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The Devil’s Rejects Is 10 Years Old. Let’s Reflect.

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Ten years ago today, a little film called The Devil’s Rejects was released in theaters, forever changing the way we perceived the Firefly family, the song Free Bird, and Rob Zombie as a filmmaker. While a lot of horror fans will bash Rob Zombie, many of those who enjoy his work regard this film as one of the best since the turn of the century. For me personally, it’s one of my all-time favorites.

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iHorror has been celebrating the film’s 10-year anniversary for the past week with a series of posts. In case you missed any of them, you can find them here:

– Kane Hodder, Eli Roth & Real Corpses: 10 Interesting Pieces of Trivia About The Devil’s Rejects

– 5 Connections Between The Devil’s Rejects And The Texas Chain Saw Massacre Franchise

– The Lighter Side of The Devil’s Rejects (In Memes)

– 10 Characters I’d Like To See Return in a Devil’s Rejects Follow-Up

– Celebrate 10 Years of The Devil’s Rejects By Checking Out This Cool Fan Art

I remember eagerly awaiting the film’s release, keeping close tabs on updates about its production long before I was ever writing for any horror news sites. I was a big fan of House of 1000 Corpses, and everything I heard as Zombie continued to put The Devil’s Rejects together suggested he was going to make a movie that was even better. It would be more of a gritty, violent, almost western-style road movie. I was completely intrigued by the concept, so by the time I sat down in a surprisingly packed theater on opening night, I was very excited.

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It was clear from the very beginning – from the melancholy hum of Blind Willie Johnson – to the opening scene of Tiny dragging a corpse along the ground and the famous shootout, that this was indeed a very different film than House of 1000 Corpses, and quite possibly a much better one. I can’t even describe the rush I got from the opening title sequence set to The Allman Brothers’ Midnight Rider, which instantly turned me into a huge fan of the song despite years of indifference to it. And things only got better from there. The Devil’s Rejects turned out to be 107 minutes of pure delight for this fan waiting for the next great horror film.

Like I said, I was already a big fan of House of 1000 Corpses, but for me, The Devil’s Rejects fixed its biggest flaw. The soundtrack was not comprised of Rob Zombie songs. Musically, House of 1000 Corpses was at its best when it was making use of older songs, such as I Remember You, Now I Wanna Sniff Some Glue, Who’s Gonna Mow Your Grass?, Brick House, and I Wanna Be Loved By You. While I have no problem with the title song or the actual score, the occasional Rob Zombie song tends to give the film more of a Rob Zombie music video feel at times. In The Devil’s Rejects, there’s none of that going on.

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From the filmmaker’s perspective, The Devil’s Rejects was a much better film. House of 1000 Corpses really didn’t turn out the way Zombie had originally planned, but The Devil’s Rejects had pretty much come out just as he envisioned it, and that has to be a gratifying feeling, especially after all the trouble he had getting the former released.

Here’s a snippet of a JoBlo interview with Zombie from the set of The Devil’s Rejects:

It’s sort of like when I first started making music. You have a song in your head and it just takes a while to figure out how to get it from your head on to a record. And in between like that’s not what I had in mind. And that’s the process of getting it from your head to on film. Sometimes it has been astonishing with certain scenes that can be done and go, “This is exactly what I fucking had in mind”. Where has last time I’d go, “Ah well… alright that’s as good as that’s gonna get.” (Laughs)

What do you feel was the success in getting the last film out of you head and on the screen? And how does it compare with this one.

It’s not even close. Truthfully I don’t like to go back. I think everything has its place for what it is. Like a lot of times, I’ll go back and talk about early records and I’ll go “I hate that record.” And someone will go, “Oh that’s my favorite record!” So you never know. I mean, what I see and everyone else sees is different. I never, ever felt like I had the scenes where I wanted at any moment during the last movie. Everything was like I was trying to do this and it ended up here. But this time with time and patience and more time to work with people a lot more pre-production to really fine tune itself what’s going on film is what I wanted where as last time… I can’t even think of one moment where this movie wasn’t exactly what I had in mind.

He would go on to say he thought rejects was an “infinitely better film” and a “far superior movie”.

