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Will Corey Feldman Appear in Death House as Tommy Jarvis?

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Horror fans everywhere are counting the days until the release of Entertainment Factory’s Death House, but a recent interview with the highly anticipated film’s writer and director Harrison Smith touched on a teaser that got this writer’s wheels spinning.

Before we go any further, it should be stressed that none of what follows was stated in any way by Mr. Smith. Rather it is pure conjecture based on what the filmmaker hinted at in the interview coupled with an open letter that Smith wrote to New Line Cinema in the latter part of 2015. Said letter outlined the fact that Smith had attended a meeting where he would have been asked to write a first script if the Friday the 13th film every came to be but the rights were so “parceled” and “convoluted” between New Line and Paramount, it was dead in the water.

Smith also pointed out the ways that reuniting Jason Voorhees and Tommy Jarvis would be a “moneymaker” because it would be tantamount to a “spinoff without the stigma of a remake” and not “about hunting Jason,” but rather “exploring Tommy and his world.”

With that said, let’s start delving, shall we?

In an interview with Horror Geek Life the day after Thanksgiving, Smith was asked whether Death House held a “surprise or two up (its) sleeve” with regard to film appearances that hadn’t been announced. Fans already know about Kane Hodder and Tony Todd and Dee Wallace, but for a film featuring a veritable who’s who of the genre, surely there might be a cast member or two whom the audience would not be expecting but would get the blood flowing, so to speak.

Smith’s response was intriguing to say the least.

You are on to something very solid there, yes. There are so many surprises in this in that way that you’re talking about and then, in addition, if you watch the credits at the end, there is a mid-credit sequence, not a post-credit, a mid-credit sequence that, all I can tell you is the cameo of the performer, since you’re a Friday the 13th fan and what he brings into the scene, you will flip because you’re going to know exactly what it is.

Note that Smith said “he.”

Now, Hodder is Death House’s star, and seeing as the definitive Jason is already playing a separate character, it seems too obvious (and cheesy) that Hodder would simply stumble upon a hock. Walt Gorney passed many years ago, and for as glorious as it would be for Ted White to make an appearance of any kind, he’s probably a bit too old old to have anything to do with the masked maniac at this point.

However, when one takes Smith’s letter to New Line into consideration, things begin to make sense.

Smith stressed that continuous rehashing has damaged the Friday the 13th franchise, but also that beyond Jason and Pamela Voorhees, Tommy Jarvis was the only memorable character of the series, and specifically pointed to Corey Feldman’s original performance from The Final Chapter.

feldmanTaken a step further, Smith stated that Jarvis provided a “formidable nemesis” with a dark side who would have been haunted by his experience in 1984 and not convinced that Jason was truly eradicated. Smith referred to the idea as a “spin-off” that could and should willfully ignore the films and events post-Final Chapter ala Halloween: H20 and breathe new life into the saga while sparing fans yet another facsimile.

Friday fans would tend to agree.

Once again, Hodder is the star of Smith’s Death House, knows Feldman (who has been pitching the idea of his return as Jarvis for years), and Hodder would appear to have already been down with Smith’s vision.

In an “HBC B-Movie” interview with Hodder in 2013, this writer touched on the idea of Hodder’s return as the Camp Crystal Lake marauder in a film where he would be reunited with Feldman to pick up the Jarvis story line, to which Hodder replied:

I know Corey from doing appearances together and as a horror fan, I think it would be cool as hell to have a Friday the 13th movie, bring me back and Corey Feldman back. Now, how the story is written, it has to be pretty creative and everything but just stepping out of the fact that I played Jason, I think it would be cool as hell to see me come back and Corey come back. 

To Smith’s letter and Hodder’s existing belief in the concept we now add the revelation that Death House will boast of a mid-credits sequence with a cameo sure to make Friday fans flip.

Once again, this has nothing to do with anything Harrison Smith said, it is very much a theory, but this writer is leaning toward Death House’s mid-credits surprise being Corey Feldman reprising his role as Tommy Jarvis.

Whether it’s Feldman at the facility or simply a car making its way into the country where Feldman emerges to reveal of shot of a camp and / or cabin, it would indeed drive Friday fans wild. Of course, licensing and copyright always enter the equation, but there are plenty of ways to portray a scenario without getting into specifics while the audience completely comprehends what the film is attempting to communicate.

What’s more, such a mid-credit sequence would take Smith’s open letter to another level by providing tangible evidence that Smith’s perception with regard to the Jason / Jarvis story line has legs. Friday fans would flip, the internet buzz would be insane and the clamoring to bring such a concept to fruition could potentially (on a smaller scale) rival the demand for Machete following its faux trailer from Grindhouse.

One last time, none of the preceding came from Harrison Smith, it is simply the rambling theory of this writer. However, the more one ponders, the more cold, Crystal Lake water it seems to hold.

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New Poster Reveal For Nicolas Cage’s Survival Creature Feature ‘Arcadian’ [Trailer]

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Nicolas Cage Arcadian

In the latest cinematic venture featuring Nicolas Cage, Arcadian emerges as a compelling creature feature, teeming with suspense, horror, and emotional depth. RLJE Films has recently released a series of new images and a captivating poster, offering audiences a glimpse into the eerie and thrilling world of “Arcadian”. Scheduled to hit theaters on April 12, 2024, the film will later be available on Shudder and AMC+, ensuring a wide audience can experience its gripping narrative.

