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“20 Seconds to Live”: Interviewing Creators Ben Rock and Bob DeRosa

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Something special exists in the reaches of the ArieScope web series tab: a series called 20 Seconds to Live. As an 8-episode anthology counting down to the death of an unknown person in each episode, every story is short and sweet and often very funny.

I love short horror stories: all the scares with a small time commitment. Each episode is only a few minutes long and all have an amazing twist in that small period of time, as well as its own little mystery about who will die and in what way.

I had the pleasure of speaking with the show’s writer/co-creator Bob DeRosa and director/co-creator Ben Rock to talk about new episodes, filming and their influences.

20 Seconds to Live

“20 Seconds to Live” Logo

Thank you both for doing this interview with me. I am a big fan of 20 Seconds to Live. Ben, you’ve worked in horror before, but Bob, this looks to be your first foray into the genre. How did you come up with such a new and interesting idea for the stories?

BOB: Ben pitched me the title and overall concept, and I worked with him to develop it into a show. We both grew up loving horror anthologies and the appeal for us was immediate. Ben calls it a sandbox: we get to play in a different corner of the horror universe every time, all linked by the fun of trying to guess who’s going to die and how.

It truly makes it an experience with each episode. Ben, was it easier or harder to direct for a web series vs. a full-length movie?

BEN: A web series such as this is way easier to direct than a feature, because it’s so spread out. Every once in a while we’d shoot two episodes in a weekend, but most episodes were shot over the course of one day and those days could be very spread out. There’s an old saying: “Quick, cheap, good: pick any two.” We picked “cheap” and “good” so we knew we had to be patient.

How did you end up streaming your episodes on ArieScope?

BOB: We shot our first five episodes with our amazing producer Cat Pasciak, and the three of us were debating the best way to release them. Then I heard an episode of “The Movie Crypt” podcast and co-host/director Adam Green (the Hatchet movies, Holliston) was talking about looking for cool new content to host on his website. I knew he and Ben were friends, and Ben had been a guest on the podcast before, so I suggested Ben give Adam a call.

BEN: ArieScope has been an amazing host, and Adam is one of the good guys in the business. We’re lucky to call him a friend, and luckier still to partner with ArieScope to present the series.

20 Seconds to Live

From left to right: Bob DeRosa, Cat Pasciak, Evil Doll, Ben Rock

I bet! I am a big fan of Adam Green’s work, and he seems really genuine. It’s great how that all worked out. What other platforms can we find 20 Seconds to Live?

BEN: The most obvious one is on our Facebook page, where every episode streams. And then, very recently, we partnered with seeka.tv, a new web series streaming platform created by some seriously smart people who want to figure out how to make the web series thrive like never before. We hope that platform really takes off, not just for us but for all the amazing creators who’ve already signed on.

Congratulations on your new partnership! What is your favorite 20 Seconds to Live episode?

BEN: Each one was an adventure into a fun genre for us, but “Anniversary” really sticks with me mostly because of how it ups the stakes of its own wrongness over and over. It might be one of my favorite things I’ve ever directed in my life.

I’d also like to mention “Astaroth” – I’ve always wanted to see what would happen if poorly researched people tried to summon a demon.

BOB: Well, we have to say we love them all, but we really do! “Anniversary” was the second one we shot and I think perfectly solidified everything that makes a good 20 Seconds To Live episode: it plays with a known horror trope, has a fun reversal, spills some blood, and is just oh so wrong. Plus, it’s a love story! I also love “Evil Doll” because it really made me laugh on the page and the final product is every bit as funny as I hoped it would be.

“Astaroth” is definitely my favorite. For any Friday the 13th or Holliston fan, it features Derek Mears in the episode and he is hilarious. I hear you have another episode coming soon; can you tell us a little bit about that?

BEN: The most exciting thing about the new episode, “Medium,” is that we shot it two totally different ways – both conventionally and in VR. I’d never directed anything in VR before and it was (and still as, is we’re in post right now) a huge learning experience but it was a lot of fun. We hope people will enjoy watching the regular version and then dropping in and living inside the same story!

