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Leigh Whannell on Splicing Horror and Science Fiction in ‘Upgrade’

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Leigh Whannell says that his film ideas arrive to him in a flash.  “My story ideas just appear in my head randomly,” says Whannell, the co-creator of the Insidious and Saw horror film franchises.  “They seem to arrive when they want to, not when I want them to.”

This was the case with Whannell’s latest film, Upgrade, which combines horror and science fiction.  “I remember that I was sitting in my backyard one day, many years ago, when the image of a quadriplegic being puppeteered by a computer just popped into my head,” says Whannell.  “I was instantly excited about it, and that moment began the long, long journey of getting an independent film made.”

Upgrade tells the story of Grey Trace, a technophobe who is the victim of a brutal mugging that leaves him paralyzed and his wife dead.  “Grey’s goal in the beginning of the film is to find his place in this new technological world,” says Whannell.  “He wants to know where he fits in.  Then, when his wife is taken from him, he wants revenge, and he uses technology to aid him in that quest.”

Revenge is made possible through an experimental computer chip implant called Stem.  “Technology gives him [Grey] a chance at a new life,” says Whannell.  “Someone who previously hated technology becomes technology, and he sees how intoxicating and overpowering that can be.”

Whannell says that Upgrade was heavily influence by the 1980s science fiction films that Whannell grew up watching.  “I think the horror that exists in the film is of the ‘body-horror’ variety and the idea of technology intruding on human flesh,” says Whannell.  “My influences were definitely sci-fi films from the 1980s.  There was always a horror tinge to many of the sci-fi films of that time, perhaps born out of the practical FX boom.  I’m talking about films like The Terminator, Scanners, Robocop, Videodrome, Aliens, The Thing, Total Recall, and The Fly.  They were grimy and icky.  They were not slick.  They were violent and raw.  I wanted to capture that again with Upgrade—a time when sci-fi was contained and very practical FX-driven.”

The making of Upgrade represented a triumphant homecoming for Whannell, who shot the film entirely in his hometown city of Melbourne, Australia.  “The one memory that stands out the most for me happened when we were filming in an area where I used to live in Melbourne,” recalls Whannell.  “We had found this old technical school that had closed down and was lying abandoned.  There were so many rooms of such different sizes in the building that we ended up using it as a kind of back-lot for so many of the scenes.  We turned rooms there into a morgue, a dive bar, a minimalist loft apartment.”

“This building was next door to a pub called The Tote,” continues Whannell.  “It’s kind of a legendary music venue in Australia; it’s beautifully grimy and grungy, and it almost exclusively hosts rock ‘n’ roll and punk bands.  It’s the CBGB’s of Melbourne, if you will.  It just so happened that I shot my student film at The Tote, when I was nineteen.  It was called The Demise of Fallon Thomas, and it wasn’t very good. I remember thinking, during the making of this student epic, that perhaps directing wasn’t for me. On the first night of shooting Upgrade at this back-lot, I got to set early and snuck off to The Tote for a drink.  I was sitting at the bar and just thinking of that younger version of me—so nervous and convinced that I was terrible at filmmaking—and contrasting it with the fact that I was now shooting a sci-fi movie with a crew of hundreds right next door!  It was a moment of true perspective—about how far I’d come and how lucky I was. It brought a smile to my face and a tear to my eye.  Upon telling the story to the bartender, the drink was on the house.”

Upgrade is scheduled for theatrical release on June 1, 2018.

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This Horror Film Just Derailed a Record Held by ‘Train to Busan’

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The South Korean supernatural horror film Exhuma is generating buzz. The star-studded movie is setting records, including the derailment of the country’s former top-grosser, Train to Busan.

Movie success in South Korea is measured by “moviegoers” instead of box office returns, and of this writing, it has garnered over 10 million of them which surpasses the 2016 favorite Train to Busan.

