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In a Valley of Violence: Here’s What We Know About Ti West’s Next Movie

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There are certain filmmakers whose projects are going to be of interest to horror fans regardless of what genre they might fall into. John Carpenter comes to mind. Carpenter has often ventured into action territory, but we still consider him one of our own – one of our forefathers really. If John Carpenter makes a romantic comedy, you can bet that we’re still going to talk about it (he kind of has, by the way, and it was still awesome).

The point is, there are just some people that fans of the horror genre will always consider their kindred even if they venture into different territory. While he may have a ways to go to reach Carpenter-like status (though he’s gotten off to a pretty solid start), Ti West is one of those people from a more modern era. It’s hard not to associate West with horror after gems like The Roost, House of the Devil, The Innkeepers, and The Sacrament. Whether or not his film Trigger Man should be considered horror is debatable, I suppose, but either way, the man knows how to make a good horror movie.

If you disagree, carry on.

If you haven’t heard, West’s next film, In a Valley of Violence, is a western, and I for one, couldn’t be more excited about it. It may not be horror, but I’ll be shocked if it doesn’t whet our appetite for screen violence.

https://twitter.com/Ti_West/status/446042082142998528

https://twitter.com/Ti_West/status/521932848274477058

Now that we got that out of the way, let’s piece together what we know about this film, and get it moved up on our anticipation charts.

The film does include some genre vets, such as John Travolta (Carrie), Ethan Hawke (Sinister, The Purge), Karen Gillan (Oculus), Taissa Farmiga (American Horror Story), and Larry Fessenden (more genre films than I care to count, but including Session 9, You’re Next and Stake Land). Other cast member include: Burn Gorman, James Ransone, Toby Huss, James Lane, K. Harrison Sweeney, Tommy Nohilly, and Jeff Bairstow.

Fessenden, by the way, has been involved in one way or another (usually producer) with most of West’s films.

Back in June, ProjectCasting shared some details about a casting call, which included a character named Dollar Bill, a one-armed man extra. The Dollar Bill role call was for someone described as “over 50, skinny, not bald, gaunt, and can play the role of an easily intimidated individual.”

The movie was filmed in Santa Fe, New Mexico on 35mm, and wrapped in late July.

https://twitter.com/ti_west/status/492964152034349056

In a Valley of Violence is currently slated for a December 4, 2015 release.  It’s a Blumhouse Production. Producers include West himself, Peter Phok, Jason Blum, and Jacob Jaffke. Executive producers are Jeanette Brill, Phillip Dawe, and Alix Taylor. John Ward is credited as line producer.

The film has been said to be a “revenge western” set in the 1890s in which a drifter named Paul (Hawke) arrives in a small town, seeking revenge on thugs who murdered his friend. Sisters Mary Anne (Taissa Farmiga) and Ellen (Karen Gillan), who run the town’s hotel, help Paul in his quest for vengeance. Travolta reportedly plays a marshall. Ransone reportedly plays Gilly, the husband of Ellen and son of the marshall.

Here’s what Jason Blum had to say about it in an interview with Collider earlier this year:

And yesterday I was in Santa Fe on the set of a Western and never in a million years did I think I was going to produce a Western.  After Ethan [Hawke] and I did Sinister and The Purge he really really wanted to do a Western.  He said, “I think together we could make it.”  My barrier to entry is, of course, the price and he said “I really think we could do one inexpensively if we found the right script and found the right story.  There’s no reason it should be expensive to make.”  It took about a year to find In a Valley of Violence, which we’re shooting right now, which is Ti West’s movie.  But I was there with [Ethan] and John Travolta, they had guns on their hips shooting at each other in an old crazy western town and it would be impossible not to be excited about that.  I would not be – no human being should be in this business if you don’t get excited to be on a set with those two guys.  I took a picture and put it on my private little Instagram page.  I was like a little kid yesterday.

His [West’s] approach to filmmaking, I love.  He pitched me this idea and I thought it was really cool and I said, “I’m flying you to New York.  You’re going to go sit with Ethan and see if he likes the idea.”  He pitched Ethan the idea and Ethan called me and said, “This is our Western.”  We read about eight scripts, one of which we liked but couldn’t get our hands on, the other seven we didn’t really like.  He just said, “This is it.”  So I called up Ti and said, “Ti if we can have a script in six weeks-” And Ti said to me, this was November right before Christmas time I think, Ti said to me, “If you guarantee that I start this movie at the end of June, I will get you a finished script by January 15th.”  [Laughs] I said, “Well, if I like the script I guarantee we’ll make the movie, you have to write the script first, but if I like it I guarantee you we’ll do it.”  There are many of those deals made like that in Hollywood and they very rarely happen, but this one happened.

