arcadian emerges as a compelling creature feature, teeming with suspense, horror, and emotional depth. RLJE Films has recently released a series of new images and a captivating poster, offering audiences a glimpse into the eerie and thrilling world of “Arcadian”. Scheduled to hit theaters on April 12, 2024, the film will later be available on Shudder and AMC+, ensuring a wide audience can experience its gripping narrative.

Arcadian Movie Trailer

The Motion Picture Association (MPA) has given this film an “R” rating for its “bloody images,” hinting at the visceral and intense experience awaiting viewers. The film draws inspiration from acclaimed horror benchmarks like “A Quiet Place,” weaving a post-apocalyptic tale of a father and his two sons navigating a desolate world. Following a catastrophic event that depopulates the planet, the family faces the dual challenge of surviving their dystopian environment and eluding mysterious nocturnal creatures.

Joining Nicolas Cage in this harrowing journey are Jaeden Martell, known for his role in “IT” (2017), Maxwell Jenkins from “Lost in Space,” and Sadie Soverall, featured in “Fate: The Winx Saga.” Directed by Ben Brewer (“The Trust”) and penned by Mike Nilon (“Braven”), “Arcadian” promises a unique blend of poignant storytelling and electrifying survival horror.

Maxwell Jenkins, Nicolas Cage, and Jaeden Martell 

Critics have already begun to praise “Arcadian” for its imaginative monster designs and exhilarating action sequences, with one review from Bloody Disgusting highlighting the film’s balance between emotional coming-of-age elements and heart-pounding horror. Despite sharing thematic elements with similar genre films, “Arcadian” sets itself apart through its creative approach and action-driven plot, promising a cinematic experience filled with mystery, suspense, and relentless thrills.

Arcadian Official Movie Poster

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‘Winnie the Pooh: Blood and Honey 3’ Is a Go with Enhanced Budget and New Characters

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Winnie the Pooh 3

Wow, they’re churning things out fast! The upcoming sequel “Winnie the Pooh: Blood and Honey 3” is officially moving forward, promising an expanded narrative with a larger budget and the introduction of beloved characters from A.A. Milne’s original tales. As confirmed by Variety, the third installment in the horror franchise will welcome Rabbit, the heffalumps, and the woozles into its dark and twisted narrative.

This sequel is a part of an ambitious cinematic universe that reimagines children’s stories as horror tales. Alongside “Winnie the Pooh: Blood and Honey” and its first sequel, the universe includes films such as “Peter Pan’s Neverland Nightmare”, “Bambi: The Reckoning,” and “Pinocchio Unstrung”. These movies are set to converge in the crossover event “Poohniverse: Monsters Assemble,” slated for a 2025 release.

Winnie the Pooh Poohniverse

The creation of these films was made possible when A.A. Milne’s 1926 children’s book “Winnie-the-Pooh” entered the public domain last year, allowing filmmakers to explore these cherished characters in unprecedented ways. Director Rhys Frake-Waterfield and producer Scott Jeffrey Chambers, of Jagged Edge Productions, have led the charge in this innovative endeavor.

The inclusion of Rabbit, heffalumps, and woozles in the upcoming sequel introduces a new layer to the franchise. In Milne’s original stories, heffalumps are imagined creatures resembling elephants, while woozles are known for their weasel-like characteristics and a penchant for stealing honey. Their roles in the narrative remain to be seen, but their addition promises to enrich the horror universe with deeper connections to the source material.

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How to Watch ‘Late Night with the Devil’ from Home: Dates and Platforms

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Late Night With The Devil

For fans eager to dive into one of this year’s most talked-about horror films from the comfort of their own home, “Late Night with the Devil” will be available for streaming exclusively on Shudder starting April 19, 2024. This announcement has been highly anticipated following the film’s successful theatrical release by IFC Films, which saw it earning rave reviews and a record-breaking opening weekend for the distributor.

“Late Night with the Devil” emerges as a standout horror film, captivating audiences and critics alike, with Stephen King himself offering high praise for the 1977-set film. Starring David Dastmalchian, the movie unfolds on Halloween night during a live late-night talk show broadcast that disastrously unleashes evil across the nation. This found footage-style film not only delivers scares but also authentically captures the aesthetic of the 1970s, drawing viewers into its nightmarish scenario.

David Dastmalchian in Late Night with the Devil

The film’s initial box office success, opening to $2.8 million in 1,034 theaters, underscores its wide appeal and marks the highest opening weekend for an IFC Films release. Critically acclaimed, “Late Night with the Devil” boasts a 96% positive rating on Rotten Tomatoes from 135 reviews, with the consensus praising it for rejuvenating the possession horror genre and showcasing David Dastmalchian’s exceptional performance.

Rotten Tomatoes score as of 3/28/2024

Simon Rother of iHorror.com encapsulates the film’s allure, emphasizing its immersive quality that transports viewers back to the 1970s, making them feel as if they are part of the eerie “Night Owls” Halloween broadcast. Rother lauds the film for its meticulously crafted script and the emotional and shocking journey it takes viewers on, stating, “This whole experience will have viewers of the Cairnes brothers’ film glued to their screen… The script, from beginning to end, is neatly sewn together with an ending that’ll have jaws on the floor.” You can read the full review here.

Rother further encourages audiences to watch the film, highlighting its multifaceted appeal: “Whenever it is made available to you, you must attempt to view the Cairnes Brothers’ latest project as it will make you laugh, it will creep you out, it will amaze you, and it might even strike an emotional cord.”

Set to stream on Shudder on April 19, 2024, “Late Night with the Devil” offers a compelling blend of horror, history, and heart. This film is not just a must-watch for horror aficionados but for anyone looking to be thoroughly entertained and moved by a cinematic experience that redefines the boundaries of its genre.

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