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PERCEPTION: Gothic Horror Meets Innovative Indie

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Lately, Indie games have become some of my centrally favorite treats in the realm of videogames. The concise format has become a relaxing getaway from mainstream, massive open-world games that tend to makeup the majority of releases nowadays. Perception is undoubtedly a notable standout in recent indie titles when it comes to innovative story delivery but not all parts follows through.

Perception follows Cassie as she heads out to visit an abandoned mansion that she has been haunted by in dreams. A lot of the setup feels vaguely familiar to Gone Home, with one huge  divisive addition… Cassie is blind. Being blind she is only able to navigate using “echolocation,” a sort of Daredevil-esque way of sensing the world around you.

Using echolocation in the game relies on sounds in any given space. For example, tapping your cane on the floor sends out waves allowing you to catch glimpses of your environment. This becomes horrifying for two blaring reasons, you guys. For one, you are having to make noise in order to “see.” And two, when you aren’t tapping your screen is completely black. Once you learn the mechanics of the game, an ominous force known as the Presence, will come find you if you make too much noise. This leaves you rationing the amount of times you are allowed to tap your cane, while trying to navigate the spooky house.

This first-person experience is all about exploration and  mostly plays out through audio-recordings or notes left around the house. Phone apps that were designed to assist the blind come into play, as Cassie can turn text to speech, or send other users pics of whatever images she needs deciphered.

Perception, is broken into four different stories, each taking place in a different era. In each era, Cassie discovers the fates of different residents who have lived and died in the house. Each classically gothic horror story is based partly on fact and unravels in dark and unexpected ways.

The stories end up taking center stage in terms of what will keep you playing through the game as a whole. A lot of the divisive mechanics that make the game a standout, become gimmicky at times even a complete nuisance. When you start the game off, tapping your cane and taking in pulses of your surroundings is spine-chilling, but towards the end of the game you will find yourself tapping with little to no caution. The Tales from the Crypt-ish anthology stories, are the real meat of this meal and at times will cause some goose bump-inducing jump scares.

I found it really interesting that when beginning a new game, you are given an option that will either allow Cassie to pedantically speak in-game or to keep silent. This has become something I’m fascinated with as of late. Silent protagonists in games allow the player to feel like they are truly stepping into the shoes of the character. Sometimes when protagonists speak, it can immediately break any immersion may have been built up. I chose to keep Cassie with her in game voice and soon changed that option back to the quiet approach. Cassie’s reaction to scary moments isn’t believable, a lot of times her response is filled with bravado and would be a better fit for Ash from Evil Dead. I highly recommend playing this one without a chatty Cassie.

Perception, achieves tons of innovation in a game that would have felt too much like Gone Home without the echolocation mechanics. If you go in knowing this isn’t a fast-paced or over strictly terrifying game, you will get the absolute most out of the story. I appreciate the concise short story telling delivery system that it does achieve, and even when the mechanics that may have sold you on this game begin to get old, a well told story will keep you held for in place for a satisfying finale.

Perception is out now on PC, Playstation 4 and Xbox One.

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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