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“Old 37” FX Master Brian Spears Talks to iHorror

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Thirty years ago, among the Winterberries and a canopy of red Maple leaves in Somers NY, a young Brian Spears walked through the winter chill and entered a video store. He went straight to the horror shelf and tried to choose a title that had the bloodiest prospect. Little did he know that decades later he would create his own bloody prospects with “Old 37”. Spears’ work with Pete Gerner on “Old 37” has been nominated for an SFX award at this years HorrorHound 2015 event.

Spears used to be afraid of horror movies until he discovered that he could make them himself. He turned his childhood garage into a make-shift studio. He says that the horror movies that he watched between the ages of 13-18 are near-and-dear to his heart, and going to the video store at that time always meant his first stop was the horror section.

Brian Spears (photo credit: Kevin Ferguson)

Brian Spears (photo credit: Kevin Ferguson)

 

Spears was intrigued by “Toxic Avenger” and tried to re-create that character making masks with whatever material he had available. “Evil Dead 2” and “The Thing” were the two movies that inspired him to want to manipulate the human form and forge body parts into realistic looking extensions of the natural being.

Trust me, I’m a paramedic… (Photo credit: Rich MacDonald)

 

In 2003, Spears got his chance and began working on Tony Mandile’s “Midnight Mass”. Although he created many prosthesis and gore effects for this vampire movie, Spears was in awe of just being surrounded by the hustle and bustle of a live movie set. Through all the chaos, he met Peter Gerner and together they would go on to create Gerner and Spears Effects with dreams of being the pinnacle company for movie special effects and make up.

“Gerner & Spears Effects was going to light the indie horror scene on fire- needless to say we were a bit delusional,” Spears says, “it’s taken us some 15 years climbing one step at a time but we love every minute.”

[iframe id=”https://www.youtube.com/embed/tpEeC6a-_Ww”]

As with most successful people, looking back at where one started and where they are today, the temptation to change a certain aspect of an early project is always present. Although Spears says he sometimes wishes he could have a do-over, he is honored to have worked with some really good film makers.

Glass Eye Pix is a company that has helped Spears hone his craft and has been a major part of his career,”’I Sell the Dead’ was the first film I can say I am super proud of. The experience both on set and off were amazing. GEP also makes films I enjoy watching. Glass Eye produced ‘Stakeland’ another project that had a huge impact and led to other Jim Mickle flicks that feature some gags I am very proud to have done.”

His hard work and determination have paid off. “Old 37”a film that is getting a lot of horror hype through the internet and festival circuit, brings two horror icons together in a blood-bath of horror and notoriety. Starring Kane Hodder (Friday the 13th: VII) and Bill Moseley (Army of Darkness) “Old 37” has taken the horror festival circuit by storm.

The Sharp Experience (Photo credit: Rich MacDonald)

Recently nominated for Best Horror Effects at HorrorHound Weekend 2015 in Cincinnati, Spears says that shooting the film was literally a disaster in the beginning. A hurricane moved through the state of New York followed by an unusually harsh winter.

Eventually, the climate did change and filming finally began. Spears says he dove into the script and found that the slice-and-dice film offered some interesting possibilities, “The movie was a bit slasher, mad men-psychos with a hint of clueless teens- and we got to kill a few folks.” he said, “A highlight was a full body burn- extra crispy, using prosthetics we took a lovely actress through several stages the end result being a makeup any gorehound should dig.”

Spears says that working with Kane Hodder was incredible. In “Old 37” Hodder dons yet another facial disguise and Spears was honored to have designed it, “We even created a custom mask for Kane’s character- knowing his history behind a mask we certainly took that seriously but were totally stoked. We were more than pleased with it and Kane dug it- keeping the original.”

The masked man Hodder returns with a new one from Spears in “Old 37” (Photo credit: Rich MacDonald)

 

Spears and Gerner have no intention of slowing down. They have many projects in the works and last year alone they have worked on some critically acclaimed movies such as “We Are What We Are”, “Sacrament” and “Late Phases”. With eleven films either completed or in post-production, the team has come a long way from the vampire movie that started it all. They continue to do what they do best and horror fans can appreciate their time and commitment to the craft.

“With every gig I feel I get better,” say Spears, “and I have been lucky to have worked with, worked for and collaborated with some amazing talents that inspire me. I hope your fans keep watching horror movies cuz I can use the work.”

Somewhere, in a small town, a 13 year old is scrolling through a library of horror movies on a streaming device. He or she will eventually land on one that Spears and Gerner have worked on, and perhaps in their garage there is a space just big enough for them to forge their own dreams.

No word yet on when you can see Spears work on “Old 37”. No release date has been determined. But you can keep up with the film here.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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