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Review: ‘Feral’ Uses a Strong Female Focus to Fight Tired Tropes
For horror fans that are tired of werewolves and fed up with zombies, but looking for that same enticing pull of an isolated panic induced by violent contagion, I encourage you to check outĀ Feral from writer/director Mark Young and IFC Midnight.
In Feral, a group of medical students go on a camping trip to celebrate the end of their studies. The three couples include our lead protagonists, Alice (Scout Taylor-Compton – Rob Zombie’s Halloween, Ghost House) and her girlfriend Jules (Olivia Luccardi –Ā It Follows, Channel Zero).
As one would expect with an “into the woods” horror, these kids are not alone out there. A vicious, feral, humanoid creature attacks one of the couples in the middle of the night (immediately following a marriage proposal, no less), leaving him dead and her mortally wounded.
The remaining campers find the bloody scene and escape with their injured friend to find shelter. They encounter Talbot (Lew Temple –Ā The Walking Dead, The Devil’s Rejects) – a local man of the woods – who provides a safe haven as the group splits up to get help.
Now, I’m just going to take a quick moment to address one of the film’s shortfalls. The secondary characters are kind of cobbled together with slap-dash points of interest in an attempt to make the audience connect with them during their few minutes of screen time.
For example, the marriage proposal. It’s not entirely necessary, but it serves as an easy point to try and attach some kind of emotion to the following attack. The character proposes, then leaves the tent to relieve himself in the woods, and tragedy ensues.
Now, perhaps I’m just being nitpicky, but I feel like if you’re building up to a marriage proposal, you wouldn’t leave 5 seconds later to go to the bathroom. Maybe you’d do that beforehand?
Anyways, logistics of timing your proposal around your bathroom breaks aside, my point is that there are a few moments of haphazardly crammed-in character details. That being said, there are plenty of strong points toĀ Feral that outweigh this missed step.
The concept behind these feral creatures feels fresh. They’re similar to some familiar monsters – zombies, werewolves, and vampires – but as fantastical as the creatures seem, the threat is not supernatural. It’s something new, unknown, and rooted in the very real danger of a mysterious contagion.
While the creatures only come at night, their prowess as hunters means that no one is truly safe after dark. With a mortally wounded friend and no help in sight, our heroines are fighting the clock to survive. As the sun goes down, a prickling tension leaves the viewer watching every shadow for that sinister flicker of movement.
The film itself is kind of likeĀ The Descent by way ofĀ Cabin Fever.Ā Steady action and building intensity keep the pace moving right along.
I recently spoke to Scout Taylor-Compton about FeralĀ and her role as the fiercely capable Alice. She’s a caregiver and a healer, but she’s got a killer instinct (courtesy of her rural upbringing).
Alice and Jules show solid LGBT representation – their relationship headlines in this “couples retreat gone horribly wrong” horror film. These women are a constant and healthy source of support for one another, openly discussing their fears of coming out to family members and providing crisis-mode backup in equal measure.
Alice keeps control and exhibits a great emotional strength, but her confidence falters. Because of this, she’s extraordinarily relatable. Alice is just moving through the crisis one step at a time – she doesn’t have the obnoxious swagger of someone who’s got it all figured out. She knows she’s vulnerable, but she doesn’t let that break her.
Feral has an incredible female focus.Ā I absolutely loved the factĀ that it completely scrapped the male gaze. This film is about women and their relationships and their fight for survival, and a lesser film would have turned that into gratuitous T&A shots and “girl-on-girl action” straight out of a porn keyword search.
Now, a character’s sexuality can beĀ powerful when it’s used well. Take, for example, Wonder Woman’s balance of beauty, compassion, and unstoppable brawn. But, that being said, it’s no secret that horror films tend to use female sexuality to strip away their power. Horror movies are stereotypically known for their scenes of a scantily clad victim traipsing through the scene of the crime.
FeralĀ treated its female characters the same way that it treated the men – they weren’t eye candy; they didn’t use their sexuality as a power play, they were just women.
The film’s climactic finale is not buried in exposition – it opens a wound and lets it breathe.Ā It infects you with this nibbling curiosity; an itch you can’t quite scratch. FeralĀ gets under your skin in a delicious way.
You can watchĀ FeralĀ now in select theatres or VOD. Check out the trailer below.
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‘Evil Dead’ Film Franchise Getting TWO New Installments
It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.
We already knew about the SĆ©bastien VaniÄek upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.
“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.ā
That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”
Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:
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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening
Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.
Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.
Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.
Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.
Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.
The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.
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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date
Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.
Presumed Innocent is being produced by David E. Kelley, J.J. Abramsā Bad Robot, and Warner Bros. It is an adaptation of Scott Turowās 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.
These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:
According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”
Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.
Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.
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