“Some people can fucking hit a home run on their first time at bat making a movie,” Zombie said in an interview with Grantland. “But I couldn’t.”

He talks more about all of this in this Q&A:

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Even Roger Ebert had praise for this film, and the well-respected critic was pretty hard to please when it came to violent exploitation and horror films. Here’s a bit from his review:

How can I possibly give “The Devil’s Rejects” a favorable review? A kind of heedless zeal transforms its horrors. The movie is not merely disgusting, but has an attitude and a subversive sense of humor. Its actors venture into camp satire, but never seem to know it’s funny; their sincerity gives the jokes a kind of solemn gallows cackle….”The Devil’s Rejects” has been written and directed by Rob Zombie (also known as Robert Cummings and Robert Wolfgang Zombie), a composer and music video producer whose “The House of 1,000 Corpses” (2003) was a “Texas Chainsaw Massacre” wannabe. Pause for a moment to meditate on the phrase “A ‘Texas Chainsaw Massacre’ wannabe,” and you will begin to form some idea of Zombie’s artistic vision. Now give him credit, in this movie, not for transcending “Chainsaw Massacre” but for sidestepping its temptations and opening up a mordantly funny approach to the material. There is actually some good writing and acting going on here, if you can step back from the material enough to see it.

It’s become quite clear in the decade since the film’s release that both it and its predecessor have left a major mark on the horror genre. Just peruse the fan art or search the web for material related the films, and you’ll find a never-ending plethora of contributions from fans. Firefly family cosplay is incredibly popular at horror events, and the films made bonafide stars out of its lead actors. Sure, Haig and Moseley were well regarded names in some circles prior to Zombie’s films, but there’s no question that their status was infinitely elevated by their roles as Captain Spaulding and Otis Driftwood. Sheri Moon Zombie, who was a newcomer at that point, is right along side them in that fame.

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Zombie has mentioned in the past that he had some ideas for another Firefly film, but that the rights lie with an uninterested Lionsgate. Next up, we’ll see 31, which Zombie has said is the other movie of his that is closest in tone to The Devil’s Rejects. We’ll see if he can capture lightning in a bottle again. After that, it looks like he’ll be doing a Groucho Marx movie based on the book called Raised Eyebrows: My Years Inside Groucho’s House.

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New Poster Reveal For Nicolas Cage’s Survival Creature Feature ‘Arcadian’ [Trailer]

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Nicolas Cage Arcadian

In the latest cinematic venture featuring Nicolas Cage, Arcadian emerges as a compelling creature feature, teeming with suspense, horror, and emotional depth. RLJE Films has recently released a series of new images and a captivating poster, offering audiences a glimpse into the eerie and thrilling world of “Arcadian”. Scheduled to hit theaters on April 12, 2024, the film will later be available on Shudder and AMC+, ensuring a wide audience can experience its gripping narrative.

Arcadian Movie Trailer

The Motion Picture Association (MPA) has given this film an “R” rating for its “bloody images,” hinting at the visceral and intense experience awaiting viewers. The film draws inspiration from acclaimed horror benchmarks like “A Quiet Place,” weaving a post-apocalyptic tale of a father and his two sons navigating a desolate world. Following a catastrophic event that depopulates the planet, the family faces the dual challenge of surviving their dystopian environment and eluding mysterious nocturnal creatures.

Joining Nicolas Cage in this harrowing journey are Jaeden Martell, known for his role in “IT” (2017), Maxwell Jenkins from “Lost in Space,” and Sadie Soverall, featured in “Fate: The Winx Saga.” Directed by Ben Brewer (“The Trust”) and penned by Mike Nilon (“Braven”), “Arcadian” promises a unique blend of poignant storytelling and electrifying survival horror.

Maxwell Jenkins, Nicolas Cage, and Jaeden Martell 

Critics have already begun to praise “Arcadian” for its imaginative monster designs and exhilarating action sequences, with one review from Bloody Disgusting highlighting the film’s balance between emotional coming-of-age elements and heart-pounding horror. Despite sharing thematic elements with similar genre films, “Arcadian” sets itself apart through its creative approach and action-driven plot, promising a cinematic experience filled with mystery, suspense, and relentless thrills.

