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5 Most Unusual Independent Horror Movies of 2016

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2016 was a great year for fans of independent horror movies. It takes a lot of work to find the really good stuff in a sea of the same, no-budget zombie and slasher movies, but it’s worth it for the adventurous cinephile. The independent horror landscape is the best place to find the weirdest and wildest movies: these filmmakers don’t have big budgets or studios behind them, but their hard work and passion to make movies on their own terms results in films that are truly unlike anything else. If you’re looking to start diving in to indie horror, here are 5 of the most unusual independent horror movies released in 2016.

 

Weresquito: Nazi Hunter (Saint Euphoria)

Weresquito: Nazi Hunter (Saint Euphoria)

Weresquito: Nazi Hunter

Since 2006, Minnesota-based filmmaker Christopher R. Mihm has released a new feature-length film every year. Each one is made in an earnest attempt to replicate the look and feel of the 1950s sci-fi/horror films Mihm enjoyed watching as a kid with his father. This year’s movie is much darker than any of his previous films, and it comes after his most kid-friendly film yet (2015’s Danny Johnson Saves the World). Weresquito: Nazi Hunter is the story of an American soldier who has returned to the States from Germany after WWII. A horrific Nazi experiment causes him to turn into a man-sized “weresquito” at the sight of blood, and he’s on a quest for vengeance against the Nazi scientists who were responsible. Shot as always in “period appropriate” black & white, Weresquito: Nazi Hunter is another wonder of low-budget filmmaking. It may not be the best entry point into the “Mihmiverse”–the name his fans have given the world of his films–but it gives viewers a pretty good idea of what to expect on their adventures there. The film is available on DVD directly from Mihm’s website Saint Euphoria.

 

Diana (Honors Zombie Films)

Diana (Honors Zombie Films)

Diana

Writer/director Scout Tafoya is a prolific film critic and video essayist, but he also somehow found time to release three films in 2016. House of Little Deaths is an epic 2.5-hour drama about a group of young women living and working in brothel in the suburbs of Philadelphia, I Am No Bird is an intimate modern twist on Jane Eyre, and Diana is something else entirely. Tafoya focuses on tiny details in the life of the titular protagonist played by Alexandra Maiorino, a young woman who spends some of her spare time killing and eating people. It’s shot largely in looming, lingering close-up, set to a synth score that makes it feel like what one might imagine would result from a collaboration between Michael Mann, Chantal Akerman, and Jess Franco. This is a horror movie more interested in the mundane details of the world in which its title character lives–architecture, city lights, construction traffic, leaky pipes, etc.–than in typical lurid exploitation. It’s a confounding and compelling take on familiar genre territory, and a film that gets better as it simmers in the memory. Diana is available through Vimeo VOD.

 

When Black Birds Fly (Jimmy ScreamerClauz)

When Black Birds Fly (Jimmy ScreamerClauz)

When Black Birds Fly

Any independent filmmaker wears a number of hats on a production, but Jimmy ScreamerClauz wears damn near all of them, and at the same time. ScreamerClauz creates nightmarish animated films, working almost entirely alone other than his voice cast and incorporating some music (although he does some of that, too). His previous feature-length film, 2012’s Where the Dead Go to Die, is a genuinely disturbing anthology of stories dealing with subjects no live-action film would dare. When Black Birds Fly is his second feature-length film, and while ScreamerClauz dials back the real-life horrors of his first film in favor of a more fantastic imaginary world, he amps up the insane visuals exponentially. This is also a lot less serious than his previous film, with moments of effective black comedy in the midst of creating a detailed universe and mythology. More than anything else, though, this is an impressively dense assault on the senses. ScreamerClauz uses CG animation to its maximum potential, creating images that would be literally impossible to realize in any other medium. When Black Birds Fly is available in various limited edition formats directly from the filmmaker, on Amazon VOD, and on DVD from MVD Entertainment.

 

CarousHELL (Silver Spotlight Films)

CarousHELL (Silver Spotlight Films)

CarousHELL

In some ways, CarousHELL is a traditional slasher film: there’s a killer, a bunch of dumb young people victims, and buckets of blood. In at least one very important way, though, it’s highly untraditional: the killer is a carousel unicorn named Duke who is tired of kids riding him all day long and finally snaps, leaving the carousel to go on a killing spree. CarousHELL is a horror comedy that’s nearly as gory as it is absurd, which is saying quite a lot. Despite the low-budget, director Steve Rudzinski and his team at Silver Spotlight Films pack this movie out with some impressively gruesome practical effects to accompany Duke’s murderous one-liners. In addition to inventive kills, the film delivers a sex scene for the ages between Duke and a young woman with a unicorn fetish played by indie horror star Haley Jay Madison, whose work has often been a highlight of films by indie directors like Henrique Couto and Dustin Wayde Mills. She also played a victim in Arthur Cullipher’s Headless, which provides a nice segue into the final film on this list. CarousHELL is available on Blu-ray and DVD from Silver Spotlight Films.

 

Harvest Lake (Bandit Motion Pictures)

Harvest Lake (Bandit Motion Pictures)

Harvest Lake

Scott Schirmer made a big splash on the indie horror festival circuit with his debut feature Found in 2012, and its film-within-a-film Headless proved so popular that it was made into its own feature in 2015. Following that successful production Schirmer teamed up with fellow Indiana filmmaker Brian Williams (director of 2014’s Time to Kill) to form Bandit Motion Pictures, which released two films in 2016: Harvest Lake and Plank Face. Plank Face is the more conventional of the two films, but that’s not saying much as Harvest Lake set a pretty high bar for weirdness. The setup is familiar–a group of young people visit a lake house for a weekend of partying but things don’t go quite as planned–but that’s where the similarities between this and other “cabin in the woods” movies end. Instead of a monster or killer lurking in the woods, there are strange plants whose secretions allow them to exert a kind of sexual mind control over anyone who ingests them. The result is closer to David Cronenberg’s Shivers than Friday the 13th, a beautifully shot and ominous dreamy hybrid of Lovecraftian horror and pan-sexual eroticism. Harvest Lake is available on Blu-ray and DVD from Bandit Motion Pictures, Vimeo VOD, and (as of this writing) free streaming for Amazon Prime subscribers.

