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Review: Time To Kill (2014)

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Time to Kill

Time to Kill is a 2014 film about Sara (played by Ellie Church), who finds out she has 24 hours to live, and uses that time to (what else?) kill some people.

This is the kind of movie that kind of hurts my head to review. It’s bad, but that’s kind of the point. It never pretends to be anything that it’s not, but rather embraces its B-movie status wholeheartedly. It  clearly has “grindhouse” in mind, and seems to aspire to be cut from the same cloth as movies like Ginger and others you’d see trailers for in the 42nd Street Forever series – only in more modern DIY form (though there is plenty of added graininess and whatnot).

If you don’t like tasteless no budget exploitation, then look elsewhere, but if you do, let’s just say the film opens with a woman giving herself a coathanger abortion and spends the majority of its runtime in a strip club. In between, Sara kills several people, severs a woman’s (Debbie Rochon, no less) hand, stuffing money into the bloody stump (the first time I’ve seen that), and rescues a young woman from an apparent rapist before taking her to a barn to get naked and screw around in a wash tub.

The score is effective at times, even if it sounds like a guy sitting in a room playing a cheap keyboard behind the camera. In fact, I’d say that adds to the charm if anything.

At one point it achieves something remotely like a Jim Van Bebber film. Other parts are reminiscent of low-budget music videos.

Other highlights include: a machete vagina stabbing; Sara puking in the toilet while a fat guy is taking a bath in a shower cap and eating a sandwich while talking about her abortion; and the aforementioned keyboard striking a frantic note as a woman delivers the line, “Summer sausage!”

A buzz of some sort would be encouraged when putting this one in (I was admittedly a few beers in when I started), but as long as you know the type of film you’re taking on going in, it should be pretty easy to settle in for the ride.

The runtime comes in at a cool hour and ten minutes, so the content doesn’t overstay its welcome as with many of these types of movies.

There’s plenty of comic relief throughout, including an intermission sequence involving “hot wiener sandwiches” (with “all breast meat”) and a woman rubbing condiments all over herself as well as a bit bout masturbating in public theaters. Like I said, the film isn’t trying to be anything that it’s not.

Time to Kill is directed by Brian Williams, and comes from Mostly Harmless Pictures. It’s being sold by Toetag Pictures, which is known for the August Underground series.

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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