Arcadian Official Movie Poster

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‘Winnie the Pooh: Blood and Honey 3’ Is a Go with Enhanced Budget and New Characters

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Winnie the Pooh 3

Wow, they’re churning things out fast! The upcoming sequel “Winnie the Pooh: Blood and Honey 3” is officially moving forward, promising an expanded narrative with a larger budget and the introduction of beloved characters from A.A. Milne’s original tales. As confirmed by Variety, the third installment in the horror franchise will welcome Rabbit, the heffalumps, and the woozles into its dark and twisted narrative.

This sequel is a part of an ambitious cinematic universe that reimagines children’s stories as horror tales. Alongside “Winnie the Pooh: Blood and Honey” and its first sequel, the universe includes films such as “Peter Pan’s Neverland Nightmare”, “Bambi: The Reckoning,” and “Pinocchio Unstrung”. These movies are set to converge in the crossover event “Poohniverse: Monsters Assemble,” slated for a 2025 release.

Winnie the Pooh Poohniverse

The creation of these films was made possible when A.A. Milne’s 1926 children’s book “Winnie-the-Pooh” entered the public domain last year, allowing filmmakers to explore these cherished characters in unprecedented ways. Director Rhys Frake-Waterfield and producer Scott Jeffrey Chambers, of Jagged Edge Productions, have led the charge in this innovative endeavor.

The inclusion of Rabbit, heffalumps, and woozles in the upcoming sequel introduces a new layer to the franchise. In Milne’s original stories, heffalumps are imagined creatures resembling elephants, while woozles are known for their weasel-like characteristics and a penchant for stealing honey. Their roles in the narrative remain to be seen, but their addition promises to enrich the horror universe with deeper connections to the source material.

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How to Watch ‘Late Night with the Devil’ from Home: Dates and Platforms

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Late Night With The Devil

For fans eager to dive into one of this year’s most talked-about horror films from the comfort of their own home, “Late Night with the Devil” will be available for streaming exclusively on Shudder starting April 19, 2024. This announcement has been highly anticipated following the film’s successful theatrical release by IFC Films, which saw it earning rave reviews and a record-breaking opening weekend for the distributor.

“Late Night with the Devil” emerges as a standout horror film, captivating audiences and critics alike, with Stephen King himself offering high praise for the 1977-set film. Starring David Dastmalchian, the movie unfolds on Halloween night during a live late-night talk show broadcast that disastrously unleashes evil across the nation. This found footage-style film not only delivers scares but also authentically captures the aesthetic of the 1970s, drawing viewers into its nightmarish scenario.

David Dastmalchian in Late Night with the Devil

The film’s initial box office success, opening to $2.8 million in 1,034 theaters, underscores its wide appeal and marks the highest opening weekend for an IFC Films release. Critically acclaimed, “Late Night with the Devil” boasts a 96% positive rating on Rotten Tomatoes from 135 reviews, with the consensus praising it for rejuvenating the possession horror genre and showcasing David Dastmalchian’s exceptional performance.

Rotten Tomatoes score as of 3/28/2024

Simon Rother of iHorror.com encapsulates the film’s allure, emphasizing its immersive quality that transports viewers back to the 1970s, making them feel as if they are part of the eerie “Night Owls” Halloween broadcast. Rother lauds the film for its meticulously crafted script and the emotional and shocking journey it takes viewers on, stating, “This whole experience will have viewers of the Cairnes brothers’ film glued to their screen… The script, from beginning to end, is neatly sewn together with an ending that’ll have jaws on the floor.” You can read the full review here.

Rother further encourages audiences to watch the film, highlighting its multifaceted appeal: “Whenever it is made available to you, you must attempt to view the Cairnes Brothers’ latest project as it will make you laugh, it will creep you out, it will amaze you, and it might even strike an emotional cord.”

Set to stream on Shudder on April 19, 2024, “Late Night with the Devil” offers a compelling blend of horror, history, and heart. This film is not just a must-watch for horror aficionados but for anyone looking to be thoroughly entertained and moved by a cinematic experience that redefines the boundaries of its genre.

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