India’s current events publication, Outlook reports, “Train to Busan previously held the record with 11,567,816 viewers, but ‘Exhuma’ has now achieved 11,569,310 viewers, marking a significant feat.”

“What’s also interesting to note is that the film achieved the impressive feat of reaching 7 million moviegoers in less than 16 days of its release, surpassing the milestone four days quicker than 12.12: The Day, which held the title of South Korea’s top-grossing box office hit in 2023.”

Exhuma

Exhuma’s plot isn’t exactly original; a curse is unleashed upon the characters, but people seem to love this trope, and dethroning Train to Busan is no small feat so there has to be some merit to the movie. Here’s the logline: “The process of excavating an ominous grave unleashes dreadful consequences buried underneath.”

It also stars some of East Asia’s biggest stars, including Gong Yoo, Jung Yu-mi, Ma Dong-seok, Kim Su-an, Choi Woo-shik, Ahn So-hee and Kim Eui-sung.

Exhuma

Putting it in Western monetary terms, Exhuma has raked in over $91 million at the worldwide box office since its February 22 release, which is almost as much as Ghostbusters: Frozen Empire has earned to date.

Exhuma was released in limited theaters in the United States on March 22. No word yet on when it will make its digital debut.

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Watch ‘Immaculate’ At Home Right Now

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Just when we thought 2024 was going to be a horror movie wasteland, we got a few good ones in succession, Late Night With the Devil and Immaculate. The former will be available on Shudder starting April 19, the latter just had a surprise drop on digital ($19.99) today and will be getting physical on June 11.

The film stars Sydney Sweeney fresh off her success in the rom-com Anyone but You. In Immaculate, she plays a young nun named Cecilia, who travels to Italy to serve in a convent. Once there, she slowly unravels a mystery about the holy place and what role she plays in their methods.

Thanks to word of mouth and some favorable reviews, the movie has earned over $15 million domestically. Sweeney, who also produces, has waited a decade to get the film made. She purchased the rights to the screenplay, reworked it, and made the film we see today.

The movie’s controversial final scene wasn’t in the original screenplay, director Michael Mohan added it later and said, “It is my proudest directorial moment because it is exactly how I pictured it. “

Whether you go out to see it while it’s still in theaters or rent it from the convenience of your couch, let us know what you think of Immaculate and the controversy surrounding it.

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Politician Spooked By ‘First Omen’ Promo Mailer Calls Police

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Incredibly, what some people thought they would get with an Omen prequel turned out to be better than anticipated. Maybe it’s partly due to a good PR campaign. Maybe not. At least it wasn’t for a pro-choice Missouri politician and film blogger Amanda Taylor who received a suspicious mailer from the studio ahead of The First Omen’s theatrical release.

Taylor, a Democrat running for Missouri’s House of Representatives, must be on Disney’s PR list because she received some eerie promo merch from the studio to publicize The First Omen, a direct prequel to the 1975 original. Usually, a good mailer is supposed to pique your interest in a film not send you running to the phone to call the police. 

According to THR, Taylor opened the package and inside were disturbing children’s drawings related to the film that freaked her out. It’s understandable; being a female politician against abortion it’s no telling what kind of threatening hate mail you’re going to get or what might be construed as a threat. 

“I was freaking out. My husband touched it, so I’m screaming at him to wash his hands,” Taylor told THR.

Marshall Weinbaum, who does Disney’s public relations campaigns says he got the idea for the cryptic letters because in the movie, “there are these creepy drawings of little girls with their faces crossed out, so I got this idea to print them out and mail them to the press.”

The studio, maybe realizing the idea wasn’t their best move, sent out a follow-up letter explaining that it was all in good fun to promote The First Omen. “Most people had fun with it,” adds Weinbaum.

While we can understand her initial shock and concern being a politician running on a controversial ticket, we have to wonder as a film enthusiast, why she wouldn’t recognize a crazy PR stunt. 

Perhaps in this day and age, you can’t be too careful. 

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