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Reality Bends in Travis Milloy’s “Infinity Chamber”

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There’s a lot going on in Travis Milloy’s new sci fi/thriller Infinity Chamber.  The writer/director digs deep into classic themes to weave a tale that is one part Kafka’s The Trial, one part 2001: A Space Odyssey, with a dash of Memento to bring the two together.  Oddly enough, though the themes are present, the film still feels like something we’ve never seen before, and that is the real magic here.

Frank Lerner (Christopher Soren Kelly) wakes up in a futuristic prison cell.  He has no idea how he got there or why he would have been arrested.  His only companion in his cell is an artificial intelligence keeper named Howard who provides food and drink while monitoring Frank to ensure he doesn’t attempt escape.  While imprisoned, Frank slowly begins to remember the time just preceding his arrest.  The problem is that the information changes each time he remembers.

Through Frank’s memories, the viewer slowly learns that his captors are a part of a government regime intent on controlling the masses.  An underground alliance is intent on taking down that regime and it just might be possible that Frank is a member of that resistance.

These themes of government intrusion and violation of privacy are all too relevant today, and this brings Infinity Chamber perhaps a little too close to home.

Christopher Soren Kelly as Frank in Infinity Chamber

Milloy’s script is tightly written, however, and keenly paced.  He almost begs his viewers to solve this mystery offering different paths to the same ending over and over again.  It becomes a game.

We saw this piece of information twice.  Does that mean it’s real?  This scene had sharper color.  Is that significant?

One thing seems certain, however.  The system is breaking down, and Frank’s quest for truth might actually mean the difference between life and death.

Christopher Soren Kelly’s performance as Frank is as strong as I’ve ever seen in this kind of role.  Every emotion, every nuance comes flawlessly through the screen.  We want him to escape.  We want him to survive.  But even more, we want him to find the truth.

Jesse D. Arrow voices the A.I. life support technology, Howard, in the most human way possible.  Howard has a system of protocols he must follow, but Howard also has doubts.  He stumbles and questions his purpose and grows sympathetic to Frank as he searches for the truth.

The film’s other stellar turn comes from Cassandra Clark as Gabby, the barista who served coffee and chatted with Frank just before his arrest.  Gabby is smart and kind providing emotional support throughout Frank’s journey.  She is the heart of this film and she plays the role beautifully.

This film is a must see for fans of a good science fiction thriller wrapped in mystery.  There are no easy answers through most of the film and the final reveal even leaves a question or two for the viewer, but this is one journey that is unquestionably worth taking.

You can pre-order Infinity Chamber on iTunes ahead of its September 26, 2017 release.  For more information on the film you can check out their website or follow them on Facebook!

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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