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Harrison Smith Interview, Director of ‘Death House’

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Director Harrison Smith is no stranger to the horror genre.  While he is relatively new to the director’s chair he knows how to deliver high quality genre films on a surprisingly modest budget.  Smith’s titles include; 2011’s The Fields as writer, 2012’s Six Degrees of Hell as writer, 2014’s Camp Dread as writer and director, and 2015’s ZK: Elephant’s Graveyard (aka Zombie Killers: Elephant’s Graveyard) as writer and director.  In fact, it was at Zombie Killers where Harrison Smith was approached to do the film Death House.

At the screening of ZK, Entertainment Factory producers Rick Finklestein and Steven Chase pitched Harrison the idea originally conceived the late and great Gunnar Hansen, star of 1974’s The Texas Chainsaw Massacre.  While another writer had initially tried to flesh out the idea into a workable movie script, Entertainment Factory wanted Harrison Smith to re-write the project and direct it.  After hearing their idea Smith took on the project, scrapped the re-write, and used Hansen’s bare bones of a great concept to go to work.

Two years later we finally have a trailer for a movie that looks like it will be one hell of a good time!

I had the honor of interviewing Harrison Smith, so please read bellow and learn all about the making of Death House!

iHorror: In your own words, what is Death House about?

Harrison Smith: The film is about good and evil and its place in the world and universe. We are living in dangerous times, and the line between what is good and bad is blurred beyond recognition. We have groups on all sides of the spectrum dictating to us what is good, what is pure, what is bad, what is evil and what is politically correct and incorrect. The grey area between good and evil is perhaps the deadliest.

Take this answer and apply it to a facility that churns out death as its product, packaged as good, and you have real horror. Why? Because it’s happening all around us now.

iH: Originally Death House is the brainchild of Gunnar Hansen.  How, and when, did you join the project?

HS: My Cynema Series found here: https://horrorfuel.com/author/harrison/

This has several “Road to Death House” pieces which answer this in detail. It’s a question I get all the time, but this should give you plenty to answer.

https://horrorfuel.com/horror/creature-feature/road-death-house-part-1/

https://horrorfuel.com/horror/movies/zombie-movies/road-death-house-part-2/

https://horrorfuel.com/crypt-tv/road-death-house-pt-3/

iHorror note:  This story is a MUST read if you want to know how Harrison became involved with the movie.  I read it and attempted to condense it, but you’ll be doing yourself a disservice if you don’t go read it in its entirety.

iH: Why has it taken so long to bring Death House to the fans?

HS: There are a number of issues and I think you will see that in those articles I listed. However the big thing was finding the right story. Gunnar was not happy with his original script, which he feared was too art house. He did let someone take a second pass and it turned into torture porn. He wasn’t happy about that, and then it came to me. On top of, add actor availability, finding the money and getting all of that together, and you see why it took over five years to get it done.

iH: What was it like bringing this ensemble of actors together?

HS: This can also be found in those articles. However it was a dream come true to be surrounded by so many of these folks. They are actors, not just horror icons, and their work is so varied and diverse. From stage to film to TV and in between you have writers, musicians…they are just such fun and eclectic people.

iH: The trailer shows one beautiful practical effect in particular, can we expect more gore?

HS: There is plenty of blood and gore. The recent CENFLO film festival had audiences groaning, hiding eyes, clapping, laughing at the blood and gore. No one is going to accuse Death House of not having enough blood. Roy Knyrim and SOTA FX outdid themselves in this department.

iH: Can horror fans expect any small nods to the movies that made these men and women famous, either in the script or the set design?

HS: This film is LOADED with Easter eggs and references to other horror. However it never trips over itself in that regard. I was once given a script which had all the characters named after major horror characters and it’s so ham fisted and dumb it takes you out of the movie before it even starts. Naming characters “Regan” or having last names like “Strode” or “Voorhees” are signs of bad writing. However, if you know your horror, you’re gonna see and hear a lot of subtle things, and if you stay for the ending credits we have the ultimate and ACTUAL best Easter Egg in the film for viewers.

iH: Did any pissing competitions take place on set for who’s the biggest, bad ass horror villain?

HS: Absolutely not. Only if you count them ragging and teasing each other. It was a pleasant and fun shoot with each one knowing they were there for Gunnar. The only issues came from a few actors who were not in the film who thought it might be all about them.

iH: Kane Hodder is a notorious on set prankster.  Did you witness any such pranks amongst the cast on set?

HS: Yes. A few I can’t say because it might piss off some people who were victims to them. However he regularly quoted Blazing Saddles, always had a funny insight, and when you got him, Moseley and Berryman together it was a class clown convention.

iH: What was your favorite scene to direct?

HS: Wow. Wasn’t asked that one before. I guess I would have to say, without offense to everyone else, that I really enjoyed the scene with Dee, Cody and Cortney making their way through the dark hallway which was this fun house tour of terror. I never let them know the things they were gonna see. They knew they were gonna see SOMETHING, but I never told them exactly what. That way their reactions would be real. And we got that. It’s terrific.

iH: Who was your favorite on screen combination of horror veterans?

HS: All of them. There were so many scenes, one does not stand out. Each one was individual in its own way.

iH: When and where can we see Death House?

HS: The film is getting a large theatrical release starting January 2017. Cities and markets to be announced but opening in 44 states.

iH: What do you hope fans take away from Death House?

HS: An open mind, lots of questions and the need to see it again to catch all that they missed. Also I hope they take away a new appreciation for the actors and the work they have given us and to the genre. It’s not all about superheroes, Marvel and Star Wars, and franchises.

iH: If Gunnar Hansen was able to see the finished movie, what do you think he would say?

HS: Being that he read the shooting script and said personally he approved of it and it had his blessing, I believe he would be happy with the finished film. I stuck to his hope to keep art in the film and not just make a splatter movie. He wanted something smart as well as entertaining, and frankly, why can’t something be both? Horror can be smart. Expect more from your entertainment and you will see better product come forth.

iHorror would like to thank Harrison Smith for taking the time out of his busy schedule for this interview!

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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Trailer for ‘The Exorcism’ Has Russell Crowe Possessed

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The latest exorcism movie is about to drop this summer. It’s aptly titled The Exorcism and it stars Academy Award winner turned B-movie savant Russell Crowe. The trailer dropped today and by the looks of it, we are getting a possession movie that takes place on a movie set.

Just like this year’s recent demon-in-media-space film Late Night With the Devil, The Exorcism happens during a production. Although the former takes place on a live network talk show, the latter is on an active sound stage. Hopefully, it won’t be entirely serious and we’ll get some meta chuckles out of it.

The film will open in theaters on June 7, but since Shudder also acquired it, it probably won’t be long after that until it finds a home on the streaming service.

Crowe plays, “Anthony Miller, a troubled actor who begins to unravel while shooting a supernatural horror film. His estranged daughter, Lee (Ryan Simpkins), wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. The film also stars Sam Worthington, Chloe Bailey, Adam Goldberg and David Hyde Pierce.”

Crowe did see some success in last year’s The Pope’s Exorcist mostly because his character was so over-the-top and infused with such comical hubris it bordered on parody. We will see if that is the route actor-turned-director Joshua John Miller takes with The Exorcism.

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