Following are some tweets and Instagram content from West from the time of production, which give us a little bit of a sense of his mindset during that time.

https://twitter.com/Ti_West/status/476030439799676929

https://twitter.com/Ti_West/status/482339849865662464

https://twitter.com/Ti_West/status/482700363514912768

https://twitter.com/Ti_West/status/483397685131501569

https://twitter.com/Ti_West/status/483817339646124032

https://twitter.com/Ti_West/status/484898178450219008

https://twitter.com/Ti_West/status/486352417605185537

https://twitter.com/Ti_West/status/489610832306012160

https://twitter.com/Ti_West/status/490180544609943552

https://twitter.com/Ti_West/status/490396708916846594

https://twitter.com/Ti_West/status/490913021527465985

https://twitter.com/Ti_West/status/491415813308416000

https://instagram.com/p/q05AbDCAYg/?modal=true

Caption: “Western Diamondback”

https://instagram.com/p/qroWnBCASs/?modal=true

Caption: “Leftover Explosives”

https://instagram.com/p/qp5wiLiAdW/?modal=true

Caption: “#Siouxelfie”

https://instagram.com/p/qXTZ-oCAVG/?modal=true

Caption: “This is the gist of what directing a western looks like.”

And here’s this one from Farmiga:

As we referenced in an article about Cabin Fever 2, West appeared on the Bret Easton Ellis podcast a few months ago. While the two talked about a variety of topics, the conversation eventually turned to In a Valley of Violence and West’s departure from horror. If you’re a fan, I’d recommend listening to the whole episode, but this part happens near the end.

“I’m definitely horrored out,” West told Ellis. “It’s been ten years of like a great time making horror movies and having a career because of horror movies because…I’m very fortunate because of it, and I’m very proud of all of the movies that I’ve made, but I don’t at this time know how to make another horror movie that doesn’t feel like a horror movie I’ve already made. And Sacrament, I think, doesn’t, and that was like the last one I could figure out like a new way to do it…[With] that movie, I was very interested in realism and trying to create some kind of confronting realism. Now I have zero interest in realism whatsoever. I couldn’t be more bored by realism. So what I realized that I’m now interested in, and probably will be for a while, is what I’ve always been interesed in, but that I got away from a little bit, which is just like pure cinema.”

“Pure cinema to me is to see some sort of visual art from a voice that is so unique, and it has nothing to do with realism, but it is just pure cinema in a way it is what it is,” he continued. “You know, like a movie like Beetlejuice is pure cinema, where I don’t know what this is, but this is kind of incredible to see from like all sorts of visual…and the writing is great…not that my movie is anything like Beetlejuice, but I was like, ‘I want to do that. I want to do pure…that’s what I want to get back to is just doing that.’ And I think from a filmmaker’s standpoint, the western genre is in a way pure cinema, but I wasn’t planning on doing that. I was planning on doing a weird romantic comedy, and that’s what I wanted to be doing, and then I met Ethan Hawke, and I knew he wanted to do a western, and I’m a fan of Ethan Hawke, and I pitched him a western that I never thought I would make, and he liked it. And because he liked it, he was like doing Macbeth in New York, and he had like three weeks left of Macbeth and I was like, ‘I’m going to go write this script, and the day you wrap Macbeth, I’ll send it to you, and if you like it let’s make it. And if you don’t like it, no hard feelings. I’ll take the risk to write a script, and I’ll put all my eggs in a basket, and if it happens, cool, and if it doesn’t, eh, I’ll live.'”

So West wrote the script, and Hawke liked it. That was enough to get Blum interested, and they got the other actors and set out to make the movie.

West noted that it wasn’t like he wanted to “get away from horror,” but he felt like he didn’t have anything left to say in horror, but he thought he had something to say in a western or in a romantic comedy.

“I don’t think of it as like stepping away from the genre,” he said. “I feel like I just happened to make a lot of horror movies in a row. It wasn’t really a plan. It just happened that way.”

If you ask me, the genre will miss West, because his films have been some of the better entries in recent memory, but that doesn’t mean he won’t make equally pleasing films going forward, and it doesn’t mean that he won’t return to horror down the road. In fact, he appears to be such a fan of the genre, it’s kind of hard to imagine that he wouldn’t. Even if he never returns to horror, he’s already made a significant contribution which fans will be grateful for for a long time.

Featured Image: Ti West (Instagram)

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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