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Late to the Party: Fright Night (1985)

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fright night

Welcome back, spooky darlings, to another edition of Late to the Party! This week I watched Tom Holland’s 1985 classic, Fright Night.

Fright Night, I’ve realized, is essentially a modern-day suburban retelling of Bram Stoker’s Dracula. You’ve got Charley Brewster (William Ragsdale) as a stand-in for Johnathan Harker. He realizes that his new neighbor, Jerry Dandrige (who has moved in to an aging mansion with enviable stained glass windows and antique architectural fixtures that seem oddly out of place in this 80s suburb, but, okay) has some rather frightening secrets.

via Scare Me on Fridays

Charley seeks the assistance of a renowned occult expert and supposed vampire slayer, Peter Vincent (Roddy McDowall). But Vincent is a much more reluctant and dishonest double for Van Helsing. Though he eventually rises to the occasion, he begins his journey as a floundering entertainer and steadfast cynic.

Like Dracula, Jerry Dandrige (Chris Sarandon) has a Renfield-like “familiar” in his roommate, Billy Cole (Jonathan Stark). Billy takes out the trash, drives their jeep, and generally helps Jerry with the acquisition and disposal of victims. They’re best buds!

Charlie’s girlfriend, Amy (Amanda Bearse), plays the role of a surrogate Mina. She is seduced by Jerry and soon is transformed. Charley’s only hope is to kill Jerry, releasing Amy from his spell and saving them all in a grand heroic gesture.

via Scare Me on Fridays

One scene that stuck out to me was the dance floor seduction of Amy. The subtle primal awakening is communicated perfectly.

This poor girl has had a bit of an on-again, off-again relationship with Charley, and our first introduction to them as a couple is Carley’s low-key attempt to pressure her into having sex. When she bundles up the resolve to give it an honest try, Charley is too distracted by Jerry’s in-a-coffin arrival to realize that this is kind of a big deal for Amy. She storms off in a huff.

In subsequent scenes, Amy tries to open up to Charley to address the challenges in their relationship. She is continually frustrated as Charley becomes more obsessed with his new “my neighbor is a vampire” theory.

Enter Jerry. Seductive, sexy Jerry (or, at least he was 80s sexy). He is taken by her resemblance to an old lover and his raw vampire magnetism draws Amy in like a moth to a flame. She’s finally granted sensual attention, and damn, this girl is so ready.

via Amino

As always, I went head-over-heels for Fright Night‘s practical effects. There are some fantastic transformations punctuated by melting flesh and cracking bones. I was practically giddy, you guys.

I don’t care what anyone says, the real way to a woman’s heart is through gruesome practical effects.

via Twitter

Another scene worth highlighting is the wolf death. It’s actually heartbreaking (completely sold by Roddy McDowall’s reactions) and – again – the visuals are solid. I felt actual emotions because of this scene, which is no easy feat (trust me on this).

I’m going warn you about spoilers for the next paragraph, so if you – like past me – haven’t seen Fright Night, perhaps skip ahead?

The scene between the dying wolf and Vincent is skillfully presented. Vincent – who had run off to seek help – finally lives up to the strength of his as-seen-on-TV character. He gains confidence that he can be the knowledgeable vampire slayer that he pretends to be. But it’s a tragic discovery, since it comes on the heels of killing young “Evil” Ed. Ed, the awkward outcast, who was lured to the vampire life by Jerry’s promise: “they won’t pick on you anymore”. As Ed dies, he reaches out for comfort, foiled by the monster he has become.

via Movies Films and Flix

Overall, Fright Night really grew on me, and I’m glad I finally gave in and watched it.

For more Late to the Party, check out the full catalogue of recent discoveries!

I’ll leave you with this song because if I’m going to have it stuck in my head all day, dammit, you should too.

Featured image by Chris Fischer

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

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The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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