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Russell Crowe To Star in Another Exorcism Movie & It’s Not a Sequel

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Maybe it’s because The Exorcist just celebrated its 50th-anniversary last year, or maybe it’s because aging Academy Award-winning actors aren’t too proud to take on obscure roles, but Russell Crowe is visiting the Devil once again in yet another possession film. And it’s not related to his last one, The Pope’s Exorcist.

According to Collider, the film titled The Exorcism was originally going to be released under the name The Georgetown Project. Rights for its North American release were once in the hands of Miramax but then went to Vertical Entertainment. It will release on June 7 in theaters then head over to Shudder for subscribers.

Crowe will also star in this year’s upcoming Kraven the Hunter which is set to drop in theaters on August 30.

As for The Exorcism, Collider provides us with what it’s about:

“The film centers around actor Anthony Miller (Crowe), whose troubles come to the forefront as he shoots a supernatural horror movie. His estranged daughter (Ryan Simpkins) has to figure out whether he’s lapsing into his past addictions, or if something even more horrific is occurring. “

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New F-Bomb Laden ‘Deadpool & Wolverine’ Trailer: Bloody Buddy Movie

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Deadpool & Wolverine might be the buddy movie of the decade. The two heterodox superheroes are back in the latest trailer for the summer blockbuster, this time with more f-bombs than a gangster film.

‘Deadpool & Wolverine’ Movie Trailer

This time the focus is on Wolverine played by Hugh Jackman. The adamantium-infused X-Man is having a bit of a pity party when Deadpool (Ryan Reynolds) arrives on the scene who then tries to convince him to team up for selfish reasons. The result is a profanity-filled trailer with a Strange surprise at the end.

Deadpool & Wolverine is one of the most anticipated movies of the year. It comes out on July 26. Here is the latest trailer, and we suggest if you are at work and your space isn’t private, you might want to put in headphones.

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Original Blair Witch Cast Ask Lionsgate for Retroactive Residuals in Light of New Film

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The Blair Witch Project Cast

Jason Blum is planning to reboot The Blair Witch Project for the second time. That’s a fairly large task considering none of the reboots or sequels have managed to capture the magic of the 1999 film that brought found footage into the mainstream.

This idea has not been lost on the original Blair Witch cast, who has recently reached out to Lionsgate to ask for what they feel is fair compensation for their role in the pivotal film. Lionsgate gained access to The Blair Witch Project in 2003 when they purchased Artisan Entertainment.

Blair witch
The Blair Witch Project Cast

However, Artisan Entertainment was an independent studio before its purchase, meaning the actors were not part of SAG-AFTRA. As a result, the cast are not entitled to the same residuals from the project as actors in other major films. The cast doesn’t feel that the studio should be able to continue to profit off of their hard work and likenesses without fair compensation.

Their most recent request asks for “meaningful consultation on any future ‘Blair Witch’ reboot, sequel, prequel, toy, game, ride, escape room, etc., in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.”

The blair witch project

At this time, Lionsgate has not offered any comment about this issue.

The full statement made by the cast can be found below.

OUR ASKS OF LIONSGATE (From Heather, Michael & Josh, stars of “The Blair Witch Project”):

1. Retroactive + future residual payments to Heather, Michael and Josh for acting services rendered in the original BWP, equivalent to the sum that would’ve been allotted through SAG-AFTRA, had we had proper union or legal representation when the film was made.

2. Meaningful consultation on any future Blair Witch reboot, sequel, prequel, toy, game, ride, escape room, etc…, in which one could reasonably assume that Heather, Michael & Josh’s names and/or likenesses will be associated for promotional purposes in the public sphere.

Note: Our film has now been rebooted twice, both times were a disappointment from a fan/box office/critical perspective. Neither of these films were made with significant creative input from the original team. As the insiders who created the Blair Witch and have been listening to what fans love & want for 25 years, we’re your single greatest, yet thus-far un-utilized secret-weapon!

3. “The Blair Witch Grant”: A 60k grant (the budget of our original movie), paid out yearly by Lionsgate, to an unknown/aspiring genre filmmaker to assist in making theirfirst feature film. This is a GRANT, not a development fund, hence Lionsgate will not own any of the underlying rights to the project.

A PUBLIC STATEMENT FROM THE DIRECTORS & PRODUCERS OF “THE BLAIR WITCH PROJECT”:

As we near the 25th anniversary of The Blair Witch Project, our pride in the storyworld we created and the film we produced is reaffirmed by the recent announcement of a reboot by horror icons Jason Blum and James Wan.

While we, the original filmmakers, respect Lionsgate’s right to monetize the intellectual property as it sees fit, we must highlight the significant contributions of the original cast — Heather Donahue, Joshua Leonard, and Mike Williams. As the literal faces of what has become a franchise, their likenesses, voices, and real names are inseparably tied to The Blair Witch Project. Their unique contributions not only defined the film’s authenticity but continue to resonate with audiences around the world.

We celebrate our film’s legacy, and equally, we believe the actors deserve to be celebrated for their enduring association with the franchise.

Sincerely, Eduardo Sanchez, Dan Myrick, Gregg Hale, Robin Cowie, and Michael Monello

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