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The Blackwell Ghost: Documentary or Horror Movie with a Great Hook?

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It’s been over a month ago since I first discovered The Blackwell Ghost streaming on Amazon Prime.  Honestly, I had passed it over in the suggestions menu several times, but it was one of those late nights where I wanted one last movie and this one was only an hour or so long.

The first interesting thing about this film is that it is described as a documentary.  In fact, there was no mention of this being a horror film or even found footage in any description I could find.

Now, I’m a paranormal enthusiast and have been an investigator for years, so I was further excited as the film began and the filmmaker in voiceover talked about his experiences making zombie movies in Los Angeles and how he’d decided to try something new.

In short, he wanted to make a documentary about the paranormal, and his interest had grown from a viral video that had made the rounds on YouTube of supposed actual paranormal phenomena caught on CCTV.

Over the next hour, I watched as the amateur documentarian went on his own adventure investigating a home in Pennsylvania.  Supposedly, in the 1940s, the home was owned by James and Ruth Blackwell.

Ruth had a reputation for being a bit strange, so it was no surprise to her neighbors when she was accused of murdering seven children and disposing of their bodies down the well in the basement.

Throughout the film, he never once wavers in his assertion that what he and his wife, Terri, are experiencing is actually real.  Furthermore, he backs up those claims with alleged researched proof of the history of the home.  I have to admit, by the end of the film I wasn’t entirely sure what to believe.  What I knew for sure was that it was a hell of a movie that I thoroughly enjoyed.

Over the next few days, I watched the film five or six more times.  I showed it to local friends and recommended it to others.  Everyone seemed to really enjoy it, but their reactions were the same across the board–they just weren’t sure they could believe what they were watching.

And really, who could blame them?

We live in a post Paranormal Activity world.  In an era filled with technology where the line between reality and illusion seems to blur more and more every day, and while belief in the paranormal is actually growing, there’s a general certainty that we won’t find it on film.

Perhaps it was natural that my reporter’s sense kicked in at this point.  I chatted with our editor-in-chief here at iHorror and decided I needed to dig into the story of The Blackwell Ghost.

I began my search by attempting to discover who the filmmaker was.  He is not listed in the credits; however, he did include pictures of a couple of scenes from one of his zombie films.

I was able to match those scenes to a film called Disaster L.A., a low-budget zombie flick from 2014.  The name of the filmmaker there was Turner Clay, but Clay is a total ghost online.  I found no actual pictures of him and so I could not verify that the man in the film was the man who made the movie.

After hitting a virtual dead end while tracking down information on Turner Clay, I turned my search to James and Ruth Blackwell in Pennsylvania in the 1940s and immediately got a hit on the names.  However, census records show that the only James and Ruth Blackwell in Pennsylvania in the 1940s were a young African American couple.  James and Ruth in the film were not only white, but they were also a much older couple as evidenced by the picture of Ruth that the filmmaker displays in the film.

It was another dead end but I wasn’t ready to give up just yet.

I contacted Dr. Marie Hardin at Penn State University who put me in contact with Jeff Knapp at the Larry and Ellen Foster Communications Library.

Knapp spent a weekend digging into the library’s considerable resources and at the end of his research could find no mention of the murder I described in 1941 or the years surrounding it.

Furthermore, he could not find a James or Ruth Blackwell connected to a murder investigation at all in the time period. Finally, nowhere in the archives were details of Detective Jim Hooper, a name I had pulled from a newspaper article the filmmaker displays in the movie.

With this information in hand, I sent a series of emails to the filmmaker via a third party in hope that he would make some time to talk to me.  As of this writing, none of those emails have been answered.

So, here I am, several weeks on with no definitive answers to my questions.  I have, however, whittled the possibilities down in my mind.

A. The filmmaker came up with as clever a plan for marketing a horror film as I’ve seen since The Blair Witch Project way back in the 1990s.  He filled his film with just the right kind of information to draw the viewer in and foster belief in his audience.  In which case, I say “Bravo, a job well done!”

OR

B. The filmmaker actually made a documentary and in the rarest of cases caught actual evidence on camera.  For whatever reasons, to protect his own identity or the descendants of those mentioned in the film, he decided to change the names and locations of the home and its sordid history.

At this time I personally lean toward my first explanation.  As I said in the beginning, I am a paranormal investigator and have spent a large part of my life pursuing those mysteries.  In other words, to embrace the cliche, I WANT TO BELIEVE!

If you’re out there reading this, Mr. Clay, please reach out.  I’d love to discuss your movie.

In the meantime, fans of the paranormal or horror movies in general, I encourage you to check out the trailer for The Blackwell Ghost below and stream it on Amazon Prime.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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