20 Seconds to Live

Graham Skipper and Angela Sauer in “Heartless”

I bet the VR version will be fun and terrifying. With VR always getting more realistic, it will be the full experience. For both of you, what is your favorite horror movie? Did it influence how you made 20 Seconds to Live?

BEN: There are so many, it’s hard to count. I always say my favorite horror film is John Carpenter’s The Thing, but there are still so many great horror films out there from Let the Right One In to The Witch to The Legend of Hell House

But to fixate on The Thing (as I often do, and reveled in doing so on Alien Raiders), the centerpiece of that movie is the guessing game – who’s an alien and who’s a human. We didn’t necessarily set out to do so at the beginning, but every episode of 20STL is a guessing game about who’s going to die and how. That quickly became the hardest part to get right and the most fun part to play with. We try to stay a step ahead of the audience and tell a satisfying (and hopefully funny) little horror story.

BOB: I love the original Halloween. Besides being just a stone-cold classic, it also mastered the “someone is secretly watching you” POV shot that I loved playing with in “Anniversary”.

20 Seconds to Live

Bob DeRosa and Ben Rock at the L.A. Film Festival

Will there be the ability to purchase a hard copy of the episodes?

BEN: We have always given every episode away online, but the idea of bundling together a bunch of them sounds great. We will talk amongst ourselves…

Well, if you release a hard copy, it’s definitely going in my collection. Are you doing any events for us to look forward to?

BOB: Yes! We’re launching an Indiegogo campaign in May to raise some funds to shoot our second season. We completely self-financed our first season and it’s time we tried to pay our talented crew and maybe spring for a location that’s not my backyard. We’ll also be releasing our newest episode “Medium” around the same time. Keep an eye on 20secondstolive.com for more info and you can follow us at @20STL on Twitter and 20STL on Instagram.

20 Seconds to Live

Evil Doll

A giant thanks to Bob DeRosa and Ben Rock for answering my many questions. I can’t wait to watch “Medium” and more future episodes and again, if you haven’t seen 20 Seconds to Live yet, Netflix bingeing can wait. It’s time you watch this series.

If you’d like to check out “The Movie Crypt” or similar podcasts, check out our favorites in horror/paranormal podcasting.

Featured image: Derek Mears and William McMichael incorrectly summoning a demon in “Astaroth”

(All photos courtesy of Bob DeRosa and Ben Rock)

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A24 Joins Blockbuster Movie Club With Their Biggest Opening Ever

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Everyone welcome A24 to the big leagues! Their latest film Civil War has broken a few records over the weekend. First, it’s the highest-grossing R-rated film of the year. Second, it’s the highest-grossing opening weekend A24 film ever. 

Although reviews of the action film are polarizing, it certainly captured the curiosity of moviegoers. Even if the ambiguous screenplay didn’t blow them away, they seemed to find it entertaining. Furthermore, a lot of ticket buyers lauded the film’s sound design and IMAX presentation. 

While not a straight-out horror movie, it does weave a thread on the hem of the genre thanks to its disturbing subject matter and graphic violence. 

It’s about time A24 came out of the independent movie trenches and into the blockbuster category. While their features are embraced by a niche group, it was time they swung for the fences to generate a bigger payday to compete with behemoth studios such as Warner Bros. and Universal who have been making money hand over fist over the past few years. 

While Civil War’s $25 million opening isn’t exactly a windfall in blockbuster terms it’s still solid enough in the mainstream movie-going climate to predict further success, if not by word of mouth, then by curiosity. 

A24’s biggest money maker to date is Everything Everywhere All at Once with an over $77 million domestic haul. Then it’s Talk to Me with over $48 million domestically. 

It’s not all good news. The film was made in-house for $50 million so if it tanks by week two, it could turn into a box office failure. That could be a possibility as the guys behind the Scream reboot, Radio Silence, will be on the marquee themselves for their vampire flick Abigail on April 19. That film has already generated some good buzz.

Even worse for Civil War, Ryan Gosling and Emma Stone’s own actioneer The Fall Guy is ready to usurp Civil War’s IMAX real estate on May 3. 

Whatever happens, A24 has proven over the weekend that with the right subject matter, an increased budget, and a streamlined ad campaign, they have now entered the blockbuster chat.