Arcadian Movie Trailer

The Motion Picture Association (MPA) has given this film an “R” rating for its “bloody images,” hinting at the visceral and intense experience awaiting viewers. The film draws inspiration from acclaimed horror benchmarks like “A Quiet Place,” weaving a post-apocalyptic tale of a father and his two sons navigating a desolate world. Following a catastrophic event that depopulates the planet, the family faces the dual challenge of surviving their dystopian environment and eluding mysterious nocturnal creatures.

Joining Nicolas Cage in this harrowing journey are Jaeden Martell, known for his role in “IT” (2017), Maxwell Jenkins from “Lost in Space,” and Sadie Soverall, featured in “Fate: The Winx Saga.” Directed by Ben Brewer (“The Trust”) and penned by Mike Nilon (“Braven”), “Arcadian” promises a unique blend of poignant storytelling and electrifying survival horror.

Maxwell Jenkins, Nicolas Cage, and Jaeden Martell 

Critics have already begun to praise “Arcadian” for its imaginative monster designs and exhilarating action sequences, with one review from Bloody Disgusting highlighting the film’s balance between emotional coming-of-age elements and heart-pounding horror. Despite sharing thematic elements with similar genre films, “Arcadian” sets itself apart through its creative approach and action-driven plot, promising a cinematic experience filled with mystery, suspense, and relentless thrills.

Arcadian Official Movie Poster

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‘Winnie the Pooh: Blood and Honey 3’ Is a Go with Enhanced Budget and New Characters

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Winnie the Pooh 3

Wow, they’re churning things out fast! The upcoming sequel “Winnie the Pooh: Blood and Honey 3” is officially moving forward, promising an expanded narrative with a larger budget and the introduction of beloved characters from A.A. Milne’s original tales. As confirmed by Variety, the third installment in the horror franchise will welcome Rabbit, the heffalumps, and the woozles into its dark and twisted narrative.

This sequel is a part of an ambitious cinematic universe that reimagines children’s stories as horror tales. Alongside “Winnie the Pooh: Blood and Honey” and its first sequel, the universe includes films such as “Peter Pan’s Neverland Nightmare”, “Bambi: The Reckoning,” and “Pinocchio Unstrung”. These movies are set to converge in the crossover event “Poohniverse: Monsters Assemble,” slated for a 2025 release.

Winnie the Pooh Poohniverse

The creation of these films was made possible when A.A. Milne’s 1926 children’s book “Winnie-the-Pooh” entered the public domain last year, allowing filmmakers to explore these cherished characters in unprecedented ways. Director Rhys Frake-Waterfield and producer Scott Jeffrey Chambers, of Jagged Edge Productions, have led the charge in this innovative endeavor.

The inclusion of Rabbit, heffalumps, and woozles in the upcoming sequel introduces a new layer to the franchise. In Milne’s original stories, heffalumps are imagined creatures resembling elephants, while woozles are known for their weasel-like characteristics and a penchant for stealing honey. Their roles in the narrative remain to be seen, but their addition promises to enrich the horror universe with deeper connections to the source material.

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How to Watch ‘Late Night with the Devil’ from Home: Dates and Platforms

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Late Night With The Devil

For fans eager to dive into one of this year’s most talked-about horror films from the comfort of their own home, “Late Night with the Devil” will be available for streaming exclusively on Shudder starting April 19, 2024. This announcement has been highly anticipated following the film’s successful theatrical release by IFC Films, which saw it earning rave reviews and a record-breaking opening weekend for the distributor.

“Late Night with the Devil” emerges as a standout horror film, captivating audiences and critics alike, with Stephen King himself offering high praise for the 1977-set film. Starring David Dastmalchian, the movie unfolds on Halloween night during a live late-night talk show broadcast that disastrously unleashes evil across the nation. This found footage-style film not only delivers scares but also authentically captures the aesthetic of the 1970s, drawing viewers into its nightmarish scenario.

David Dastmalchian in Late Night with the Devil

The film’s initial box office success, opening to $2.8 million in 1,034 theaters, underscores its wide appeal and marks the highest opening weekend for an IFC Films release. Critically acclaimed, “Late Night with the Devil” boasts a 96% positive rating on Rotten Tomatoes from 135 reviews, with the consensus praising it for rejuvenating the possession horror genre and showcasing David Dastmalchian’s exceptional performance.

Rotten Tomatoes score as of 3/28/2024

Simon Rother of iHorror.com encapsulates the film’s allure, emphasizing its immersive quality that transports viewers back to the 1970s, making them feel as if they are part of the eerie “Night Owls” Halloween broadcast. Rother lauds the film for its meticulously crafted script and the emotional and shocking journey it takes viewers on, stating, “This whole experience will have viewers of the Cairnes brothers’ film glued to their screen… The script, from beginning to end, is neatly sewn together with an ending that’ll have jaws on the floor.” You can read the full review here.

Rother further encourages audiences to watch the film, highlighting its multifaceted appeal: “Whenever it is made available to you, you must attempt to view the Cairnes Brothers’ latest project as it will make you laugh, it will creep you out, it will amaze you, and it might even strike an emotional cord.”

Set to stream on Shudder on April 19, 2024, “Late Night with the Devil” offers a compelling blend of horror, history, and heart. This film is not just a must-watch for horror aficionados but for anyone looking to be thoroughly entertained and moved by a cinematic experience that redefines the boundaries of its genre.

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