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REVIEW: ‘The Crucifixion’ is an Effective Paranormal Mystery

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Bound, gagged and tied to a cross, sister Adelina was found dead, malnourished and dehydrated in the bucolic village of Tanacu, Romania.

The real-life mystery surrounding the nun’s death was highly publicized, inspiring another film Beyond the Hills in 2013. It is also the subject of Lionsgate’s new effective horror mystery The Crucifixion.

The names have been changed in this update and of course, certain supernatural liberties have been taken to portray what happened to sister Adelina, but the outcome is both entertaining and well-crafted.

Young American reporter Nicole Rawlins (Sophie Cookson) is intrepid indeed. Upon hearing of the nun’s murder she implores her editor to allow her to travel to the Romanian outback in order to find out why Father Anton would crucify a member of his own parish.

After some convincing, her pitch is approved and off she goes to the foreign hillside to develop her story.

But this is no ordinary story. Villagers are not exactly welcoming to her as she meets with clergy who deny that father Anton was performing an exorcism on sister Adeline; he was just plain crazy.

This fits into agnostic Nicole’s initial hypothesis, but as she investigates further these beliefs begin to unravel.

Amid the gorgeously photographed landscape and centuries-old buildings, Nicole meets faith leaders in the village, but they offer no confirmation about the nature of the exorcism, her only lead, in the beginning, is in meeting with the killer priest, Father Anton, himself.

Of course, Anton not only justifies his acts but notices that Nicole is struggling with her own faith which may put her in danger too.

He explains the demon escaped before he had time to finish the ritual and is currently looking for its next host by way of transference, Nicole being just vulnerable enough to serve that role.

The Crucifixion concentrates on the supernatural side of things forgoing father Anton’s phycological state and that of the victim who in the real case was accused of suffering from schizophrenia, her death a result of a violent episode.

The reporter’s second insight comes from Adelina’s friend and roommate Vaduva (Brittany Ashworth) who was alongside her during some unsettling and unexplained phenomena which drove a wedge between them.

Nicole begins to change during her investigation too, seeing visions, having sexual dreams about the handsome hirsute priest and struggling to drink wine because flies keep drowning in her glass.

Doors open and close by themselves, candles extinguish by invisible breath, and suddenly Nicole’s backstory comes into focus as we discover the real reason she has lost her faith, and perhaps the motivation behind her news piece.

"The Crucifixion" a smart entry into the demonic possession genre.

That revelation puts her at a compromise and is the perfect entry point for the demon. Nicole is being stalked by it, exhibiting the first of four signs in the playbook of demonic possession.

As a mystery The Crucifixion moves along at a steady pace, new clues are discovered but the real answers remain hidden until an “in-case-you-missed-it” recap that preps you for the denouement.

Up until that point, the film keeps things mysterious, atmospheric and thought-provoking throughout, with the final 30-minutes packing an incorporeal wallop.

Director Xavier Gens isn’t objective in his treatment of the story, neither is the script. And for that reason, the tale unfolds toward a predictable end.

But this cerebral and entertaining film begins with scattered parts of a puzzle and through its assembly gives the final piece more weight and therefore a satisfying conclusion. That is in part thanks to the leading lady who treats the material with a heavy hand and developed acting chops.

Sophie Cookson is wonderful as the unobjective journalist who breaks laws, disregards religious sanctity to pursue her story at any cost. Her acting here is the perfect blend of scorn against faith and her coup against God.

By the end of The Crucifixion, viewers may discover they have seen it all before. But with its gorgeous and foreboding location, wonderful acting and an effective supernatural potboiler mystery, they probably won’t see this side of it done better anywhere else.

The Crucifixion will hit theaters and On Demand October 6, 2017.

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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