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Where is the New Season of ‘Twin Peaks’ Going?

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It’s nothing short of amazing to me that in 2017 Twin Peaks has become a phenomenon once again. Hundreds of thousands of viewers are tuning in each week and collectively witnessing something that Television has never given the general populous before. It’s a surreal, abstract, art-house hour of programming. Plot? Pssh. Who needs it!?

That’s a little bit of a joke – there is a plot to the new season of Twin Peaks, but it’s being told in the most Lynchian way possible. So far, we’ve learned that a mysterious killing has taken place and the victim is Garland Briggs. Agent Cooper has made it out of the Black Lodge, though he now inhabits the body of a man named Dougie. Bob is still in control of Evil Coop, and he’s just escaped jail before being shot and resuscitated by eerie homeless people.

Just as Cooper seems to be on the path of full recovery, David Lynch does what could now be totally expected of him and completely shifts gears. A straight trajectory? Never! How about instead, we flash back all the way to the first testing of the atom bomb? Of course!

NY Times

In the aftermath of the explosion, we see a ghostly figure vomiting what appears to be fluid releasing the entity that is known as Bob along with it. A globe that contains Laura’s face appears as well. What does this mean? Where are Lynch and Frost going with all this?

I don’t know. I don’t think there is a definitive answer to it, either. Which is the main point of this article: much like Eraserhead, I believe that much of the new season is supposed to be open to any and all interpretation. This is a show hell bent on creating mood and atmosphere. The story is buried somewhere in there, but it’s up to only the most astute of viewers to find it. So much is said in subtext. Much more than I have ever seen in a TV show ever before.

Here is what I think. In Episode 7, it appeared to show Cooper emerging from Dougie’s subconsciousness and burst into action when a tiny assassin attacks him. His survival instincts kick in, and a part of Dougie’s brain, now shared and seriously confused by the presence of Cooper, allows Cooper to break through and defeat his attacker. While many (myself included) believed that Episode 9 would reveal Cooper’s ultimate comeback, it jumped back half a century instead to show the birth of Bob.

Flavorwire

Bob is created by the detonation because the atom bomb is the presence of pure, unfiltered destruction. An evil was brought to the earth that very second by mankind’s thirst for violence. This desire for death is so powerful that it awakens something out of space and out of time; Bob. At the same time, Laura’s eventual birth becomes decided. She is a beautiful, pure spirit, and will ultimately be corrupted by the evilest thing to walk the earth. Were their fates intertwined from the beginning? Is this proving that Laura’s murder has a much bigger, much more sinister implication than a tragic event in a small town?

I think so. And I also think that Cooper will reveal himself in Episode 9. We have a week break to catch up and ponder over everything we’ve been given thus far. So, if Cooper doesn’t come back in the next installment, I am fairly certain that something big will happen. The second half of this story is about to begin.

Is my theory correct? Who knows? I’m not so sure that there is a correct answer. Your interpretation may be entirely different than mine, and in a way, both will be correct.

The biggest thing to consider is not what is actually going on in the show, but how the show is making you feel.

So – just how is it making you feel?

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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