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Melissa Barrera Says Her ‘Scream’ Contract Never Included a Third Movie

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The Scream franchise has done a major overhaul to its original script for Scream VII after its two main leads departed production. Jenna Ortega who played Tara Carpenter left because she was overly booked and blessed while her co-star Melissa Barrera was fired after making political comments on social media.

But Barrera isn’t regretting any of it. In fact, she is happy where the character arc left off. She played Samantha Carpenter, the latest focus of the Ghostface killer.

Barrera did an exclusive interview with Collider. During their talk, the 33-year-old says she fulfilled her contract and her character Samantha’s arc finished at a good spot, even though it was meant to be a trilogy.

“I feel like the ending of [ Scream VI ] was a very good ending, and so I don’t feel like ‘Ugh, I got left in the middle.’ No, I think people, the fans, were wanting a third movie to continue that arc, and apparently, the plan was a trilogy, even though I was only contracted for two movies.

So, I did my two movies, and I’m fine. I’m good with that. I got two – that’s more than most people get. When you’re on a TV show, and it gets canceled, you can’t harp on things, you gotta move on.

That’s the nature of this industry too, I get excited for the next job, I get excited for the next skin I get to put on. It’s exciting to create a different character. So yeah, I feel good. I did what I set out to do. It was always meant to be two movies for me, ’cause that was my contract, and so everything is perfect.”

The entire production of the original seventh entry has moved on from the Carpenter’s storyline. With a new director and new script, production will resume, including the return of Neve Campbell and Courtney Cox.

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Read Reviews For ‘Abigail’ The Latest From Radio Silence

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The review embargo has lifted for the vampire horror movie Abigail and the reviews are abundantly positive. 

Matt BettinelliOlpin and Tyler Gillett of Radio Silence are getting early praise for their latest horror movie which opens on April 19. Unless you’re Barbie or Oppenheimer the name of the game in Hollywood is about what kind of box office numbers you pull on opening weekend and how much they drop thereafter. Abigail could be this year’s sleeper. 

Radio Silence is no stranger to opening big, their Scream reboot and sequel packed fans into seats on their respective opening dates. The duo are currently working on another reboot, that of 1981’s Kurt Russel cult favorite Escape From New York

Abigail

Now that ticket sales for GodzillaxKong, Dune 2, and Ghostbusters: Frozen Empire have gathered patina, Abigail could knock A24’s current powerhouse Civil War from the top spot, especially if ticket buyers base their purchase off reviews. If it is successful, it could be temporary, since Ryan Gosling and Emma Stone’s action comedy The Fall Guy opens on May 3, just two weeks later.

We have gathered pull quotes (good & bad) from some genre critics on Rotten Tomatoes (score for Abigail currently sits at 85%) to give you an indicator of how they are skewing ahead of its release this weekend. First, the good:

“Abigail is a fun, bloody ride. It also has the most lovable ensemble of morally grey characters this year. The film introduces a new favorite monster into the genre and gives her room to take the biggest swings possible. I lived!” — Sharai Bohannon: A Nightmare On Fierce Street Podcast

“The standout is Weir, commanding the screen despite her small stature and effortlessly switching from apparently helpless, terrified child to savage predator with a mordant sense of humor.” — Michael Gingold: Rue Morgue Magazine

“‘Abigail’ sets the bar as the most fun you can have with a horror movie of the year. In other words, “Abigail” is horror on pointe.” — BJ Colangelo: Slashfilm

“In what may become one of the greatest vampire movies of all time, Abigail provides an extremely bloody, fun, humorous & fresh take on the subgenre.” — Jordan Williams: Screen Rant

“Radio Silence have proven themselves as one of the most exciting, and crucially, fun, voices in the horror genre and Abigail takes this to the next level.” — Rosie Fletcher: Den of Geek

Now, the not-so-good:

“It’s not badly made, just uninspired and played out.” — Simon Abrams: RogerEbert.com

A ‘Ready or Not’ redux running on half the steam, this one-location misfire has plenty of parts that work but its namesake isn’t among them.” –Alison Foreman: indieWire

Let us know if you are planning to see Abigail. If or when you do, give us your hot take in the comments.

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